Showing titles in History & Criticism

Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk as a cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.

Camp has been an inescapable part of popular culture for at least the last 150 years. Famously unrestrained and ever evolving, it has not only captured the cultural imagination, but also played an important role as a form of protest and resistance. Paul Baker takes us through camp's rebellious and revolutionary past with warmth, humour and sensitivity, starting with the court of Louis XIV and the dandies of the eighteenth century through to Showgirls, Harlem's drag balls and Columbian telenovelas.

Although we have heard the music of J. S. Bach in countless performances and recordings, the composer himself still comes across only as an enigmatic figure in a single familiar portrait. As we mark the 250th anniversary of Bach's death, author Christoph Wolff presents a new picture that brings to life this towering figure of the Baroque era. This engaging new biography portrays Bach as the living, breathing, and sometimes imperfect human being that he was, while bringing to bear all the advances of the last half-century of Bach scholarship.

As a humble barman at the M25 Orbital raves, Kirk Field witnessed the moment acid house exploded. Inspired by media lies to start writing the truth about what he saw unfolding, Kirk became a 'raving' reporter for the clubbers' bible Mixmag, covering the historic parties from the inside and sending sweat-soaked dispatches from distant dancefloors as the scene expanded across Europe and beyond. With a cast of characters, Kirk's whirlwind account of the golden age of clubbing tells the story of what really happened in the 'naughty '90s'.

Simon Critchley first encountered David Bowie in the early '70s, when the singer appeared on Britain's most-watched music show, Top of the Pops. His performance of "Starman" mesmerized Critchley: it was "so sexual, so knowing, so strange". Two days later Critchley's mum bought a copy of the single; she liked both the song and the performer's bright orange hair (she had previously been a hairdresser). The seed of a lifelong love affair was thus planted in the mind of her son, aged 12.

Leafy St Albans is an unlikely starting point for one of the great psychedelic/acid house musicians of his generation, but, like so many others who brought radical change to the counterculture, Richard Norris' story starts in the suburbs. Strange Things Are Happening documents his journey from punk through the emerging DIY indie culture to producing the UK's first acid house album, Jack the Tab. This is an insider's tale of inspiration and collaboration, working with some of the most iconic artists in music and beyond.

The year 2000. As Britain celebrates the new millennium, something fluorescent and futuristic is stirring in the crumbling council estates of inner city London. Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre. Against all odds, these young MCs will grow up to become some of the UK’s most famous musicians, scoring number one records and dominating British pop culture for years to come.

For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. A mighty procession of writers, artists and thinkers felt his impact. Anarchists, occultists, feminists and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany and the composer came to be defined by his ferocious anti-Semitism. Neither apologia nor condemnation, Wagnerism is a work of intellectual passion.

The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with many who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals what gave rise to an immortal body of work.

The '90s was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power, of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide.

Amid rising gang violence, the crack epidemic, and police brutality, a group of unlikely voices cut through the chaos of late 1980s Los Angeles: N.W.A. Led by a drug dealer, a glammed-up producer, and a high school kid, N.W.A. gave voice to disenfranchised African Americans across the country. And they quickly redefined pop culture across the world. Their names remain as popular as ever: Eazy-E, Dr. Dre, and Ice Cube. Dre soon joined forces with Suge Knight to create the combustible Death Row Records.

By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.

John Eliot Gardiner grew up passing one of the only two authentic portraits of Bach every morning and evening on the stairs of his parents’ house, where it hung for safety during World War II. He has been studying and performing Bach ever since, and is now regarded as one of the composer's greatest living interpreters. The fruits of this lifetime's immersion are distilled in this remarkable book, grounded in the most recent Bach scholarship but moving far beyond it.

1959 saw Miles Davis, John Coltrane, Bill Evans, and the other members of Miles's sextet come together to record the seminal jazz album of all time Kind of Blue. 3 Shades of Blue is a magnificent blended biography on the meandering paths which led Miles, Coltrane and Evans to the mountaintop of 1959 and the aftermath. It's a book about music, business, race, addiction and the cities that gave jazz its home; from New York and LA to Philadelphia, Chicago and Kansas City. Kaplan meditates on creativity and the great forebears of this golden age who would take the music down strange new paths.

In 1992, the Screaming Trees were expected to become the next big band to come out of the Seattle music scene during the heyday of grunge. Except it never happened. It wasn't because the band didn't have great songs—indeed, the Trees were revered for their ability to write a great song that was both artistically original and commercially viable, which is no easy task. Other Seattle bands like Nirvana, Pearl Jam, and Soundgarden were fans of the Screaming Trees, playing shows with them and collaborating on albums, long before their own bands broke through into the mainstream.

Told with acclaimed New Yorker writer Ariel Levy, Brothers is seventy-year-old drummer Alex Van Halen’s love letter to his younger brother, Edward (maybe “Ed,” but never “Eddie”), written while still mourning his untimely death.

Over three decades and more than 150 million albums, AC/DC has established itself as much more than just a great rock band. For millions of fans spanning several generations across the world, they are an ear-bleedingly loud, sweat-soaked religion, courtesy of such classic albums as Highway to Hell and Back in Black. Now, in a book of astonishing breadth and scope, comes, for the very first time, the complete story of AC/DC.

This is the first comprehensive history of goth music and culture. John Robb explores the origins and legacy of this enduring scene, which has its roots in the post-punk era. Featuring sound and original music, and read by the author in his distinctive narrative style, this is a truly atmospheric audiobook that takes you right into the heart of the history of goth.

Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in pop history. But he wasn't only a musician - he was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of his early records to the mythical landscape of Purple Rain to the psychedelia of Paisley Park. But his greatest creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era.

Although Greenwich Village takes up less than a square mile in downtown New York, rarely has such a concise area supported and nurtured so many groundbreaking artists and genres. Musician used the Village’s smokey coffeehouses and clubs to chronicle the tumultuous Sixties, rewrite jazz history, and take rock & roll into eclectic places it hadn’t been before. Based on new interviews with surviving participants, previously unseen and unheard archives, and author David Browne's years immersed in the scene, Talkin’ Greenwich Village lends the saga the epic, panoramic scope it has long deserved.