Showing titles in Dark Humour

Trauma nurse Aly escapes her hard-working days by thirsting after masked men online. To her, nothing could top the fantasy of her favorite tattooed and masked man hunting her down. But she never could have guessed that one drunken text would turn those dreams into reality . . .Josh has spent his life avoiding the limelight, but his online persona is another story. At night, he posts masked thirst traps for his millions of fans, until one follower catches his eye: Aly.

Nico 'Junior' Trocci knows Lauren Marchetti is off limits. She is sweetness and laughter, whereas Junior exists in a world of violence and depravity. Men like him don't get to have women like her. It's why he pushed her away back in high school and has kept his distance ever since. But when Junior looks Lauren up online, he discovers the shy, bookish girl he remembers is gone. In her place is a strikingly beautiful woman whose social media is filled with scantily clad pictures of herself and a connection to a nearby play club.

One wealth-obsessed man – who is also dead. One status-obsessed woman – who is the perfect accessory. Their four inheritance-obsessed children – each with a killer instinct. And a murder-obsessed outsider looking to expose them all. But there’s one thing money can’t buy… and that’s the truth.

Sherlock Holmes is an unparalleled genius. Warlock Holmes is an idiot. A font of arcane power, certainly. But he's brilliantly dim. Frankly, he couldn't deduce his way out of a paper bag. The only thing he has really got going for him are the might of 1,000 demons and his stalwart companion. Thankfully, Dr. Watson is always there to aid him through the treacherous shoals of Victorian propriety and save him from a gruesome death every now and again.

Rhiannon is your average girl next door, settled with her boyfriend and little dog...but she's got a killer secret. Although her childhood was haunted by a famous crime, Rhinannon's life is normal now that her celebrity has dwindled. By day her job as an editorial assistant is demeaning and unsatisfying. By evening she dutifully listens to her friend's plans for marriage and babies whilst secretly making a list. A kill list.

Victim. murderer. Serial killer. What next? The third darkly comic thriller in the highly addictive Sweetpea series featuring serial killer Rhiannon Lewis. Can a serial killer ever lose their taste for murder? Since confessing to her bloody murder spree, Rhiannon Lewis, the now-notorious Sweetpea killer, has been feeling out-of-sorts.Having fled the UK on a cruise ship to start her new life, Rhiannon should be feeling happy. But it’s hard to turn over a new leaf when she’s stuck in an oversized floating tin can with the Gammonati and screaming kids.

Athena Liu is a literary darling and June Hayward is literally nobody. When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. But as evidence threatens June’s stolen success, she will discover exactly how far she will go to keep what she thinks she deserves. What happens next is entirely everyone else’s fault.

Rhiannon Lewis should be happy. Her cheating fiancé is in jail – framed for the depraved killing spree she committed. Her ex-lover is chopped up and buried where no-one will find him. But there’s one small problem. She’s pregnant. And as much as Rhiannon wants to continue working her way through her kill lists, a small voice inside is trying to make her stop. Now Rhiannon has to choose – motherhood or murder.

Sweetpea is coming home at last…Newly married, with a loving family surrounding her, everything's coming up roses for ex-serial killer Rhiannon Lewis, right? Wrong. Her husband has just been shot, and the daughter she left behind in the UK is desperately ill. She’s got no choice but to flee the States and return home, back to her roots, where she’s in danger of being recognised and arrested at any moment.

You probably already know my name. Lucy Chase, the woman who doesn’t remember murdering her best friend. Even though they couldn’t find enough evidence to charge me, I know you all think I did it. That’s OK. I realise being found wandering the streets the next day covered in her blood wasn't a great look. Believe me, I’m as frustrated as you are. I’d love to know if I’m a murderer – it’s the sort of thing you really should know about yourself, isn’t it? And now, thanks to true-crime podcast Listen for the Lie, I finally have the chance to find out.

Welcome to Hell—where nobody can ever quite catch the barman's eye. In this collection, which contains all seven series of Old Harry's Game, get ready for some wicked one-liners and scorching satire. Satan is fed up after a millennia in charge of Hell, especially given the prospect of an eternity still running the damned place. Although he does enjoy playing pranks on the world of the living and devising wry torments for the souls in his keeping, he often wistfully recalls his past as an archangel.

Between 1947 and 1957, Ealing Studios produced a series of immensely popular, darkly funny film comedies that made the West London borough famous throughout the world. Almost 50 years later, four of these timeless films were recreated for BBC Radio 4, and are now collected together for the first time.

Charles O’Brien, Irish bard and giant: The cynical are moved by his flights of romance; the craven stirred by his tales of epic deeds. The Surprising Irish Giant may be the sensation of the season but only his compatriots seem to attend to his mythic powers of invention. John Hunter, celebrated surgeon and anatomist, buys dead men from the gallows and babies’ corpses by the inch. Where is a man as unique as The Giant to hide his bones when he is yet alive?

Carol is a divorced teacher living in a small town in Ireland, her only son now grown. A second chance at love brings her unexpected connection and belonging. The new relationship sparks local speculation: what does a woman like her see in a man like that? What happened to his wife who abandoned them all those years ago? But the gossip only serves to bring the couple closer.

Meet Grace Bernard. Daughter, sister, colleague, friend, serial killer. Grace has lost everything. And now she wants revenge.

A twisted tale of murder in the world of big-stakes bass fishing tournaments. Filled with ex-wives, evangelists, and an armed pit-bull, this is a story that could only be concocted by Carl Hiaasen, Pulitzer Prize-winning journalist, New York Times best-selling author, and czar of Florida noir fiction.

Molly the maid is all alone in the world. A nobody. She’s used to being invisible in her job at the Regency Grand Hotel, plumping pillows and wiping away the grime, dust and secrets of the guests passing through. She’s just a maid—why should anyone take notice? But Molly is thrown into the spotlight when she discovers an infamous guest, Mr Black, very dead in his bed. This isn’t a mess that can be easily cleaned up.

Rhiannon Lewis thought she finally had it all: thanks to the pandemic she’s had to keep a much lower profile but has found happiness with her fiancé Rafael and his family. For once, she is surrounded by people who love her for who she is (or who they think she is). After over 800 days without murdering anyone, the woman formerly known as the Sweetpea Killer thinks she might have finally turned over a new leaf. That is until her soon-to-be sister-in-law has a run in with her abusive ex, and Rhiannon rediscovers her taste for revenge.

Jane Peters is an adrift 20-something by day, and a world-weary agony aunt by night. But when an office party goes too far, Jane dissolves into the high-stakes world of being the Other Woman: a role she has the right advice for, but not the smarts to follow through on. What starts out as a drunken mistake quickly unravels as Jane discovers that sex and power go hand in hand and that it's hard to keep your head when you've become someone else's dirty little secret. And soon, her friendships, her sanity and even her life are put into jeopardy.

Edward is living in a world he can't afford and to which he doesn't belong. To camouflage himself, he has catered to his friends' needs – fetching drycleaning, sorting flowers for premieres. It's a noble effort, really – anything to keep his best pals Robert and Stanza happy. In return, his proximity to them might sponge the shame of his birth and violent past cleanly away. But the chink in his armour is his painfully unrequited love for Stanza. When he realises Stanza and Robert are an item, Edward is pushed too far.