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Nietzsche never recovered from his mental breakdown in 1889 and therefore was unable to further any plans he had for the ‘magnum opus’ he had once intended, bringing together in a coherent whole his mature philosophy. It was left to his close friend Heinrich Köselitz and his sister Elizabeth Förster-Nietzsche to go through the remaining notebooks and unpublished writings, choosing sections of particular interest to produce The Will to Power, giving it the subtitle An Attempted Transvaluation of All Values.

It was with Human, All Too Human, first published in 1878, that Nietzsche developed the aphoristic style that so suited his challenging views and uncompromising style. The text is divided into three main sections: 'Of the First and Last Things', 'History of the Moral Feelings' and 'The Religious Life'.

Morrison offers an illuminating study of two linked traditions that have figured prominently in 20th-century thought: Buddhism and the philosophy of Nietzsche. Nietzsche admired Buddhism, but saw it as a dangerously nihilistic religion; he forged his own affirmative philosophy in reaction against the nihilism that he feared would overwhelm Europe. Morrison shows that Nietzsche's influential view of Buddhism was mistaken, and that far from being nihilistic, it has notable and perhaps surprising affinities with Nietzsche's own project of the transvaluation of all values.

The Gay Science (The Joyful Wisdom) is one of Nietzsche's greatest books. His wonderfully fertile mind roams over mankind, his thoughts, his emotions, his behaviour and his weaknesses with remarkable clarity, with insight - but also with humour!In this work are 383 separate paragraphs, some short, some long, but all singular observations - the epitome of his famous aphoristic style. 'Morality is the herd instinct in the individual.'

The Antichrist and Ecce Homo were two of the last works written by Friedrich Nietzsche just before his mental collapse in 1889. Though both written in 1888, they are very different in content and style. In The Antichrist, Nietzsche expands on his view that the submissive nature of Christianity undermined Western society, depressing and sapping energy.

Thus Spoke Zarathustra is one of the most extraordinary - and important - texts in Western philosophy. It was written by Friedrich Nietzsche between 1883 and 1885. He cast it in the form of a novel in the hope that his urgent message of the 'death of God' and the rise of the superman (Ubermensch) would have greater emotional as well as intellectual impact.

Friedrich Nietzsche (1844-1900) is one of the towering intellectual figures of the 19th century, a philologist, philosopher and poet of profound complexity and range whose writings in moral philosophy continue to resonate in the present day. The Dawn of Day (Morgenröte), first published in 1881, marked a clear shift in his thinking and prefigures many of the ideas that would be further developed in his later writings. The clue is in the title, sometimes translated as Dawn or Morning, which suggests the beginning of a different awareness.

Though Twilight of the Idols (written in a week in 1888 and subtitled How to Philosophise with a Hammer) came near the end of Nietzsche’s creative life, he actually recommended it as a starting point for the study of his work. This was because from the beginning he viewed it as an introduction to his wide-ranging views.

Untimely Considerations contain four essays: 'David Strauss - Writer and Confessor'; 'On the Use and Abuse of History for Life'; 'Schopenhauer as Educator'; and 'Richard Wagner at Bayreuth'. The essays date from the early part of Nietzsche’s life when his Romantic view on life and art was coloured by the powerful writings and personalities of such figures as Schopenhauer and Wagner - as the titles of two of the essays proclaim. Published between 1873 and 1876, they were presented under the umbrella title 'Unzeitgemässe Betrachtungen'.

Así habló Zaratustra es uno de los textos más extraordinarios e importantes de la filosofía occidental. Fue escrito por Friedrich Nietzsche entre 1883 y 1885. Lo escribió en clave de novela con la esperanza de que su apremiante anuncio de la “muerte de Dios” y del surgimiento del superhombre (übermensch) tuviera un mayor impacto tanto emocional como intelectual.