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These stories plunge the listener gently into another way of perceiving both the physical world and its elusive inhabitants. Her narrative is, by turns, naïvely whimsical and biblical in its assurance, and it speaks of what is partially remembered, partly divined. The memories often concern a childhood in the Caribbean - family, manners, and landscape - as distilled and transformed by Kincaid's special style and vision.

Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal ‘Girl’, these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother–daughter relationships, the intangible beauty of the natural world and the striving for independence in a colonial landscape.