Showing results for "Art" in Police Procedurals

There's a serial killer targeting the streets of Newcastle, seemingly picking his victims at random but subjecting them all to the same torturous end. When the Chief Inspector on the case goes missing, it falls on DCI Ryan to track down the man who is brutally murdering women and goading the police to 'catch me if you can'. As everyone becomes a suspect, Ryan and his team get drawn further and further into the case, but for Ryan the nightmare gets closer to home than he could ever have imagined.

Three glass cabinets appear in London's Trafalgar Square containing a gruesome art installation: the floating corpses of three homeless men. Shock turns to horror when it becomes clear that the bodies are real. The cabinets are traced to @nonymous—an underground artist shrouded in mystery who makes a chilling promise: more will follow. Eighteen years ago, Detective Inspector Grace Archer escaped a notorious serial killer. Now, she and her caustic DS, Harry Quinn, must hunt down another.

Alfie Moore spent 18 years on the Humberside police force before turning to stand-up comedy. In each episode of this live stand-up show, he takes his audience through a scenario based on a real-life case and tasks them with deciding how they would have acted in the circumstances. From drink driving to a missing gnome, road traffic collisions to the tricky subject of Stop and Search, not to mention a case in which you must imagine what it would be like if Bruce Lee came from Scunthorpe and had been hammering the kebabs for 20 years....

Inspector Purbright is a thoroughly English policeman: affable, polite, dogged and decent. Created by award-winning crime writer Colin Watson, he appeared in 12 Flaxborough mysteries, four of which were adapted for BBC TV under the title Murder Most English. These five radio dramatisations star Peter Jeffrey, John Pullen and John Rowe as Purbright.

Hugo Speer stars as John Stone in the final two series of this gritty, fast-paced crime drama. Manchester detective DCI Stone and his team are faced with more morally challenging cases in these hard-hitting stories. When a dead body is discovered at an inner city hotel DCI Stone is forced to navigate the murky and transient world of catering.

When businessman Thomas Peterson is killed outside a football ground in the Highlands, there are several witnesses. Yet the hunt for the killer is proving as futile as the search for a motive. Possible connections to Russian money and an eerie retirement home are soon thrown into the mix. To further complicate things, DI Westphall's MI6 past is coming back to haunt him. Guilt stalks his dreams, but could there be a message in these nightmares? Westphall is in danger of losing his head just when he needs it the most. He must find answers, and fast, before the murderer strikes again.

Following his recovery from a personal and professional trauma, DCI Cyril Bennett returns to discover a complex case involving the art world. Soon, he unearths a dark side of the industry where greed and dubious practices thrive and, where there is money to be made, violence and murder abound. Working their way through a maze of galleries, museums and the Internet, can Bennett’s team differentiate between real and fake?

Idiosyncratic detective duo Max Matthews and Sean Armitage are back for three more series, in which they expertly extract confessions from their suspects during the course of one interview. Their relationship has evolved since they were first paired up, back when Armitage was a rookie constable, but their interrogation technique is as incisive as ever. These 11 compelling dramas all shine the spotlight on a different suspect, each with their own tale to tell - and their own selective version of events.

Working undercover allows FBI Art Crime Team agent Jason West the illusion of safety as he investigates the supposed discovery of a legendary lost 1950s private eye movie known as Snowball in Hell. But the complicated relationship between film preservation and piracy is nothing to preserving the delicate balance of Jason's ongoing relationship with BAU Chief Sam Kennedy.

Kate Martinelli has seen her share of peculiar things as a San Francisco cop but never anything quite like this: an ornate Victorian sitting room straight out of a Sherlock Holmes story - complete with violin, tobacco-filled Persian slipper, and gunshots in the wallpaper that spell out the initials of the late queen.

Jason West, hot-shot special agent with the FBI’s Art Crime Team, is at the Wyoming home of Behavioral Analysis Unit Chief Sam Kennedy, who is recuperating from a recent hit-and-run accident, when he’s asked to consult on the theft of a priceless collection of vintage magic posters. But before Jason can say “presto change-o”, the owner of the art collection turns up murdered in a national forest.

