Episodes

  • Ep 127 - Artist Manager Dave Rose

    Ep 127 - Artist Manager Dave Rose
    Apr 3 2024
    On this week's episode, we have music manager Dave Rose (Lit, Marcy Playground, Stryper and many many more) and we discuss his journey starting out as a bassist and what it’s like managing today vs. the pre-digital age. Tune in for so much more.Show NotesDave Rose Agency: https://www.deepsouthentertainment.com/Dave Rose on TikTok: https://www.tiktok.com/@daverosedeepsouthDave Rose on Instagram: https://www.instagram.com/daverosedeepsouth/ A Paper Orchestra on Website: https://michaeljamin.com/bookA Paper Orchestra on Audible: https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptDave Rose:I'm so amazed that people pay me to do this. I was doing it long before I knew you could make money at it. And so the pinnacle for me is really that this continued joy of the business of musicMichael Jamin:You are listening to. What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. And today I got a special guest for you. Musicians out there. You don't deserve any of this. This is a wonderful treat for all of you. Don't say I never gave you anything. I'm here with Dave Rose from Deep South Entertainment and he is a career music manager. But Dave, first of all, welcome. I got a billion questions for you, but did you start off, are you a musician as well?Dave Rose:Thank you. Good to be here, Michael. Man, mutual admiration all the way around. This is exciting to be here. But yes, I started out as a musician. I was a, yes, I started out as a musician. I mean, yes and no, there's a story, but I became a musician out of necessity.Michael Jamin:How does that work? No one becomes, that's like the last thing you become out of necessity.Dave Rose:I know. Isn't that funny? So I was managing, and I very much put that in air quotes. Say I was a freshman in college and I had a local band decide they wanted me to be their manager. I was showing up at all their gigs and selling merchandise and unloading the van and doing all the things that I thought I could do to help. I just loved being around music. One day they said to me, would you be our manager? And I didn't know what the hell a manager was. I still don't. But they said, well, you could start by getting us some gigs. And that's not what a manager does, by the way. But that's when you're in college, that's what you do.Michael Jamin:That's not what a manager does then. Okay, you have to elaborate on that when weDave Rose:Can get into that for sure. So I got 'em 20 gigs and we had it all booked up and we're all ready to go. And we were two weeks out from the very first gig, big string of shows, playing skate ranches and pool parties and all the places that you play when you're just starting out anywhere and everywhere that'll give you room. And they came me and they said, our bass player quit and he's moving, so we need to cancel these gigs and we can no longer, we will audition new bass players later. I said, like, hell, you are, I've been watching this. It doesn't look like it's that hard to play bass, so here's what we're going to do. I'm going to cram myself in the basement with you, Mr. Guitar player, and you're going to teach me all the parts to these songs.We're going to go play these 20 shows with me as the bass player, and when we come back, you can audition bass players. That's how. And they were like, yeah, that's not how that works. I said, well, that's the way this is going to go. And so they did. I crammed myself in the basement and learned to play bass in two weeks, and it was rock and roll. It was three chord rock and roll. Wasn't real hard, but apparently I picked it up pretty easily and I played bass in a band for the next 10 years, but that should have been my first indication that I was not a musician. I learned how to play just to keep a band.Michael Jamin:But you must, if you played for 10 years, you're good enough.Dave Rose:Yeah, I mean I figured it out along the way.Michael Jamin:Wow. But then at ...
