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"I am a sick man.... I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

In "Notes from Underground" by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas or about a curtain of secrets and mysteries. The hero of the "underground", the author of the notes, is a collegiate assessor who retired after receiving a small inheritance. He lives poorly, in a wretched room on the outskirts of Petersburg. And the "underground" is psychological.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

This audiobook, read by Audie award-winning narrators, includes unabridged recordings of all Fyodor Dostoyevky's greatest works: 15 novels and novellas, 18 short stories, a short study of Dostoyevsky by Virginia Woolf, and two books of non-fiction - his Letters and European travel journal.

Compared with the most sophisticated weapons systems in use today, tunnels have withstood the test of time. There’s no way to know how long drones or lasers or anti-missile defense systems will last, but as long as there is warfare, tunnels will almost certainly be part of the fight.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.

Isolated from society in a tenement basement in St. Petersburg, a malicious former civil servant vents his resentments. In the rambling notes that follow, we are exposed to the inner turmoil of the Underground Man, who represents the voice of his generation. An emotional, paranoid knot of contradictions, the spiteful narrator is also desperate to join a society he loathes, if only to prove his superiority to it.

Notes from Underground is a timeless classic that delves into the depths of the human psyche, challenging listeners to confront their own beliefs and assumptions. It remains a must-listen for those seeking to understand the roots of existentialist thought and the enduring complexities of the human soul.

A groundbreaking new translation of Dostoyevsky's most radical work of fiction. In the depths of a cellar in St. Petersburg, a civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory, and even sadistic nature. Yet in Dostoyevsky's most extreme and disturbing character, there is the uncomfortable flicker of recognition of the human condition. When the narrator ventures above ground, he attends a dinner with a group of old school friends.

Dostoevsky’s narrator is the anonymous voice of the masterful novella. Retired and isolated from society, he is bitter, contemptuous, and contemplative as he presents his anecdotes and philosophical outlooks. Presented as an extract from the narrator’s memoirs, Notes from the Underground is divided into two parts. Opening with a monologue attacking Western philosophy, Dostoevsky follows this theoretical exploration with the anti-hero’s accounts of various destructive and restorative life experiences.

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

This audiobook, read by three Audie award-winning narrators, includes unabridged recordings of Fyodor Dostoyevsky and Leo Tolstoy's greatest novels. Translations by Constance Garnett and Aylmer & Louise Maude. This audiobook is fully indexed. Once downloaded, each book and chapter will be listed so you can easily navigate to the individual section.

Dostoevsky’s Underground Man is a composite of the tormented clerk and the frustrated dreamer of his earlier stories, but his Notes from the Underground is a precursor of his great later novels and their central concern with the nature of free will. Initially musing on his “sickness” and the detested notion of self-interest, the maladjusted and willful Underground Man turns to a series of incidents from years earlier.

Best known for his sinuous pop hit 'Walk on the Wild Side', Lou Reed was one of the most original and innovative songwriters of the rock era - a sardonic chronicler of underground culture and the dark side of human nature.

The best collection of Russian short stories includes: Fyodor Dostoevsky: Notes from the Underground, The Dream of a Ridiculous Man, The Beggar Boy at Christ's Christmas Tree. Leo Tolstoy: The Death of Ivan Ilyich, Kholstomer, the Story of a Horse, Alyosha the Pot, A Letter to a Hindu, A Confession, God Sees the Truth, but Waits, A Russian Christmas Party. Anton Chekhov: Kashtanka, Gusev, The Darling, The Lady with the Dog, A Slander, The Horse-Stealers, The Petchenyeg, A Dead Body, A Happy Ending, The Looking-GlassOld Age, Darkness, The Beggar, In Trouble, Frost, Minds in Ferment, Gone Astray.

Notes from the Underground is an 1864 existentialist novella written by the Russian author, Fyodor Dostoyevsky. The speaker, an unknown yet common type of man, writes in first person about his views on Western philosophy, as well as his stark analysis of his own life. The work is written as the ramblings of this retired government employee who seems to have a very pessimistic yet honest opinion on his own life, as well as the world as seen through his eyes.

Notes from Underground, also translated as Notes from the Underground or Letters from the Underworld, is an 1864 novella by Fyodor Dostoyevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg.

A predecessor to such monumental works as Crime and Punishment and The Brothers Karamazov, Notes from the Underground represents a turning point in Fyodor Dostoevsky's writing toward the more political side. In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

After being diagnosed with a brain tumor, writer John Gallo spends his time confronting his lifelong sense of fraudulence, regret, and self-misunderstanding, all while loosely chronicling the development of his cancer. Formed out of a collection of journal-like essays posthumously discovered on his computer, we follow Gallo’s mind as he ruminates on concepts and theories of time, being, death, anxiety, creativity, despair, isolation, happiness, wonder, absurdity, and other eternal themes of life — big and small.