Someone is watching. Someone is waiting. Despite having attracted the attention of a dangerous stalker, Special Agent Jason West is doing his best to keep his mind on his job and off his own troubles. But his latest case implicates one of the original Monuments Men in the theft and perhaps destruction of part of the world's cultural heritage - a lost painting by Vermeer...Jason is determined to clear his grandfather's name, even if that means breaking a few rules and regulations himself - putting him on a collision course with romantic partner BAU Chief Sam Kennedy.

LAPD veteran "Hollywood Nate" Weiss could take or leave the opulence, but he wouldn't say no to onscreen fame. He may get his shot when he catches the appreciative eye of B-list director Rudy Ressler, and his troublemaking fiance, Leona Brueger, the older-but-still-foxy widow of a processed-meat tycoon. Nate tries to elude her crafty seductions, but consents to keep an eye on their estate in the Hollywood Hills while they're away.

Im morgendlichen Schneegestöber an der Berliner Siegessäule steht ein verlassener Kleinlaster. Auf der Ladefläche findet die Polizei eine halbnackte tote Frau. Jemand hat ihr mit roter Farbe etwas auf den Körper geschrieben – die Adresse des Bundeskanzlers. Am Tatort trifft die unerfahrene und ehrgeizige Kommissar-Anwärterin Nele Tschaikowski auf den berüchtigten Ermittler Artur Mayer. Was sie nicht wissen: Das ist kein Zufall. Kurz darauf tauchen auf einer Enthüllungsplattform im Netz Videos von der Toten auf, und der Fall nimmt eine dramatische Wende.

Thirty years after his death, Marsden Hexcamp's "Art of the Final Moment" remains as sought after as ever. But this is no ordinary collection. Hexcamp's portfolio was completed with the aid of a devoted band of acolytes and half a dozen victims, each of whom was slowly tortured to death so that their final agonies could be distilled into art.

When art conservator Alix London spots a forgery, she knows trouble will follow. So she’s understandably apprehensive when her connoisseur’s eye spots something off about a multimillion-dollar Jackson Pollock painting at Palm Springs’s Brethwaite Museum - her current employer. Alix is already under fire, the object of a vicious online smear campaign. Now the Brethwaite’s despicable senior curator, obsessed with the "maximization of monetized eyeballs," angrily refuses to decommission the celebrated Pollock piece.

Der Preis war ihr Tod – die packende Fortsetzung von Marc Raabes Der Morgen Eine Jägerin entdeckt im Königswald eine an einen Baum gefesselte Frau. Der Name der Toten alarmiert das BKA und wühlt die Öffentlichkeit auf. Charlotte Tempel ist eine gefeierte Wohltäterin. In Kürze sollte ihr der wichtigste europäische Medienpreis »Der Hirsch« verliehen werden. Art Mayer und Nele Tschaikowski ermitteln im Umfeld der Toten. Schnell gerät ihre 21-jährige Tochter unter Verdacht: Leo Tempel ist angeblich psychisch auffällig und unberechenbar.

Finalizada la Guerra Civil, la Sección de Información de Alto Estado Mayor recibe el encargo de localizar "El arte de matar dragones", una tabla italiana perdida en el traslado de los fondos del Museo del Prado. La orden procede de Serrano Suñer y el inspector Arturo Andrade tendrá que investigar esta enigmática tabla anónima del siglo XIV. Esta no es sólo una novela de intriga sobre traficantes de arte y ajustes de cuentas en la posguerra, es también la historia de un amor imposible.

A troubled Mary Ann Walker takes a nosedive off a bridge. Seattle's police department macho man John LaMoia takes the call, along with the beauteous cop psychologist Daphne Matthews. They suspect her boyfriend, known to beat Mary Ann. Her seething brother, Ferrell, is convinced the boyfriend did the deed. But the case somehow becomes too slippery to close.

Monty is a struggling, unknown artist, living in a loft in Soho. From his third floor walk up, he watches his beautiful neighbor as she comes and goes. Too shy and reclusive to ask her out, he paints her again and again. Suddenly the police are at his door. His goddess, his dream woman, is dead, and the police like him for the crime.As time passes, several other suspects come to the attention of the detective, Roarke, and the case is now not so open and shut. As the detective immerses himself in her life, it turns out that she has more than one secret.