Showing results for "The Women" in LGBTQ+

Freelance journalist Lindsay Gordon is strapped for cash. Why else would she agree to cover a fund-raising gala at a girls' public school? But when the star attraction is found garrotted with her own cello string minutes before she is due on stage, Lindsay finds herself investigating a vicious murder. Who would have wanted Lorna Smith Cooper dead? Who had the key to the locked room in which her body was found? And who could have slipped out of the hall at just the right time to commit this calculated and cold-blooded crime?

Workaholic Detective Aiden Carlisle isn't looking for love - and certainly not at the law-enforcement seminar she reluctantly agreed to attend. But the first lecturer is not at all what she expected. Psychologist Dawn Kinsley has just found her place in life. After a failed relationship with a police officer, she has sworn never to get involved with another cop again, but she feels a connection to Aiden from the very first moment. Can Aiden keep herself from crossing the line when a brutal crime threatens to keep them apart before they've even gotten together?

Award-winning actor, creator of a myriad of memorable characters from Lady Whiteadder to Professor Sprout, Miriam Margolyes is a national treasure. Now, at last, at the age of 80, she has finally decided to tell her extraordinary life story. And it's far richer and stranger than any part she's played.

Sinister in Savannah is a fictional podcast exploring the city's most nefarious crimes with Southern-fried snark. The best-selling trilogy is now available in one collection. When the Sinister in Savannah team delves into the thirty-eight-year-old murder of a drag queen, they quickly discover that the story doesn't end with the alleged killer's confession in 1995. In Mr. Perfect, the podcast is back to investigate allegations that a local businessman is dabbling in money laundering. Pretty Poison follows Tess, a woman accused of killing her three husbands.

Professional cellist Natalya Tsvetnenko moves seamlessly among the elite where she fills the souls of symphony patrons with beauty even as she takes the lives of the corrupt of Australia's ruthless underworld. The cold, exacting assassin is hired to kill a woman who seems so innocent that Natalya can't understand why anyone would want her dead. As she gets to know her target, she can't work out why she even cares.

Bess Campbell has escaped to the windswept Australian coastal town of Port Bannir, determined to begin her life again. She is loving her fresh start, thanks to her fun job running a hip gallery, her territorial chickens, and a lot of self-help books to find her new, better self. Port Bannir local Margaret Gale runs an austere maritime museum, and rules her staff with an iron fist. She has no time for that crazy modern gallery or upbeat, earnest Bess sweeping around town on her hipster bicycle.

Susan Sterling wanted nothing more than to escape her life...and her marriage. The family's secluded cabin in Kings Canyon National Park seemed the only place for her to find peace. But it took Shawn Weber coming into her life for her to find the courage to make changes. The budding friendship between the two women strengthens into an intense emotional bond, a bond that soon eclipses friendship.

White tears possess a potency that is rarely acknowledged or commented upon, but they have long been used as a dangerous and insidious tool against people of colour. Taking us from the slave era, when white women fought in court to keep 'ownership' of their slaves, through centuries of colonialism, when women offered a soft face for brutal tactics, to the modern workplace, in which tears serve as a defense to counter accusations of bias and microaggressions, White Tears/Brown Scars tells a charged story of white women's active participation in campaigns of oppression.

A man who claims to be a journalist has arrived in Lost Lake with an old photograph and some questions for Tess that go back decades. His questions have put her on edge, and when he shows up peeking through her kitchen window, everyone else is right there with her. As beloved as Tess is, there are plenty of people who don't care about any so-called journalist and are happy to protect her, but how far are they willing to take it? And when will they need answers to questions that that only Tess can provide?

'Between the Stops is a sort of a memoir, my sort. It's about a bus trip really, because it's my view from the Number 12 bus (mostly top deck, the seat at the front on the right), a double-decker that plies its way from Dulwich, in South East London, where I was living, to where I sometimes work - at the BBC, in the heart of the capital. It's not a sensible way to write a memoir at all, probably, but it's the way things pop into your head as you travel, so it's my way'.