    Show More Show Less
    1 hr and 23 mins
  • Ep 126 - Actress Cynthia Mann Jamin

    Ep 126 - Actress Cynthia Mann Jamin
    Mar 27 2024
    On this week's episode, we have actor Cynthia Mann Jamin (Friends, Ahh! Real Monsters, Angry Beavers and many many more) and we discuss her journey as an actor and director. We also talk about how the two of us met as well as what it’s like working together. Tune in for so much more.Show NotesCynthia Mann Jamin IMDB: https://www.imdb.com/name/nm0542699/Cynthia Mann Jamin on Amazon: https://www.amazon.com/prime-video/actor/Cynthia-Mann/amzn1.dv.gti.ca37e830-61b1-44db-8fe5-979422acb482Cynthia Mann Jamin Shop: https://www.twirlygirlshop.com/A Paper Orchestra on Website: https://michaeljamin.com/bookA Paper Orchestra on Audible: https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptCynthia Mann Jamin:If it wasn't something that was organic for you, it would be torture trying to become this person that you think other people want to see, or you got to position yourself like this other person over here. But it really is about finding your unique voice because that's all we have.Michael Jamin:You are listening to What The Hell Is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase. And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Michael Jamin:Hey everyone, welcome back to another episode. I have a very special guest today, the very beautiful and talented, I'm going to call her Cynthia Mann, although she's now currently Cynthia Mann Jamin and she's my wife and Cynthia. I met years ago, I was a writer on a show called Just Shoot Me, and she was the guest star and she was a working actor and she worked on many shows including she was a recurring on Friends. She had, I dunno, five or so or six episodes on Friends Recurring on Veronica's Closet, Seinfeld, er Suddenly Susan Will and Grace, all those shows of the nineties, all those musty TV shows. She did almost all of them. And now she is the director and producer of my one man show as well as the audio book. So I thought a paper orchestra. So she did all of that. So I thought we would talk to her about that and about her experience working in Hollywood as well as directing and producing my audiobook for all of you people who aspire to do something similar. Hello, Cynthia.Cynthia Mann Jamin:Hi Michael.Michael Jamin:Hello. My beautiful wife. She's in the other room. We're pretending we live far apart, but actually we live very close to each other.Cynthia Mann Jamin:You could say we're roommates.Michael Jamin:This is my roommate, Cynthia. So thank you so much for doing this. Thank you, most of all for producing and directing my show. And I don't know, where do we begin? What should we start with?Cynthia Mann Jamin:Well, I think it's, the thing that's interesting is people might want to know how is it working together and why do we work together?Michael Jamin:I don't have an answer for that. You're cheap labor. That's why we work. I don't have to pay you. Why is that? Why we work together?Cynthia Mann Jamin:Well, it's funny because it goes all the way back to when we were first dating. I think if you want to talk about that because Go ahead. Well, we love doing projects together.Michael Jamin:Projects, we call them projects. How the Canadians say It. Project,Cynthia Mann Jamin:Yeah, projects. And when we first met it was kind of like, well, we had this common interest of he's a writer, I'm an actor, but it's like you can't sit around all day and just write and act. So we would find common things that we like to take walks, we like to do hiking. I taught you about Run Canyon, you were running in the flats. And I'm like, what the hell are you doing? Why are you running in the flats? Why don't you run up a hill?Michael Jamin:I didn't realize you could. It was so steep. And then you said you ran it. So I said, oh, alright. I guess I could try running it. ICynthia Mann Jamin:Totally ran it. I ran it all the time. I had, I had really muscular legs. YouMichael Jamin:Did. ICynthia Mann Jamin:Know you did. Yeah. And I still do. But yeah, so we would find little things to do and I would take you around LA and get you lafy and teach you what Celestial seasoningsMichael Jamin:AndCynthia Mann Jamin:Stuff. Yes, teaMichael ...
