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What if the rhythm of an island could reshape global music? In this episode, we are joined by Dr. Jessica Swanston Baker who both brings her rich family heritage and academic expertise to trace the roots and evolution of wylers, its integral role in Carnival, and reveal how Caribbean music has profoundly influenced the global soundscape.

Journey with us as we explore the dynamic evolution of Caribbean Christmas sports, with a special focus on the historical and cultural transformations in St. Kitts and Nevis. Dr. Swanston Baker sheds light on the technological advancements of the 1980s that propelled the development of wylers music, setting the stage for its contemporary form and challenging societal norms with its rapid tempo. Finally, we discuss the broader impact of globalization on Caribbean music in the 1990s and 2000s. Learn how affordable music technology enabled a new generation of musicians to bypass traditional pathways, reshaping the local and global music scenes. We also dive into the personal stories of navigating family history through ethnomusicology, highlighting the significance of tempo and poetic expression in Caribbean culture.

Jessica Swanston Baker is an ethnomusicologist specializing in contemporary popular music of the Circum-Caribbean. Her work centers on the intricate relationships between tempo, aesthetics, colonial legacies, and the intersections of race and gender in the region and its diaspora. Her book, Island Time: Speed and the Archipelago from St. Kitts and Nevis (University of Chicago Press, 2024), traces the sonic history and ethnographic present of wylers, a fast-paced style of music from St. Kitts and Nevis, examining how it reflects broader histories of colonization, Black femininity, and West Indian performance practices. Professor Baker earned a Ph.D. in Ethnomusicology from the University of Pennsylvania and a Bachelor of Music in Vocal Performance from Bucknell University.

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