Showing results for "Ocean Vuong" in All Categories

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

The Emperor of Gladness follows a wayward young man in New England who, out of sheer chance, becomes the caretaker for an 82-year-old widow living with dementia. Hallmarks of Vuong's writing - formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness - are on full display in this masterful story of friendship and how much we’re willing to risk to possess one of life’s most treasured mercies: a second chance.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

This is what he remembers, as he sits by the ocean at the end of the lane: A dead man on the back seat of the car and warm milk at the farmhouse. An ancient little girl and an old woman who saw the moon being made. A beautiful housekeeper with a monstrous smile. And dark forces woken that were best left undisturbed.

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Born in, and named after, Thailand's Khao-I-Dang refugee camp, Y-Dang Troeung was - aged one - the last of 60,000 Cambodian refugees admitted to Canada, fleeing her homeland in the aftermath of Pol Pot's brutal Khmer Rouge regime. In Canada, Y-Dang became a literal poster child for the benevolence of the Canadian refugee project - and, implicitly, the unknowable horrors of Khmer Rouge-era Cambodia. In Landbridge, a family and personal memoir of astonishing power, Y-Dang grapples with a life lived in the shadow of pre-constructed narratives.

Un joven que se descubre a sí mismo en su doble condición de inmigrante y homosexual. Un libro valiente y conmovedor. Un hijo le escribe una larga carta a su madre, que no sabe leer. La carta es en realidad un examen de conciencia, un repaso a los elementos clave que han ido conformando su identidad: como hijo de una familia de vietnamitas que huyeron de su país rumbo a Estados Unidos y como joven que descubre y asume su homosexualidad.

La guerra, l'amore per una madre e per la lingua d'adozione, l'emigrazione, la violenza, l'identità, la scoperta del corpo e della perdita, una vita intera a capire cosa significa diventare cittadini di un altro paese: il romanzo d'esordio del poeta Ocean Vuong (T.S. Eliot Prize 2017) è la rivelazione dell'ultima stagione editoriale negli Stati Uniti, considerato dalla critica l'emblema di cosa può essere il romanzo americano. Little Dog, la voce di questo romanzo di esordio tradotto in tutto il mondo, ricostruisce in una lettera alla madre la storia della sua famiglia.

Three young brothers leave Los Angeles in the dead of night for Iran, taken by their father from their mother to a country and an ancestral home they barely recognize. They return to the Valley months later, spit back into American life and changed in inexorable ways. Under the California sun, our protagonist, the youngest brother, begins to piece together a childhood shattered by his father's violence, a queer adolescence marked by a shy, secret love affair with a boy he meets on the basketball court, and his ever-changing status as a Muslim in America.