    Show More Show Less
    52 mins
  • Ep 125 - December 30th Webinar Q&A

    Ep 125 - December 30th Webinar Q&A
    Mar 20 2024
    On December 30th, I hosted a webinar called “How Professional Screenwriters Overcome Writer’s Block” and I talked about why story structure is so important in getting past this block. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesA Paper Orchestra on Website: - https://michaeljamin.com/bookA Paper Orchestra on Audible: - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMichael Jamin:Everyone wants to be a showrunner, which is again, why it's so freakingMichael Jamin:Hard. I want to make all the decisions, but you don't know based on what youMichael Jamin:Don't know what you're doing. Why would you want that? Is it an ego thing you want to tell people you're a showrunner or don't you want to learn? Do you assume? When I was starting off, I didn't want to be a showrunner for 10 years. I didn't want to be a show runner. Like, this is a hard job. I don't know how to do it.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase and to support me in this podcast, please visit michael jamin.com/book and now on with the show.Michael Jamin:Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about? Well, we're doing another q and a from one of our webinars and my special guest host is Kevin Lewandowski, script coordinator extraordinaire. He helps out with a lot of my projects, social media projects here and he's subbing in for Phil and he's doing a great job. So welcome Kevin.Kevin Lewandowski:Thank you again for having me.Michael Jamin:You screwed it up. You already screwed. No, I'm only messing with you. You're doing great. Thanks.Kevin Lewandowski:Yeah, I'm not going to apologize for not being Phil anymore, so fair Phil. But no, I'm happy to be here and this how professional screenwriters overcome Writer's Block is one of my favorite topics to talk about. Oh good. So I think it's super, super interesting and there's been, when we dive into it, I'll say my favorite line that you always say that just unlocked the excuse sometimes we use for when we have writer's block.Michael Jamin:I'm curious to know what your favorite line is.Kevin Lewandowski:Alright, I have so many Michael Jainism that I think my all time favorite is Shit Happening is not a story.Michael Jamin:By the way, we have that on merch now, guys. Yeah, we do. We got merch and you can go get it@michaeljamin.com/merch where all the crazy things that I say, you can get it on a on mug or a notebook or whatever. We got merge. Go get it. I should have plugged it before, but I forgot. But anyway, these questions came from our last webinar that we did and if you're not on my webinar list, sign up for it's free. Go to michael jamin.com/webinar and you can sign up. You can be invited when we do our next one. And so yeah, Kevin, we had a lot of questions people asked. We didn't have time to get all the questions answered and so here they are nKevin Lewandowski:Here we go. These first couple of questions are going to be about kind of course related stuff. So this first one is from David Zilo. I feel like we see his name a lot. I feel like he comes to these webinars a lot and ask a lot of questions. The question is, how does the story structure change when say a character does not, cannot achieve a goal in the tragic story, for example,Michael Jamin:Doesn't change at all. It's the same old story structure that we use. Whether the character achieves their goal at the end or not, it's the same damn thing.Kevin Lewandowski:Yep.Michael Jamin:The guys you're just asking, he's just asking at the end, what if the last two minutes are different, so what? Nothing.Kevin Lewandowski:Yeah, I think it's always more interesting for me when that character doesn't achieve their goal. I think the breakup with, but yeah, Vince v and Jennifer Ston, they don't stay together in the end. No. It's one of the few rom-coms that I think they decide to go off the beaten path and not haveMichael Jamin:Them end often. We call this the joyful defeat in a movie or the character...
    Show More Show Less
    41 mins
  • Ep 124 - December 8th Webinar Q&A

    Ep 124 - December 8th Webinar Q&A
    Mar 13 2024
    On December 8th, I hosted a webinar called “What “Do Showrunners Look For In A Script,” where I talked about how to come up with interesting and unique characters, as well as how tapping into your everyday life interactions with people can help with this. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesA Paper Orchestra on Website: - https://michaeljamin.com/bookA Paper Orchestra on Audible: - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMichael Jamin:Well, no one cares that you took my course, so zero. No one's going to be. That's why we don't give a diploma out because the diploma is worthless. No one really cares if you went where you studied, who taught you all they care about? Is the script good or not? Does it make them want to turn the page or not? Do they want to find out what happens next or not?Michael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Michael Jamin:Hey everyone, welcome to a very special episode of What the Hell is Michael Jamin talking about. I'm here with my guest host Kevin Lewandowski, and he helps out a lot with the podcast, with all my social stuff, and he's actually by trade. He's a writer's assistant script coordinator, which is actually one step higher than writer's assistant, so