Showing results for "The Women" in Literary History & Criticism

From early childhood, we learn about the world and its possibilities through myths and fairy tales. The heroines, though, tend to be golden-haired princesses, and the evil-doers often older women. But from midlife onwards, women today are searching for positive versions of themselves, and this dazzling array of not-to-be-messed-with characters provides them. They outwit monsters, test and mentor younger heroines, embody the cycles and seasons of the earth, weave the world into being - and almost always have the last laugh.

From Little Nell to Miss Havisham, Dickens’ Women tells the story of Charles Dickens’ life through his beloved characters. Cowritten and performed by Miriam Margolyes, best known for her role as Professor Sprout in the Harry Potter films, this one-women show is a celebration of her infectious passion for Dickens’ work. Taking on 23 different Dickensian characters, many of whom were inspired by real people such as Mary Hogwarth, Dickens' sister-in-law, Margolyes showcases her astonishing versatility as a performer. Dickens’ Women delighted audiences across the world in 2012 as Margolyes took her Olivier nominated show on tour for the bicentenary of Dicken’s birth.

For over 10 years, Sue Townsend has written a monthly column for Sainsbury’s Magazine, which covers everything from hosepipe bans and Spanish restaurants to writer’s block and the posh middle-aged woman she once met who'd never heard of Winnie the Pooh. Collected now for the first time, these columns from one of Britain’s most popular and acclaimed writers are funny, perceptive, and touching.

Drawing from the author's original, uncensored journals, Fire follows Anaïs Nin's journey as she attempts to liberate herself sexually, artistically, and emotionally. While referring to her relationships with psychoanalyst Otto Rank and author Henry Miller, as well as a new lover, the Peruvian Gonzalo More, she also reveals that her most passionate and enduring affair is with writing itself.

This is perhaps one of the best-loved of all journals. William Wordsworth's sister, Dorothy, began it in May 1800 and resolved to keep it for a short time. She continued it for nearly three years. In it, she brought the Dove Cottage years to vivid and intimate life. She noted the walks and weather, the friends, country neighbours, and travellers on the roads. She set down accounts of the garden, of Wordsworth's marriage, their concern for Coleridge, and the composition of Wordsworth's poetry.

1913 - Suffragette throws herself under the King's horse. 1969 - Feminists storm Miss World. Now - Caitlin Moran rewrites "The Female Eunuch" from a bar stool and demands to know why pants are getting smaller. There's never been a better time to be a woman: we have the vote and the Pill, and we haven't been burnt as witches since 1727. However, a few nagging questions do remain.... Why are we supposed to get Brazilians? Should you get Botox? Do men secretly hate us? What should you call your vagina?

Philippa Gregory’s Normal Women is a new podcast from HarperCollins, launched to coincide with the publication of this landmark work of scholarship and storytelling, from celebrated novelist and historian Philippa Gregory. Normal Women is a radical retelling of our nation’s story – not of the rise and fall of kings and the occasional queen – but of social and cultural change, powered by the determination, persistence and effectiveness of women– from 1066 to modern times. This is not another book or podcast about three or four well-known heroines; it is a story about millions of ...

Daring and fiercely original, The Women is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer's subjects: his mother, a self-described "Negress", who would not be defined by the limitations of race and gender.

Dame Harriet Walter, renowned for her wonderful portrayals in Succession and Killing Eve, among others, is one of Britain's most esteemed Shakespearean actors. Now, having played most of Shakespeare's female characters, audaciously, she lets them speak their minds. With new parts for thirty Shakespearean women, written in 'Shakespearean' verse and prose, Harriet Walter goes between the lines of the plays to let us hear what she imagines - sometimes playfully and sometimes searchingly - these women were really thinking.

Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. Her life was 'modern' too: she went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?

Generations of children have fallen in love with the pioneer saga of the Ingalls family, of Pa and Ma, Laura and her sisters, and their loyal dog. Laura Ingalls Wilder's Little House books have taught millions of Americans about frontier life, giving inspiration to many and in the process becoming icons of our national identity. Yet few realize that this best-selling series wandered far from the actual history of the Ingalls family and from what Laura herself understood to be central truths about pioneer life.

The Greek myths are among the world's most important cultural building blocks, and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories. Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost 3,000 years ago.

How was it that the novelist who created some of the most memorable and modern female characters in literature had such troubled relationships with real women? In this highly innovative book, acclaimed biographer Paula Byrne re-examines novelist Thomas Hardy’s life through the eyes of the women who made him—mother, sisters, girlfriends, wives, muses. The story veers from shocking scenes such as his obsession with the sight of a woman hanged, to poignant vignettes of unfulfilled passion, to fascinating details of working women’s lives in the nineteenth century.

In this 10-week podcast, author Jen Wilkin shares basic strategies, practical tips, and helpful encouragement for Bible study that transforms both the mind and the heart.

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.

Little Women follows the March sisters as they grow up. Each chapter is relatively short and usually features a moral lesson without being preachy.Louisa May Alcott wrote Little Women in 1868. It centers on the 4 young March sisters: Meg, Jo, Amy, and Beth. Each of the sisters has a distinct personality. Meg is the oldest, Jo is the writer and tomboy, Amy is the vain one, and Beth is a saint. The sisters are guided by their mother, Marmee, and they strike up a friendship with the next-door neighbor boy, Laurie.

In Bodyminds Reimagined Sami Schalk traces how Black women's speculative fiction complicates the understanding of bodyminds - the intertwinement of the mental and the physical - in the context of race, gender, and (dis)ability. Bridging Black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations.

This novel tells about the daily activity that is occurred in March family’s house. A family consists of Mrs. March and her four daughters Meg, Jo, Beth and Amy. Her father, Mr. March fights in the civil war that is occurred around the year 1860. Meg as the eldest and the most beautiful woman among them all and she wants to become a housewife. Jo is a tomboy character and she has a dream to become a famous writer. Beth is a soft girl and she loves to play music. She hopes she could be a great musician. Meanwhile, Amy is a spoiled girl who wants to be a great painter. They are very lucky ...

This is the story of an independent woman who is a model for our time—photographer Toby Molenaar. It begins in Holland during World War II, when her country is decimated by the occupying German army and she is literally left to starve. As a little girl, she learns to be self-sufficient—survival is the order of the day. Courage, indomitable spirit, an open mind, and accountability only to herself are the stuff of this fascinating and inspirational story.

After Andrea Dworkin, the famous feminist philosopher and activist, passed away, her chief critic, Susie Bright, who many perceived as Dworkin's opposite, published a stirring obituary and series of essays in which she described the ways that Dworkin was a catalyst for the sex-positive movement in contemporary feminism.