African American English

Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.

Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning White boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes she's been given a challenge.

In the midst of our hectic, overscheduled lives, caring for the soul is imperative. Now, more than ever, we need to pause - intentionally - and encounter the Divine. Soul care director Barbara Peacock illustrates a journey of prayer, spiritual direction, and soul care from an African American perspective. She reflects on how these disciplines are woven into the African American culture and lived out in the rich heritage of its faith community.

Trying to put past hurts behind you is hard when your ex is a fool, but buoyed by child support and alimony, Jo Walker is moving forward with her life, pursuing a career, raising her little girl, and trying to live in peace. She believes she has all the bases covered in her world. But what about her heart? Rap legend Everett "Big South" McClain is divorced, too, knows all about failed relationships, and has relegated his love life to casual connections rather than pursuing something real. That is, until he lays eyes on Jo.

From its inception in California in 1974 to its highly acclaimed critical success at Joseph Papp's Public Theater and on Broadway, the Obie Award-winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country. Passionate and fearless, Shange's words reveal what it is to be of color and female in the 20th century.

A classic work of feminist scholarship, Ain't I a Woman has become a must for all those interested in the nature of Black womanhood. Examining the impact of sexism on Black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this work a critical place in every feminist scholar's library.

For a thousand years, Doro has cultivated a small African village, carefully breeding its people in search of seemingly unattainable perfection. He survives through the centuries by stealing the bodies of others, a technique he has so thoroughly mastered that nothing on Earth can kill him. But when a gang of New World slavers destroys his village, ruining his grand experiment, Doro is forced to go west and begin anew. He meets Anyanwu, a centuries-old woman whose means of immortality are as kind as his are cruel. Now they begin a struggle that will last centuries.

This epic work tells the story of the Hemingses, whose close blood ties to our third president had been systematically expunged from American history until very recently. Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family's dispersal after Jefferson's death in 1826. It brings to life not only Sally Hemings and Thomas Jefferson but also their children and Hemings's siblings, who shared a father with Jefferson's wife, Martha.

Emery Thompson hates Calvin Chamberlain. From the way he acts like he’s better than everyone to the way he moves through the world thinking his podcast is the cream of the crop, every little thing about the man gets to him. Even that dashing, oh-so-confident smile. He’d rather be caught dead than be around the man any longer than necessary—or admit that last part out loud.

This exciting collection presents two previously unpublished stories by SF legend Octavia E. Butler. A Necessary Being precedes the events of Survivor, Butler's third (famously disowned) installment in her Patternist series, and includes characters from it, focusing exclusively on the Kohn, aliens who build their social hierarchies on the blueness of their fur. In Childfinder, a black woman with the gift of identifying children with latent psychic ability refuses to share her skill with an organization of white telepaths.

Ever since his mother passed away two years ago, Caleb Pine has been stuck while the rest of his family seem to have moved on. Alone at Christmas, he finds himself drawn back to Martha’s Vineyard and the Gingerbread Inn, where his family spent a wonderful Christmas holiday when he was a teen. To his surprise, the local girl he almost kissed under the mistletoe all those years ago is now grown up and running the Inn.

Touré Wallace and Niomi Spencer were close friends at Finley College, the prestigious HBCU they attended. The attraction that simmered between them every semester was a question they never got to ask or answer before soaring ambitions launched them to opposite corners of the world. Both chased their dreams of grit and glamor as high-profile journalists. They got it all...except a shot at being more than friends. Years later, Touré is an award-winning investigative journalist and Niomi is America's most popular morning-show host, but they both feel like something’s missing.

Small-business owner and financial advisor Samiyah Manhattan is mourning the death of her six-year marriage when she vows never to trust men again. Alone at a local bar, Samiyah attempts to put her situation in perspective when she is drawn inexorably to the presence of a nearby patron. Celebrity ex-boxer and heavyweight champion turned business mogul Jonas Alexander Rose never takes women too seriously. They only attach themselves to him because of his star-studded status. However, when he meets the beautiful Samiyah Manhattan, Jonas is overwhelmed by the heated attraction.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation.

Art T. Burton sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late 19th-century America - and perhaps the greatest lawman of the Wild West era. Fluent in Creek and other Southern native languages, physically powerful, skilled with firearms, and a master of disguise, Bass Reeves was exceptionally adept at apprehending fugitives and outlaws, and his exploits were legendary in Oklahoma and Arkansas.

Wendell Berry has never been afraid to speak up for the dispossessed. The Need to Be Whole continues the work he began in The Hidden Wound (1970) and The Unsettling of America (1977), demanding a careful exploration of this hard, shared truth: The wealth of the mighty few governing this nation has been built on the unpaid labor of others.

Now that she’s returned to New Orleans for Thanksgiving break, Viva is charged with figuring out the truth behind a mysterious bout of illness traced back to a local creole restaurant called Madame Bouchard’s. Were customers poisoned on purpose, or was it a simple cooking mistake? And who could be behind the chaos? Viva only has a week to solve the culinary mystery, and to do so, she’ll have to contend with a longtime rivalry, rumors of voodoo magic, and Thanksgiving dinner with her extended family!

What do you do when the love of your life forgets? Not the good times. Not the love. Not the passion. But the pain and heartbreak and betrayal. He doesn't remember that he broke my heart. But I do. He doesn't remember the darkest parts of our marriage. He doesn't remember that six months ago, I said goodbye. What do you do when the love of your life remembers your marriage but not your divorce?

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

In Oakland, California, in 1966, community college students Bobby Seale and Huey Newton armed themselves, began patrolling the police, and promised to prevent police brutality. Unlike the Civil Rights Movement that called for full citizenship rights for blacks within the US, the Black Panther Party rejected the legitimacy of the US government and positioned itself as part of a global struggle against American imperialism.