he's worked on a bunch of shows. Kevin, welcome to the show.Kevin Lewandowski:Thank you for having me. Michael, for those of you, sorry I'm not Phil, I'm just kind of filling in for Phil for a couple days, but I'm excited to be here. And yeah, I hope to tell you all a little bit about script coordinating as well and what that all entails,Michael Jamin:Fill in and fulfill, fillKevin Lewandowski:In and fulfill.Michael Jamin:What shows were you script coordinator on?Kevin Lewandowski:So the big one was Why Women Kill.Michael Jamin:Did we ever figure out why?Kevin Lewandowski:I mean, depending on who you ask, a lot of women will say because of men,Michael Jamin:They kill for ratings.Kevin Lewandowski:Right? Okay, that's better. But yeah, that was, I forgot how long ago that was, but that was, unfortunately we got canceled four or five days before we were supposed to start filming. Our actors had just landed in Canada and then the next day they announced they were pulling the plug on the show.Michael Jamin:Why?Kevin Lewandowski:It could be many reasons. I think a lot of it had to do with we were a little bit behind on scripts and then budgeting and we were still kind of in the midst of covid precautions and things like that.Michael Jamin:Covid, people don't realize, especially new showrunners, you don't mess with the budget. You get things done on time, Ross, you're screwed. What other shows did you work on then?Kevin Lewandowski:So the first show I ever worked on was in 2015. It was the Muppets, and it was funny. I thought if anyone ever caught a break, this is my break. I was like, it's the Muppets, it's going to go on for five or six years and I'm just going to notch up every year. And after 16 episodes, that one got canceled.Michael Jamin:What's Ms. Piggy really like?Kevin Lewandowski:I mean, she is who she is. Difficult. Yeah, she's difficult. She's a bit of a diva. We have to had to cater to all of her needs.Michael Jamin:What about, I'm sorry, and what were the other shows? Screw Miss Piggy. Yeah,Kevin Lewandowski:Screw Miss Piggy. So after that, a bunch of pilots that never got picked up, and then I worked for a show on Netflix called The Ranch with AshleyMichael Jamin:ElementKevin Lewandowski:That was a live audience show and I was there for two seasons. I'm trying to think after that. It's all becoming a blur. I did two seasons of Why Women Kill. Actually the first year I was a line producer's assistant, and so that was interesting to kind of see the financial side of things and see where they decide to put the money in. And then for season three, they moved me to Script coordinator,Michael Jamin:But the Branch ...
    Show More Show Less
    56 mins
  • Ep 123 - "My Boys" Actor Jamie Kaler

    Ep 123 - "My Boys" Actor Jamie Kaler
    Mar 6 2024
    On this week's episode, we have actor Jamie Kaler (My Boys, Tacoma FD, Robot Chicken and many many more) and we talk about his career path as well as his experiences doing stand-up. There's so much more so make sure you tune in.Show NotesJamie KalerIMDB: https://www.imdb.com/name/nm0435695/Jamie Kaler on Wikipedia: https://en.wikipedia.org/wiki/Jamie_KalerJamie Kaler on Instagram: https://www.instagram.com/jamiekaler/?hl=enJamie Kaler on YouTube: https://www.youtube.com/user/jamiekalerA Paper Orchestra on Website: https://michaeljamin.com/bookA Paper Orchestra on Audible: https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptJamie Kaler:He goes, Hey, just so you know, when you do watch it, we were running long for time. So we cut the tag. I go, you mean the reveal where I kissed the woman? He goes, yeah, we ran out of time and we cut it. I go, then everything I did up to that moment has no justification whatsoever because this is the craziest thing. He goes, I know. He goes, what are you going to do with tv? I go, all, whatever. And I moved on and I was like, couldn't care less. ButMichael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about? Well, today I'm talking about acting with my guest, Jamie Kaler. This guy, before I bring him on this guy's credits are crazy. He works a lot and so I'm going to blow, yeah, blow through. I'm going to do the abridge version. If not, we'll be here all day, but I'm going to go way back. I'm on IM db now. I'm only doing the ones that I decide are highlights. But Jag, he's been on Fringe Friends. Suddenly. Susan Carnival, third Rock in the Sun, king of Queens, grounded for Life, married to the Kelly's Arrested Development, Spanglish, seventies show. What else Will and Grace, the Family Stone? Who remembers that? Monk New Adventures of Old Christine Sons and Daughters. How I Met Your mother, my boys. We know 'em from that. And then did I say Parenthood? Did I say shake it up? Did I say Austin and Allie? Did I say Teachers of the Year? I don't remember. I'm skipping crazy Ex-girlfriend. Jesus, dude. It doesn't end the middle Dads in Parks. Oh, we'll talk about that. Heather's robot Chicken. American Housewife. Most recently Taco fd where my partner and I created the character of Polanski. Jamie, that was exhausting. Are we done with the interview now?Jamie Kaler:Honestly, it was so much fun being here, man. All right, everybody, take care. See you later.Michael Jamin:That was such good advice. Sorry, you guys all missed it. Dude, you've been around. How did you get into acting? How does someone get into acting? By the way,Jamie Kaler:People ask me nowadays, and I go, dude, it's nothing. I