Drama Theatre

In Brenda Murphy's major open access study of his work she examines his life and career and provides an analysis of more than a score of his key plays, including in-depth studies of major works such as A Streetcar Named Desire, The Glass Menagerie, Cat on a Hot Tin Roof and others. She traces the artist figure who features in many of Williams' plays to broaden the discussion beyond the normal reference points.

Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?

A selection of Euripides’ renowned Greek tragedies, adapted for BBC Radio Acclaimed by Aristotle as ‘the most tragic of the poets’, Euripides was one of the pre-eminent playwrights of 5th century Athens. Included here are seven of his masterpieces: powerful, shocking tales of passion...

Much of the theatre we make starts with a script and a story given to us by someone else. But what happens when we're required to start from scratch? How do we begin to make theatre using our own ideas, our own perspective, our own stories? A Beginner's Guide to Devising Theatre, written by the artistic directors of the award-winning young people's performance company Junction 25 and is aimed at those new to devising or wanting to further develop their skills. It explores creative ways to create original theatre from a contemporary stimulus.

A compassionate, personal, and illuminating work of nonfiction that draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition.

Six classic farces from the renowned comedy writer, with casts including Judi Dench, Michael Williams, Joan Hickson, Alex Jennings and Penelope Wilton In the 1920s and ’30s, Ben Travers proved himself a master of comic confusion with his hugely successful Aldwych farces. Featuring battle-axe...

The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations.

Performing children have a very special existence which sometimes sets them apart from their peers. Parents are often excluded from this world but are expected to support them all the way. There is very little authoritative advice on how to cope and what to expect. This book will help children and their parents navigate their way through all of this: to advise, guide, inform and demystify the wonderful world of live theatre.

This Critical Companion to the American Stage Musical provides the perfect introductory view for students of theatre, music and cultural studies. It traces the history and development of the industry and art form in America with a particular focus on its artistic and commercial development in New York City from the early 20th century to the present.

Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and...

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

This program is read by the author. Heartstopper meets Derry Girls in this wonderfully hilarious rom-com about finding your first love when your personality might be too big for the world around you. Patch Simmons has decided that this is the year he will get a boyfriend, so it's goodbye to his...

Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre to delve into sets of challenges and possibilities that actors might face. He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work.

In the National Book Award–winning Goblin Secrets, a boy joins a theatrical troupe of goblins to find his missing brother. In the town of Zombay, there is a witch named Graba who has clockwork chicken legs and moves her house around—much like the fairy tale figure of Baba Yaga. Graba takes...

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Joanne Taylor - former TV Diva - is on the verge of her 50-something birthday, seriously single, 'hot-flushing' and about to make some drastic changes in her life. Pulling Faces is an acerbic, topical comedy about society’s obsession with youth, beauty and transformation.

In London England, an exact replica of the 17th century William Shakespeare’s Globe Theatre opened in 1995. Audio journalist, Lee Daley is exploring the Globe Theatre with actress and docent, Kitty Grimes. Ms Grimes tells us how the new Globe Theatre began while we walk through the scrim and into a Shakespeare past.