Literary History & Criticism

Em “Literatura e Sociedade”, o crítico e professor Antônio Candido escreveu sobre a relação de influências e transformações constantes entre autor, obra e público. Ou seja, nenhuma produção artística, sobretudo a literária, é feita ou existe no vácuo: ao contrário, surge em diálogo com seu tempo, reagindo ou exercendo efeitos sobre ele.

Journey through the dark, winding tributaries of love in this unforgettable live stage show, written and performed by Joe Arden. A unique perspective on the roots of love explored through original reflections and lyrical passages from literature, this sold-out Baltimore event captivates with raw energy and emotional depth. Experience the haunting beauty of Frankenstein and Edgar Allan Poe alongside contemporary romance, culminating in a never-before-published short story by Joe himself.

頼山陽の『日本外史』は，歴史に生きる人間の姿を鮮やかに描き出すことで多くの人々を魅了し，後世に多大な影響を与えた．山陽の詩人としてのあり方と，歴史叙述の方法とはどのように結びついていたのか．

■フィクションの「死」を通して「社会」を探求する。―シャーロック・ホームズは、熱烈なファンの声により生き返った（死んでいなかったことになった）。―力石徹（『あしたのジョー』）の死を悼んだファンの力により現実に葬儀が行われた。

A Room of One's Own is an extended essay, originally delivered in 1928 as two lectures at two of Cambridge University's women's colleges—Newnham College and Girton College. Through the use of several metaphors, lauded author Virginia Woolf explores the social injustices and structures that prevent women from engaging in free expression and contributing to literature.

Earthquake and the Invention of America: The Making of Elsewhere Catastrophe explores the role of earthquakes in shaping the deep timeframes and multi-hemispheric geographies of American literary history. Spanning the ancient world to the futuristic continents of speculative fiction, the earthquake stories assembled here together reveal the emergence of a broadly Western cultural syndrome that became an acute national fantasy: elsewhere catastrophe, an unspoken but widely prevalent sense that catastrophe is somehow "un-American."

Un viaggio nel mondo poetico e spirituale del grande mistico sufi Rumi, vissuto nel XIII secolo, considerato non solo un poeta ma anche un profeta e un santo, tanto che per molti musulmani è un nuovo Maometto, per molti cristiani un nuovo Gesù, per molti ebrei un nuovo Mosè. Il suo messaggio – l’amore è l’essenza di tutte le cose – può essere assimilato a quello di san Francesco e di Dante, suoi contemporanei, ma si rilevano anche affinità con il pensiero di Pitagora, Socrate e Platone.

This book reveals, for the first time, the story behind the writing of ‘Desiderata’. Beloved by millions, the poem was first published in 1927, but its true origins, along with the life of its author, have largely been lost to literary history. This account by actor and author Tim Dalgleish includes not only the story of ‘Desiderata’ but two additional, previously unpublished, chapters from a forthcoming biography of Max Ehrmann. This new material helps bring Max Ehrmann, the author of 'Desiderata', out of the shadows.

Colette was a pioneering, groundbreaking modernist writer, but has not always had her originality and worth recognized in Britain. Her work provocatively uses unstable narratives, gaps, silences, fairytale, mythical tropes, and sensual evocations of childhood, sex, and landscapes. In this book, Michèle Roberts examines how Colette invents new forms to express her unsettling content on desire, perversion, aging, and different forms of love.

Aristotle's Poetics (Greek: Περὶ ποιητικῆς; Latin: De Poetica) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry" (a term that derives from a classical Greek term, ποιητής, that means "poet; author; maker" and in this context includes verse drama – comedy, tragedy, and the satyr play – as well as lyric poetry and epic poetry).