mean now it's like don't even move to la just start a YouTube channel in upstate Minnesota and try to blow up. And then once you have a following, then you're set.Michael Jamin:But we were talking about on your podcast, the parent lounge, but I know you think it's like a burden, but I think it actually works in your advantage to you, to your advantage because you're really good at it. You're good. You have a great social media presence. You're quick on your feet. It seems to me this, even though it requires more work for you, it actually works in your favor. No,Jamie Kaler:You mean social media doing it this way? Yeah, of course it is, but I already did it. So now I'm kind of the same way that I used to go buy wigs and glue on mustaches and actually lit myself on fire on stage at Acme Comedy Theater when I was doing crazy shows on Friday and Saturday nights in the nineties with that fervor of what are we doing today? We're going to Goodwill, we're going to get some costumes, here we go. And I remember renting equipment, trying to shoot shorts and trying to clerks, and Ed Burns had made the brothers McMullan or whatever, and it was like, come on, we're making film. It was super hard and it was painful and it was costly. And nowadays you can do it with ...
    Show More Show Less
    1 hr and 5 mins
  • Ep 122 - November 18th Webinar Q&A

    Ep 122 - November 18th Webinar Q&A
    Feb 28 2024
    On November 18th, I hosted a webinar called "How Professional Screenwriters Create Great Characters", where I talked about how to come up with interesting and unique characters, as well as how tapping into your everyday life interactions with people can help with this. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesA Paper Orchestra on Website: - https://michaeljamin.com/bookA Paper Orchestra on Audible: - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMichael Jamin:And why are we rooting for him? We're rooting for this meek man who's going to die soon to make some money for his family, but also to feel like he's alive for the first time in his life because he's just lived this very meek existence. And so that's why we're rooting for him. That's why we like him. And when he makes mistakes, he may go off track, but we hope he comes back. We're still rooting for him. You are listening to What The Hell Is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase and to support me on this podcast, please visit michael jamin.com/book and now on with the show. Hey everyone, it's Michael Jamin and you're listening to, what the Hell is Michael Jamin talking about? Well, today we're doing another q and a from II's free writing webinars, and there's a lot of questions that people had. We couldn't answer 'em all on the end. We ran out of time, and so we're going to address 'em here. But this episode, Phil, I'm here with Phil Hudson.Phil Hudson:What up, Phil?Michael Jamin:Today's episode is brought to you by a paper orchestra, which is my collection of personal essays. It's David Saris meets Neil Simon on sale on my website, michael jamin.com, or you can find it anywhere. Books are sold, Amazon, Barnes and Noble, apple Books, all those places. Go get it. Go check it out. It's a fun read. Yeah. Okay.Phil Hudson:Worth checking out all the versions though too. I was just listening to the audio book and we talked about this in your episode about the book itself, but the music cues and the intros, very well done. Very well produced. You're also telling me about, thank you, Phil, how hellacious of a process it was to do itMichael Jamin:ToPhil Hudson:The quality you like.Michael Jamin:Yes. Because you only get to put it out once, but yeah. But thank you. So Phil got the audio book, but it's available ebook and print as well, however you consume your written materials. Love it. Alright, Phil, we got some questions. Enough about me. Let's ask me some questions.Phil Hudson:Yeah, let's talk to you some more about you. This is from the November 18th webinar. These are like you said, q and A stuff, and the topic of this webinar was how professional screenwriters create great characters. This was, I think, a first run on this topic. You hadn't done this topic before.Michael Jamin:It could be. Yeah, this was a good one. Yeah, this turned out to be a good one I thought.Phil Hudson:I think so too. We can tell, there's some metrics we can tell in terms of how long people stay, questions that are asked, how long it goes. And I was going to say too, we didn't get to these questions because typically when we first started doing this almost a year ago, February will be a year doing these. It was like 30 minutes of lesson and then it was a bunch of q and a and that has transitioned into about 45 minutes of lesson and then a little bit of q and a where we can get it. And then we even have VIPQ and A now where you can just pay a small fee to join for an hour after and you just talk to people on Zoom and they get to go live and ask you questions and some really, really good questions being asked in that. So if you're interested in attending these webinars, go to michael jamin.com/webinar where you can sign up for that. But then you can also sign up on that page to get into the VIP. If you want to ask Michael directly a question that you have if youMichael Jamin:Can't get to it. So to be clear, the webinars are always free, and if you want to spend extra time with me, that costs you something. But I should also say ...
