Showing titles in Gothic

From the start, Lydia hates the house: the disturbing paintings in the attic, the hostility of the locals, the peculiar light that pours through the kitchen window. Kyle thinks Lydia needs a break from London, from the nightmares and the panic attacks. But over the coming weeks, Lydia's sense of dread only becomes more insistent, whilst Kyle is drawn to the house in ways he cannot explain.

In a windswept cottage overlooking the sea, Wilder Harlow begins the last book he will ever write. It is the story of his childhood companions and the killer that stalked their small New England town. Of the body they found, the horror of that discovery echoing down the decades. And of Sky, Wilder's one-time friend, who stole his unfinished memoir and turned it into a lurid bestselling novel, Looking Glass Sound. This book will be Wilder's revenge on Sky, a man who betrayed his trust and died without ever telling him why.

The grieving widower. The motherless daughters. A beautiful house in the woods. Deep in a remote Norwegian forest, Lexi has found a new home with architect Tom and his two young daughters. With snow underfoot and the sound of the nearby fjord in her ears, it’s as if Lexi has stepped into a fairy tale. But this family has a history – and this place has a past. Something was destroyed to build their beautiful new house. And those ancient, whispering woods have a long memory. Lexi begins to hear things, see things that don’t make sense.

Blood and power bind three generations of women in the Ozark Mountains. So does an evil that’s followed them across the decades. 1931. Gracelynn Doherty lives peacefully on Tin Mountain, helping her adoptive granny work her cures. Despite whispers that the women are witches, the superstitious locals still seek them out, whether to remedy arthritis or a broken heart. But when evangelist Josiah Bellflower comes to town promising miracle healing, full bellies, and prosperity, his revivals soon hold Tin Mountain in thrall—and Granny in abject fear. Granny recognizes Josiah.

Cat’s twin sister, El, has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known. To find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from. The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past....

My husband. My villain. We started with death and blood. We started with games and carnal pleasure. Adrian and I shouldn’t have been together. He’s wrong. I’m wrong. What we have is the epitome of disaster. Yet, it’s impossible to stop. My husband will either destroy me or I’ll destroy him.

June, 1878. The body of a boy is pulled from the depths of the River Thames, suspected to be the beloved missing child of the widely admired Liberal MP Ralph Gethin. Four months earlier. Harriet is a young maid newly employed at Finton Hall. Fleeing the drudgery of an unwanted engagement in the small village where she grew up, Harriet is entranced by the grand country hall; she is entranced too by her glamorous mistress Clara Gethin, whose unearthly singing voice floats through the house. But Clara, though captivating, is erratic.

Akbar Manzil was once a grand estate off the coast of South Africa. Nearly a century later, it stands in ruins: an isolated boardinghouse for eclectic misfits, seeking solely to disappear into the mansion's dark corridors. Except for Sana.

Megan Dunn arrives in Seaside, Oregon a broken woman with a dream: open a B&B like she planned to do with her husband, Cass, whose life was tragically cut short five years ago. But the old Victorian she bought needs extensive renovations and the one man who can help her—Theo Valentine—takes an immediate and intense dislike to her. Left scarred and unable to talk after a terrible accident, the reclusive Theo is a brilliant contractor whose plans to renovate the building Megan bought are eerily similar to her own.

Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realises that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets.

Carrot has moved into the Wonder Museum—an eclectic collection of taxidermy, shrunken heads, and Mystery Junk owned by her Uncle Earl. For Carrot, it's not creepy at all: she grew up with it. What's creepy is the corridor behind one of the museum walls. There's just no space for a corridor there—or the concrete bunker, or the strange islands beyond the bunker’s doors, or the unseen things in the willow trees. Carrot has stumbled into a horrifying world, and They are watching her. Strewn among the islands are the remains of Their meals—and Their experiments.

Jane Chandler is an apprentice healer. From childhood, she and her mother have used herbs to cure the sick. But Jane will soon learn that her sheltered life in a small village is not safe from the troubles of the wider world. From his father's beatings to his uncle's raging sermons, John Sharpe is beset by bad fortune. Fighting through personal tragedy, he finds his purpose: to become a witchfinder and save innocents from the scourge of witchcraft. Widdershins tells the story of the women who were persecuted and the men who condemned them.

When Ruby McTavish Callahan Woodward Miller Kenmore dies, she's not only North Carolina's richest woman, she's also its most notorious. In the aftermath of her death, that estate - along with a ten-figure fortune and the demands of being a McTavish - pass to her adopted son, Camden. But to everyone's surprise, Cam wants little to do with the house or the money - and even less to do with the surviving McTavishes. Ten years later, a summons in the wake of his uncle's death brings him back into the family fold at Ashby House.

From the attic of a dilapidated English country house, she sees them - Cara first: dark and beautiful, clinging to a marble fountain of Cupid, and Peter, an Apollo. It is 1969, and they are spending the summer in the rooms below hers while Frances writes a report on the follies in the garden for the absent American owner. But she is distracted. Beneath a floorboard in her bathroom, she discovers a peephole which gives her access to her neighbours' private lives.

Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence. The novel was a succès de scandale, and the book was later used as evidence against Wilde at the Old Bailey in 1895. It has lost none of its power to fascinate and disturb.

When Rilke, a dissolute auctioneer, comes upon a hidden collection of violent and highly disturbing photographs, he feels compelled to discover more about the deceased owner who coveted them. Soon he finds himself sucked into an underworld of crime, depravity and secret desire, fighting for his life.

As Logan's bride, she would savor now the love she had sought for so long. And free from her father's clutches, she would live again in her backwoods town as a respected teacher and cherished wife. But after a wedding trip to Boston's Farthinggale Manor and a lavish, elegant party, Heaven and Logan are persuaded to stay...lured by Tony Tatterton's guile to live amid the Tatterton wealth and privilege. Then the ghosts of Heaven's past rise up again, writhing around her fragile happiness...threatening her precious love with scandal and jealousy, sinister passions and dangerous dreams!

Twenty years ago Helen Franklin did something she cannot forgive herself for, and she has spent every day since barricading herself against its memory. But her sheltered life is about to change. A strange manuscript has come into her possession. It is filled with testimonies from the darkest chapters of human history, which all record sightings of a tall, silent woman in black, with unblinking eyes and bleeding feet: Melmoth, the loneliest being in the world. Condemned to walk the Earth forever, she tries to beguile the guilty and lure them away for a lifetime wandering alongside her.

In what Henry James called a 'trap for the unwary', The Turn of the Screw tells of a nameless young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something malevolent is stalking the children in her care. But is the threat to her young charges really a malign and ghostly presence or something else entirely?

Desperation drives me into the hands of a dangerous predator. I never should have considered auctioning off my innocence. The men who bid are the darkest kind, the ones you never want to encounter. And Malachy, the man who bought me, is no exception. He wins me, locking me away in his world. Selling my virginity takes on a whole new meaning, one I never anticipated. I expected one night with my buyer, but with Malachy McCarthy, I'm his possession until he decides otherwise. I'm nothing but a toy, a plaything for his amusement, until he grows bored.