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Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People’s Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded.

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

Paul Delamare has been roped into accompanying his old friend on a luxury cruise aboard the magnificent superyacht Mal de Mer. It’s all plain sailing until his friend’s priceless necklace is stolen, and everyone falls under suspicion. As Paul races to catch the thief, the ship begins to drift off-course, veering into the storm-lashed mid-Atlantic. Then one of the passengers is found dead in mysterious circumstances, in a pool of coffee and surrounded by cake crumbs. It’s all hands on deck to catch the killer, but Paul soon discovers guests and crew are harbouring deadly secrets.

As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.

A spirited new version of Virgina Woolf’s Orlando adapted with a distinctly queer point of view. This adaptation revels in the origin of the story as a love letter from Woolf to Vita Sackville West. Beginning the story as a young 16th century nobleman, Orlando’s life spans centuries, continents, lovers and genders in a sumptuous celebration of what it means to explore one’s own identity.

Virginia Woolf's semi-biographical novel, inspired by her life changing love affair with Vita Sackville-West, takes us on an exhilarating, fantastical roller coaster, tracing 400 years of English history, in the company of her shape-shifting, gender-bending, time-travelling hero Orlando, whose inner conflicts and triumphs challenge our preconceptions of the nature of love, the battle of the sexes, posing socal and metaphysical questions including what we now call climate change.

Orlando is one of the most unforgettable creations of twentieth-century literature. He emerges as a young man at the court of Queen Elizabeth I and progresses, with breathtaking ease, through three centuries until, by now a woman, she arrives in the bustle and diversion of the 1920's.

In Enslavement: Past and Present, historical sociologist Orlando Patterson casts a wide net to examine the social, political, and economic complexities of slavery across different eras and societies. Patterson examines slavery at several levels of abstraction, from micro-level relations of domination to the macro-structures of entire societies.

Tristan Montague has had his ability to cast magic broken. When his confrontation with Edith and Verity leave him unable to access his magic, he must seek out another technique to regain his access. He must learn the Restoring Palm. Now, together with Simon and the help of a dark mage, they must seek out someone who knows the technique and is willing to teach it to Tristan.

When Orlando Whitfield met Inigo Philbrick, they were ambitious art history students who dreamt of dealing art for a living. Their friendship would last for fifteen years until one day, Inigo - by then the most successful dealer of his generation - disappeared, accused of a fraud so gigantic and audacious it rocked the art world to its core.

The terrible conflict that dominated the mid-19th century, the Crimean War, killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land.

An emissary from the Dark Council has just materialized in the office of the Montague & Strong Detective Agency, and makes Simon Strong an offer he can't refuse. Charon is missing. The legendary ferryman responsible for transporting sorcerer souls across the river Styx hasn't been seen in days. And with each passing hour, those unable to cross the river are left to walk among the living, tilting the world further out of balance. Meet Simon Strong, an immortal, who is also the best private detective in New York City. Together with his surly partner Tristan Montague they must find the Ferryman.

No other country has been so divided over its own past as Russia. None has changed its story so often. How the Russians came to tell their story, and to reinvent it as they went along, is a vital aspect of their history, their culture and beliefs. To understand what Russia’s future holds—to grasp what Putin’s regime means for Russia and the world—we need to unravel the ideas and meanings of that history. In The Story of Russia, Orlando Figes brings into sharp relief the vibrant characters that comprise Russia’s rich history.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

Broken bodies and bloody messages are appearing in the darkest corners of New York City. Infected werewolves are roaming the streets attacking innocents. The Dark Council demands answers. They summon Simon and Tristan to investigate. The evidence points to the work of a powerful mage, unfortunately, there is only one mage in the city powerful enough to cause this kind of infection - Tristan Montague. Now, Simon and Tristan must locate the source of the magical infection before the Dark Council declares Tristan a dark mage, destroys the werewolves, and shatters the fragile peace.

Gretch Wolgast is a bit of a dud. Just ask her. She’s a 21-year-old college dropout who has a loser job at the mall. Sure, she can lift a tennis ball with her telekinetic powers. But only three feet in the air. And she has to be sitting. Gretch is an OP, one of thousands born in Orlando, Florida, in the early 1980s who mysteriously developed the ability to move things with their minds. Unfortunately, she turned out to be the weakest of the bunch. Now, Gretch’s life is being turned upside down. She witnesses a murder and discovers a wide-ranging conspiracy.

Orlando: A Biography is a groundbreaking English novel by Virginia Woolf that explores English history, gender roles, and sexual politics in a way few books have before or since. Inspired by the life of Woolf's friend and lover Vita Sackville-West—herself an accomplished poet and novelist—the story follows the life of an aristocratic nobleman who changes from man to woman and goes on to live for centuries, meeting all of the most influential and powerful figures in English history.

There’s no place like home...but they’re not headed to Kansas. The Sanctuary is the hidden home of the Golden Circle-a sect of powerful mages. It’s a sacred place of learning, magic, and deep secrets. When Tristan discovers his father, Connor Montague is being held prisoner, he vows to return to the Sanctuary and release him. There’s only one problem. The Sanctuary has been taken over by Mage Oliver. An Elder who has unleashed the magistrates and promises to destroy Tristan the moment he steps foot on the mountain.