    Show More Show Less
    42 mins
  • Ep 121 - "Bones" Executive Producer - Jonathan Collier

    Ep 121 - "Bones" Executive Producer - Jonathan Collier
    Feb 21 2024
    On this week's episode, I have Writer/Executive Producer, Jonathan Collier (Bones, The Simpsons, King of the Hill, Monk, and many many more) and we dive into the origins of his career. We also talk about his side hustle and how that came about! Tune in as we have so much more.Show NotesJonathan Collier on X: https://twitter.com/collierjonathan Jonathan Collier IMDB: https://www.imdb.com/name/nm0171927/Jonathan Collier on Wikipedia: https://en.wikipedia.org/wiki/Jonathan_CollierA Paper Orchestra on Website: - https://michaeljamin.com/bookA Paper Orchestra on Audible: - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptJonathan Collier:It was after season eight, and I thought they were trying to get me to go to King of the Hill, and I had whatever, I had the chance to stay at Simpson's. And I thought, well, there's no way it goes past season 10.Michael Jamin:Yeah. Or any show goes past season 10.Jonathan Collier:It just doesn't happen. And so I left. I thought, I kind of felt badly leaving, but I thought, what's much better? Do you want to show with some like in itMichael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase. And to support me in this podcast, please visit michael jamin.com/book and now on with the show.All right, everyone, welcome back to What the Hell is Michael Jamin talking about? My next guest is an old colleague of mine, old friend from my days on King of the Hill before I let him talk his name's John Coly or welcome to the show, but let me tell you what he's done. The Sky's credits are pretty incredible. So you sit back and relax. Lemme tell you what he's done. So he wrote on The Simpsons. Okay, we've heard of that show and I'm only giving some of the highlights, some of the highlights, some Scooby dos, which I did not know. King of the Hill Monk, the Good Family Bones, the Good Cop Law and Order. I mean, this guy has done well. He's done a lot. But thank you so much, man, for doing the show.Jonathan Collier:Oh, it's a pleasure, Michael. Thank you for having me.Michael Jamin:Let me tell you about who you are because I remember very clearly walking to my, on my way to my office on King of the Hill. Yours was, I would always walk past you and I would often stop and say hello. Or sometimes I would just sit and you always had a big smile. You're always so happy to greet me and have me there. And I never felt like I was getting in the way you Yeah, come on in. Come on. You're always very kind.Jonathan Collier:I am endlessly in search of distractions.Michael Jamin:Well, I do remember walking past you on days when you're on script and just looking miserable. IJonathan Collier:Am. Thank you. Nope, that's exactly it. Well observed. I am never more miserable than I am alone in writing.Michael Jamin:But why is that? Do you feel?Jonathan Collier:Oh, it's a horrible thing to do. TV writing is one of the most fun, engaging, productive things you can do if you're with other people. And I love that part of it. And the small portion of the job that relies on you being alone entails, I should say, you being alone and actually writing something without people around is misery for me.Michael Jamin:But is it the comedy part? You also do drama now? Which one is harder?Jonathan Collier:Comedy is harder.Michael Jamin:Okay. But yeah, I would agree with that as well. But is it miserable to write drama as well?Jonathan Collier:I find the process of keeping stuff alive and interesting and propulsive is really, really hard.Michael Jamin:And how do know? You know when it's alive?Jonathan Collier:What, sorry?Michael Jamin:How do you know?Jonathan Collier:How do I know when it's right?Michael Jamin:Yeah. How do you know?Jonathan Collier:Part of what makes it so miserable is you can always second guess yourself. And even more so when there's jokes involved.Michael Jamin:Yeah. Well, for jokes for sure. And what was that transition like for you? I'm amazed that anyone can do it.Jonathan Collier:Oh, I got very lucky. What happened was that King of the Hill was, we got canceled. You remember? It was time. The show got canceled. It was canceled two times.Michael ...
