Literary History & Criticism

His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy.

Gli scritti riuniti in questa raccolta vertono sulle funzioni della letteratura, su autori che Eco ha frequentato a lungo come Nerval, Joyce, Borges (ma anche Aristotele e Dante), sull’influenza di alcuni testi più o meno letterari sullo sviluppo degli eventi storici, su alcuni problemi tipici del narrare, come la rappresentazione verbale dello spazio, l’ironia intertestuale, la natura dei mondi possibili della finzione, e su alcuni concetti chiave della scrittura "creativa", come il simbolo, lo stile, la "zeppa" (ovvero i momenti apparentemente "morti", e meramente funzionali nello sviluppo d

In this book, psychotherapist Dr. Stacey Simmons explores the tracks women are placed on that turn them against themselves at a young age. Using fairy tales, stories, films, television, musicals, and the lives of her patients, Dr. Simmons reveals an ancient pattern hidden in plain sight for over a thousand years. She named it The Queen’s Path, and in this book she explains how it has been used against women for millennia, and how women can turn the pattern to their advantage, and use it themselves to overcome obstacles and become the rightful queens of their own lives.

Auf diesem Hörbuch werden folgende 5 Texte, die jeweils den Gegenstand Kunst auseinandersetzen und verdeutlichen zu finden sein: Der Verfall der Lüge, Stift – Gift – Schrifttum, Kritik als Kunst 1, Kritik als Kunst 2, Die Wahrheit der Masken. Text 1: Ohne Lügen wäre Kindererziehung unmöglich, ohne Lügen wären Wahrheiten unmöglich.

William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe's stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity.

Drawing on deep archival research and decades of scholarship, Ann Schmiesing tells the affecting story of how the Grimms’ ambitious projects gave the brothers a sense of self-preservation through the atrocities of the Napoleonic Wars and a series of personal losses.

First published in 1732 by Benjamin Franklin when he was just 26, Poor Richard's Almanack was issued annually for the next 25 years. Extremely popular with readers of the day, the Almanack was a fascinating compilation of weather predictions, recipes, jokes, and delightful aphorisms — many representing Franklin's common-sense philosophy, and others, proverbs from the past.

Dive deep into the intricate minds of The Witcher's characters and explore the fascinating intersection of psychology and fantasy in "The Psychology of The Witcher." Uncover the secrets behind the complex motivations and behaviors of Geralt of Rivia, Yennefer of Vengerberg, and other iconic characters in this captivating exploration of the acclaimed fantasy series.

For generations, the Tricksters have inhabited the mountains of west Texas. Preying off unwitting travelers, the pack's existence remains a well-kept secret. On a road trip, Ash and her friends make the fateful decision to stop in the dusty little town of Sierra Diablo where they meet a handsome and charismatic local named Caleb and his peculiar group of friends. Later that night, a frightened young girl stumbles into their campsite, begging for help.

Un legado invaluable que nos invita a seguir leyendo, escribiendo y soñandoHubo una edad en que "hicimos todo lo que ha - bía que hacer", pero, de pronto, los años se agolparon —no sabemos exactamente cuándo— y una retahíla de vocablos —"ausencia", "desamor", "lejanía"— nos dejó solos con las preguntas: "¿adónde van los días que pasan?" "¿Cuál será el porvenir de mi pasado?". En Desde entonces —recopilación de poemas publicados entre 1975 y 1978— el verso libre, la prosa poética y el poema extenso dialogan en el gran teatro del mundo que la palabra ha montado, como acto de rebeldía contra el olvido.