Penguin presents the unabridged, downloadable audiobook edition of Spectacles, the hilarious, creative and incredibly moving memoir from much loved comedian, writer and presenter Sue Perkins. When I began writing this book, I went home to see if my mum had kept some of my stuff. What I found was that she hadn't kept some of it. She had kept all of it - every bus ticket, postcard, school report....

Annalise Finch is content - she has a job she enjoys, lives close to her family and friends, and spends most Wednesday nights drinking wine with her grandma. According to her grandma, though, she has lost her sparkle, and the only solution is to join a site to hook up with other women. The only problem (aside from a meddling grandma with a dirty mind) is Annalise doesn’t like women. At least, that’s what she always thought, but when she meets Brinley Adams, she starts to question everything.

With intolerance and inequality increasingly normalised by the day, it's more important than ever for women to share their experiences. We must hold the truth to account in the midst of sensationalism and international political turmoil. Nasty Women is a collection of essays, interviews and accounts on what it is to be a woman in the 21st century. People, politics, pressure, punk. Keep telling your stories.

Author Kate Bornstein ushers listeners on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. On one level, Gender Outlaw details Bornstein's transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions.

Luke Livingstone is a respected solicitor, a father and grandfather, a pillar of the community. Yet Luke is struggling with an unbearable secret, and it's threatening to destroy him. All his life, Luke has hidden the truth about himself and his identity. It's a truth so fundamental that it will shatter his family and leave him outcast. But to continue living, he must become the person - the woman - he knows himself to be, whatever the cost.

Olivia Chevalier is perfectly happy living a quiet life of solitude with her two cats in the tempestuous countryside of Brittany. Olivia’s peace is disrupted when heart-breaker extraordinaire Marie Dievart moves in to the holiday home next door after an event at work makes her flee her everyday life. Olivia hates having a neighbor and Marie is put off by Olivia’s cranky ways. But maybe these two women have more in common than they first believe.

In this collection of essays, Lambda Literary Award-winning writer and longtime activist and performance artist Leah Lakshmi Piepzna-Samarasinha explores the politics and realities of disability justice, a movement that centers the lives and leadership of sick and disabled queer, trans, Black, and brown people, with knowledge and gifts for all. Care Work is a mapping of access as radical love, a celebration of the work that sick and disabled queer/people of color are doing to find each other and to build power and community.

Tough and demanding LAPD Detective Kate Delafield is the leader of the investigation into a high-rise office building murder. The case is intriguing but routine - until Kate interviews the only witness, Ellen O'Neil. When Ellen O'Neil took her new job over the objections of her lover, she wasn't expecting to become embroiled in murder. The curiosity that Kate Delafield rouses is equally unexpected. But it is never far from Ellen's mind that she is merely a name on an interview sheet to the tight-lipped detective.

Jane reluctantly agrees to accompany her good friend Cordelia Thorn on a peculiar holiday trip: Cordelia's estranged sister, Broadway star Octavia Thorn, has asked them to attend her wedding. Octavia getting married is no surprise, but her candidate for hubby #4 certainly is. Roland Lester is a reclusive 83-year-old retired Hollywood director. No one can understand how the two met. When the bodies start to drop, Jane realizes it might not be love at all that brought the young diva and the aged director together, but something much deeper, and perhaps more sinister.

When Desert of the Heart opens, Evelyn Hall is on a plane that will take her from her old life in Oakland, California, to Reno, where she plans to divorce her husband of 16 years. A voluntary exile in a brave new world, she meets a woman who will change her life. Fifteen years younger, Ann Childs works as a change apron in a casino. Evelyn is instantly drawn to the fiercely independent Ann, and their friendship soon evolves into a romantic relationship. An English professor who had always led a conventional life, Evelyn suddenly finds all her beliefs about love, morality, and identity called into question.