    Show More Show Less
    39 mins
  • Ep 120 - Actress Paula Marshall

    Ep 120 - Actress Paula Marshall
    Feb 14 2024
    On this week's episode, I have actress Paula Marshall (Euphoria, Walker, Gary Unmarried, and many many more) and we dive into the origins of his career. We also talk about how she dealt with being a new mom and working on a sitcom at the same time. There is so much more so make sure you tune in.Show NotesPaula Marshall on Instagram: https://www.instagram.com/thepaulamarshall/?hl=enPaula Marshall IMDB: https://www.imdb.com/name/nm0005191/Paula Marshall on Wikipedia: https://en.wikipedia.org/wiki/Paula_MarshallA Paper Orchestra on Website - https://michaeljamin.com/bookA Paper Orchestra on Audible - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptPaula Marshall:But a lot of parents, they go to jobs and then they come home or they don't work at all, and then it's just mom 100% and they're probably exhausted and happy. Some of my friends, I feel like they're like, I'm so glad. Finally I get to whatever. And either they're retiring and they get to go travel and like, no, I'm an actor. I'm looking for a gig, whatever. I don't think actors ever truly retire. I think we don't. I don't.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations and writing, art and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase. And to support me on this podcast, please visit michael jamin.com/book and now on with the show.Welcome everyone. My next guest is actress Paula Marshall. She has been, I worked with her years ago on a show called Out of Practice, I think it was like 2005. But Paul, before I let you get a word in edgewise, I got to tell everyone, your credits are crazy long, so your intro may take a long time. So I'm going to just give you some of the highlights to remind you of your incredible body of work here. Really these are just the highlights. She works a ton. So well, let's see. I guess we could start with One Life To Live. That might've been your first one. Grapevine Life goes on. Wonder Years Seinfeld. I heard of that one. Perry Mason diagnosis. Murder Wild Oats. I'm skipping here. Nash Bridges. You did a couple Chicago Suns Spin. City Cupid Snoops Sports Night, the Weber Show. It doesn't end.Just shoot Me, which I worked on. I didn't even know you were on that. Maybe I wasn't there. Hitting Hills and Out of Practice, which we did together. Veronica Mars, nip Tuck, shark ca Fornication. You did a bunch of Gary Unmarried House friends with Benefits, the exes CSI, the Mentalist, two and a Half Men Murder in the First Major Crimes. What else have we got here? Goer Gibbons, I dunno what that is. You have to tell me what that is. And then Modern Family Euphoria. You did a bunch of them. Walker. Paula, I'm exhausted and I'm going to steal your joke here. You can because I'm going to say you're Paula Marshall, but you may know me as Carla Gina. That's what used to tell me CarlaPaula Marshall:And I know Carla,Michael Jamin:But knowPaula Marshall:She's like the younger version of me. Slightly shorter,Michael Jamin:Bigger, bigger. Boop. But you have done so much. I'm going to jump, I'm going to jump into the hardest part. I'm wondering if this is the hardest part for you is being a guest star on a show because you have to jump in with the cast, you have to know the rules and everything. Is that harder?Paula Marshall:Yes, a hundred percent. It's harder when I guest star on any shows, if I haven't seen the show, I watch three or four on YouTube just so I know who's who and the vibe and the energy. When I guest star on Modern Family I their last season and some could say I canceled the show by being there. I've been called a show killerMichael Jamin:Before. I remember You don't let Right.Paula Marshall:I still have not let that go. I like to say I've just worked on so many different shows at its peak and then it died anyway. It's hard because they're all in a flow and depending on the other actors, how cool they are to kind of throw the ball at you.Michael Jamin:But do you have to identify who's the alpha dog on set? Is that what your plan is? It'sPaula Marshall:Pretty clear right away. Really? Yeah. I mean besides whoever's first on the call sheet, I remember one of the producers of Snoop's, David Kelly's first big bomb. That was ...
    Show More Show Less
    1 hr and 5 mins