What happens when racism is not a bug in the system—but in fact IS the system? And the Health System, at that. Imagine being a high-achieving person of color, courted by prestigious medical institutions, but then denied the support you needed when you got there? Fighting through burnout and the grueling pace of residency, only to wind up a cog in a bureaucracy that sees patients as broken bits on an assembly line. “With] ninety-ninth percentile MCAT and Step and Board scores as entrance keys to the profession,” writes author Anthony Chin-Quee, “we too often neglect to screen for traits that truly matter: the self-awareness and strength of character necessary to weather the devastating emotional trials that are sure to come; the humility and grace required to be an effective, collaborative, and avid lifelong learner.” Chin-Quee’s memoir, I CAN’T SAVE YOU, doesn’t just present the trauma of our medical education system, but the trauma of living and of caring in a narrative described by NPR as “messy” but provocative—an “assemblage of shifting narrative perspectives, poetry, anecdotes, and hallucinatory performance, represents the structural equivalent of a mixtape.” Guess what, y’all, it’s Medical Humanities. Yes, like that journal I happen to be the editor in chief of… and I cannot WAIT to chat live with Anthony about how we have lost—and how to regain—the human at the center of medicine. Don’t miss this livestream on Jun 27th, only on the Peculiar Book Club.

Episode was recorded live June 27, 2024.

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Welcome to the Peculiar Movie Club, a bonus podcast linked to our main show the Peculiar Book Club through common themes in media. This week, in honor of the book The Computer's Voice, we are discussing maybe the most iconic computer voice in cinema history with Hal 9000 and 2001: A Space Odyssey.

Join Davey Berris and Darren Cross as we take a deep dive into this legendary Kubrick film and discuss man's evolution from apes, what the star child means, how this film was made, and why people in the 60's really started to dig this movie (wink, wink).

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“Siri, what does it mean to have gender?” We have become very used to the dis-embodied voices that surround us, from the voice answering to ‘Siri’ to the one giving us directions on our GPS apps. But have you ever stopped to wonder why some of these voices are coded “male” and others “female?” The tech isn’t gendered, but the voices are—and it’s true in fiction as well as fact. Consider “Vicki” from I, Robot, or HAL from Space Odyssey. Why does Star Trek have a female-coded central ship computer? Is it because, as Faber suggests, space is hostile and the ship womb-like and nurturing against the coldness of space? Food for thought, isn’t it? Modern science understands gender as a social construct rather than an actual difference between one sex and another (and another)—that’s why it has been so subject to change over the centuries. Consider the 18th century gent with his hair curlers and lace, tights and heels, penchant for poetry and fainting with feeling. So why bother “gender coding” our technology at all? What’s it doing for us—or against us? To find out, we’re reading THE COMPUTER’S VOICE by Liz Faber, a brilliant analytical romp through feminist psychoanalysis and trippy space operas. Join us live—and you also get to speak with our guest host Rebecca Gibson, author of THE BAD CORSET, A FEMINIST REIMAGINING (hint, the corset wasn’t as bad as you think). Join us for an AUTHORS HOSTING AUTHORS event! There will be feminist cocktails.

Episode was recorded live June 13, 2024.

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