Showing results by narrator "Willy Vlautin" in All Categories

Al Ward lives on an isolated mining claim in the high desert of central Nevada 50 miles from the nearest town. A grizzled man in his 60s, he survives on canned soup, instant coffee and memories of his ex-wife, friends and family he’s lost, and his life as a touring musician. Hampered by insomnia, bouts of anxiety and a chronic lethargy that keeps him from moving back to town, Al finds himself teetering on the edge of madness and running out of reasons to go on – until a horse arrives on his doorstep: nameless, blind and utterly helpless.

Fifteen-year-old Charley Thompson wants a home, food on the table, and a high school he can attend for more than part of a year. But as the son of a single father working in warehouses across the Pacific Northwest, Charley's been pretty much on his own. When tragic events leave him homeless weeks after their move to Portland, Oregon, Charley seeks refuge in the tack room of a run-down horse track. Charley's only comforts are his friendship with a failing racehorse named Lean on Pete and a photograph of his only known relative.

With "echoes of Of Mice and Men" (The Bookseller, UK), The Motel Life explores the frustrations and failed dreams of two Nevada brothers - on the run after a hit-and-run accident - who, forgotten by society, and short on luck and hope, desperately cling to the edge of modern life.

Meet Horace Hopper, a 21-year-old farm hand in Tonopah, Nevada, who works for Mr Reece and his wife, the nearest thing he's had to family in years. But Horace, half white, half Paiute Indian, dreams of bigger things. Leaving behind the farm and its fragile stability, he heads south to reinvent himself as the Mexican boxer Hector Hidalgo. Slowly, painfully, the possibility emerges that his dreams might not just be the delusions of a lost soul. But at what cost, and what of those he's left behind?

Opening like an early Tom Waits barstool-tale, The Motel Life tells the story of two brothers, Frank and Jerry Lee. Taking to the road in an attempt to escape the hit-and-run accident caused by Jerry Lee, the novel goes back to tell the story of their unhappy lives. With intense feeling and compassion, Vlautin explores the frustrations and failed dreams of the two brothers - one a natural storyteller, the other an artist - and renders perfectly the sense of entrapment they feel.