The Four Horsemen [Thalassa]

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can’t be killed. Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her, and hers towards him. And now, well, Sara might still be able to save the world, but in order to do so, she'll have to sacrifice her heart in the process.

The day Jerusalem falls, Miriam Elmahdy knows her life is over. Houses are burning, the streets run red with blood, and a traitorous army is massacring every last resident. There is no surviving this, especially not once Miriam catches the eye of War himself. But when the massive and terrifying horseman corners Miriam, he calls her his wife, and instead of killing her, he takes her back to his camp.

Ana da Silva always assumed she’d die young - she just never expected it to be at the hands of Famine, the haunting immortal who once spared her life so many years ago. But if the horseman remembers her at all, he must not care, for when she comes face to face with him for the second time in her life, she’s stabbed and left for dead. Only, she doesn’t quite die. If there’s one thing Famine is good at, it’s cruelty. In spite of themselves, Ana and Famine are drawn to each other. But enemies or reluctant lovers, if they don’t stop themselves soon, heaven will....

The day Death comes to Lazarus Gaumond’s town and kills everyone in one fell swoop, the last thing he expects to see is a woman left alive and standing. But Lazarus has her own extraordinary gift: She cannot be killed—not by humans, not by the elements, not by Death himself. She is the one soul Death doesn’t recognize. The one soul he cannot pry free from her flesh.