Showing titles in Psychological

When Lou Wandsworth ran away to France with her teacher Mike Hughes, she thought he was the love of her life. But Mike wasn't what he seemed, and he left her life in pieces. Now 32, Lou discovers that he is involved with teenager Chloe Meadows. Determined to make sure history doesn't repeat itself, she returns home to confront him for the damage he's caused.

The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone’s on to her - Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger.

When Molly married Alex, she thought theirs would be the perfect future. But after a night out with his twin brother, Graeme, a terrible injury leaves Alex with permanent brain damage. In a single moment the man she married is transformed into someone new. Someone who has forgotten how to love her. And someone Molly isn't sure if she can ever love again. How can she stay married to a man she doesn't know? Should she let the future she dreamt of slip from her fingers?

You lost your daughter. You will never forgive yourself. And now someone is determined to make you pay.... Seventeen years ago, something happened to Jess' daughter, Beth. The memory of it still makes her blood run cold. Jess has tried everything to make peace with that day, and the part she played in what happened. It was only a brief moment of desire...but she'll pay for it with a lifetime of guilt.

The obituaries for Gerald Candless were respectful. He had been, after all, an admired and popular writer, and his sudden death at his home in Devon was a loss to literature as well as to his family and friends. The trouble was, as his daughter Sarah soon discovered, that it seemed that her father had taken on a different identity that he wasn't Gerald Candless at all. But if he wasn't Gerald Candless, who was he?

Fearing eternal singledom, childhood friends Kate and Paul make the age-old vow that if they don't find love by thirty, they will marry each other. Years later, with the deadline of their 30th birthdays approaching, the unlikely couple decide to keep their teenage promise. After all, they are such good friends. Surely that's enough to make a marriage?

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

England, 1947: A young woman finds herself under close observation in an insane asylum, charged with a violent crime she has no memory of committing. As she tries to make sense of her recent past, she recalls very little. But she still remembers wartime in Yugoslavia. There she and her lover risked everything to carry out dangerous work resisting the Germans - a heroic campaign in which many brave comrades were lost. After that, the trail disappears into confusion. How did she come to be trapped in a living nightmare?

Olivia’s parents were among Hollywood’s golden couples - until the night a monster came and took her mother away forever. A monster with the face of her father... Sheltered from the truth, an older Olivia only dimly recalls her night of terror - but her recurring nightmares make her realize she must piece together the real story. Now, assisted by Noah Brady, the son of the police detective who found her cowering in her closet so many years before, she may have her chance.

Terror stalks the streets of Bayou Breaux, Louisiana. A suspected murderer is free on a technicality, and the cop accused of planting evidence against him is ordered off the case. But Detective Nick Fourcade refuses to walk away. He’s stepped over the line before. This case threatens to push him over the edge. He’s not the only one. Deputy Annie Broussard found the woman’s mutilated body. She still hears the phantom echoes of dying screams. She wants justice.

The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.

Emmy and her little sister Dani are sleeping in their bedroom upstairs. Their parents are in the kitchen. A knife is jammed to their mother’s throat. Their father has a stack of kitchen plates balanced on his back. The intruder rasps, ‘Don’t be breathing too hard now. I reckon smashing plates is the sort of noise that’ll wake a child. Have them coming down to see what’s going on. There can’t be witnesses ...’ What Detective Maddie Ives will find in that nice family kitchen will horrify even this most hardened cop. And she knows the victim ...

As a widowed mother of three, new love seems impossible for Freya - until she meets Duncan, and suddenly she feels alive again. While Freya’s older children are less than welcoming, six-year-old Sophie helps Duncan find his place in the family - but even Sophie harbours fears that threaten to overshadow any chance of a new start. The past is hard to leave behind when pictures of Freya’s idolised late husband hang in every room, and the more Duncan tries to find the source of Sophie’s anxiety, the more he is convinced that Reuben was not the perfect husband and father Freya remembers.

What if a death sentence meant you could get away with murder? Claudia and Heather both decide to leave their husbands. Together, they get a flat - but their peace is short-lived when Claudia is diagnosed with a terminal illness. Heather takes on caring for Claudia, but a lethal meeting with James, Claudia’s ex-husband, causes complications. As life for Claudia and Heather begins to unravel, the answer to their problems becomes clear...it’s murder.

Suddenly confronted with his own mortality after a routine checkup, eminent psychotherapist Julius Hertzfeld is forced to reexamine his life and work - and seeks out Philip Slate, a sex addict whom he failed to help some 20 years earlier. Yet Philip claims to be cured - miraculously transformed by the pessimistic teachings of German philosopher Arthur Schopenhauer - and is himself a philosophical counselor in training.

Jules and Holly have been best friends since university. They tell each other everything, trading revelations and confessions and sharing both the big moments and the small details of their lives: Holly is the only person who knows about Jules’ affair; Jules was there for Holly when her husband died. And their two children - just three years apart - have grown up together. So when Jules’ daughter, Saffie, makes a rape allegation against Holly’s son, Saul, neither woman is prepared for the devastating impact this will have on their friendship or their families.

After an uneventful Friday at the Dublin office, Cathal faces into the long weekend and takes the bus home. There, his mind agitates over a woman named Sabine with whom he could have spent his life, had he acted differently. All evening, with only the television and a bottle of champagne for company, thoughts of this woman and others intrude - and the true significance of this particular date is revealed.

Dairy farmer Robin Meredith has just buried his Californian wife Caro who, though a central figure at the farm for more than twenty years, had remained a mystery to the family. With Caro gone, her adopted daughter Judy feels cut adrift. To Robin’s brother, Joe, Caro had been the emblem of a freedom he’d glimpsed in America and his grief is far deeper than the family suspects. Even Robin and Joe’s parents, entrenched in the adjoining farm, feel suddenly vulnerable to time and change as well.

John Fowles’s The Magus was a literary landmark of the 1960s. Nicholas Urfe goes to a Greek island to teach at a private school and becomes enmeshed in curious happenings at the home of a mysterious Greek recluse, Maurice Conchis. Are these events, involving attractive young English sisters, just psychological games, or an elaborate joke, or more? Reality shifts as the story unfolds. The Magus reflected the issues of the 1960s perfectly, and it continues to create tension and concern today.

One night, Annie went missing. Disappeared from her own bed. There were searches, appeals. Everyone thought the worst. And then, miraculously, after 48 hours, she came back. Though she couldn't, or wouldn't, say what had happened to her. But something happened to my sister. I can't explain what. I just know that when she came back, she wasn't the same. She wasn't my Annie. I didn't want to admit, even to myself, that sometimes I was scared to death of my own little sister.