Showing results by author "John E. Drabinski" in All Categories

Podcasted process pieces from my course Black Existentialism. The course introduces one of the most important and potent mid-century intellectual movements - the existentialist movement - through a series of black Atlantic thinkers. Our keystone will be Frantz Fanon’s Black Skin, White Masks, which is arguably the most important work of Black existentialism from this period. Across the semester we will see why existentialism, with its focus on the ambiguities and ambivalences of lived-experience, had such a deep impact on Black thinkers across the diaspora. We will see these existentialist ...

A series of podcasts on the Caribbean critical theory tradition, from Suzanne Césaire through the creolist movement.

20-30 minute reflections on particular Spike Lee films, from School Daze up through Black KkKlansman - précis for a book-length study of Lee's cinema, reflections on a course I've taught a number of times at Amherst College and University of Maryland. In these podcast pieces, I pay particular attention to issues of race, class, gender, and sexuality as they emerge inside particular films and in the history-memory of African American life. How does Lee's cinema think? How does sound and image help us understand representation of Black bodies, Black people, and Black life? What are Lee's ...

The Black Studies Podcast is a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Podcasted conversation on critical and literary theory, drawing on a range of theorists from Europe, the United States, Caribbean, and Latin America. Our title is drawn from Audre Lorde's essay "Poetry Is Not a Luxury," where she writes that poetry fashions a language where words do not yet exist. How does theory make words and world new, attuned, and embedded within inventive and inventing lived-experience, tradition, and cultural production?

Podcasted process pieces from my course “Cinema of the Black Atlantic” at University of Maryland.