Science Imagination

There is a box. Anything you imagine will appear inside. You have one go, one chance to create anything you want. What would you pick? That's exactly the question 10-year-old Timothy Hart gets to answer after discovering The Imagination Box. The greatest toy on earth. The top-secret contraption transforms his life, but when the box's inventor, Professor Eisenstone, goes missing, Tim knows he has to investigate.

Timothy Hart is getting used to the good life with his new imagination box. Anything he can imagine, he can create! There's only one rule - the box mustn't leave Tim's room.

Nearly a year has passed since Tim, Dee and Phil the finger monkey (with the help of some fire-breathing bear-sharks) defeated Wilde Tech Inc and destroyed the imagination space. But since then, it's become increasingly clear that there's something wrong with Tim. His imagination seems limitless - anything he imagines immediately appears in front of him, with no need for the imagination box. Which has both good and bad consequences. 

Hailed upon publication as a cogent and hard-hitting critique, The Sociological Imagination took issue with the ascendant schools of sociology in the United States, calling for a humanist sociology connecting the social, personal, and historical dimensions of our lives. The sociological imagination Mills calls for is a sociological vision, a way of looking at the world that can see links between the apparently private problems of the individual and important social issues. 

Compiled and introduced by PEN Award-winning historian Mitch Horowitz, Infinite Potential is a curated compendium of Neville's work, including the complete text of his first book, At Your Command, along with three never-before anthologized pieces from the great writer. Horowitz is the leading expert on Neville and his teachings, and his introduction frames Neville's work in both a historical and modern-day context, offering a complete timeline of the writer's somewhat mysterious life.

Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity's highly refined process of socialization has inadvertently created and maintained segregated societies.  

Join Ursula K. Le Guin as she explores a broad array of subjects, ranging from Tolstoy, Twain, and Tolkien to women's shoes, beauty, and family life. With her customary wit, intelligence, and literary craftsmanship, she offers a diverse and highly engaging set of stories. The Wave in the Mind includes some of Le Guin's finest literary criticism, rare autobiographical writings, performance-art pieces, and most centrally, her reflections on the arts of writing and reading.

The time has come for four children to be named the new Protectors of Imagination Island. In an event that only happens once every 80-100 years, children all over the world scour the globe in search of lightstreams (portals) to the magical island where anything they imagine comes to life. To become a Protector, they must compete in teams and complete a series of challenges to prove they have what it takes. But not everyone will make it to the next level of Imagination Island, and the last person to reach the checkpoint will be transported back home immediately…

For over half a century, scholars have labored to show that C. S. Lewis' famed but apparently disorganized Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance, and the structure of Narnia's symbolism has remained a mystery.

Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called "modern myths." But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did.

Imagination: A Manifesto offers visionary examples and tactics to push beyond the constraints of what we think, and are told, is possible. This book is for anyone who is ready to take to heart Toni Morrison's instruction: "Dream a little before you think."

Drawing from a vast array of creation myths - Babylonian, Greek, Aztec, Maya, Inca, Chinese, Hindu, Navajo, Polynesian, African, Norse, Inuit, and more - this concise book uncovers both the similarities and differences in our attempts to explain the universe. Anthony Aveni, an award-winning author and professor of astronomy and anthropology, examines the ways various cultures around the world have attempted to explain our origins, and what roles the natural environment plays in shaping these narratives. The book also celebrates the audacity of the human imagination.

Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fan-fiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Appearances can be deceptive—this is a book like no other. It contains untold riches—every word a tiny particle of story from the universe of His Dark Materials, made alive for us by the writer's imagination. Every word will give you an exciting new glimpse into Lyra's world. Every word will give you an astonishing insight into the storytelling mind of Philip Pullman. So step into the imagination chamber.

Imagination: A Very Short Introduction explores imagination as a cognitive power and an essential dimension of human flourishing, demonstrating how imagination plays multiple roles in human cognition and shapes humanity in profound ways. Examining philosophical, evolutionary, and literary perspectives on imagination, the author shows how this facility, while potentially distorting, both frees us from immediate reality and enriches our sense of it, making possible our experience of a meaningful world.

Britain's empire has gone. Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture.

Science writer Sadie Dingfelder has always known that she’s a little quirky. But while she’s made some strange mistakes over the years, it’s not until she accosts a stranger in a grocery store (whom she thinks is her husband) that she realizes something is amiss. With a mixture of curiosity and dread, Dingfelder starts contacting neuroscientists and lands herself in scores of studies. In the course of her nerdy midlife crisis, she discovers that she is emphatically not neurotypical.

Reality is all very well in small doses. It's a perfectly conventional and convenient way of neutralising the imagination. But sometimes when there's more than one reality at play, imagination just won't be neutralised, and the walls between realities come tumbling down. Unfortunately there's usually a damned good reason for there being walls between them in the first place. To keep things out. Things who want to make mischief and play havoc with the natural order.

Rose and Arthur are back in Roar, on a voyage that takes them further than they’ve ever been before: beyond The End. It’s an amazing adventure - full of secrets, surprises and fairies with fangs - but then a mysterious storm changes everything. Shipwrecked on a strange island, they make a shocking discovery.... Could this be the end of Roar? Jenny McLachlan is the author of several acclaimed teen novels including Flirty Dancing, Stargazing for Beginners and Truly, Wildly, Deeply.