Scandinavian Fiction

The Bucket List starts when undercover FBI Agent John Adderley wakes up in a hospital bed in Baltimore with extensive gunshot wounds. He knows he’s lucky to be alive. And just a few beds away is the man who 24 hours ago pointed a gun to his head. Soon, a high-profile cold-case file is sent to Agent Adderley, now living in Sweden (where he’s not lived since he was a boy) in witness protection, hiding until he can testify against the drug cartel he infiltrated back in the States. Adderley is determined to solve the case, even with a price on his head....

Magic and myth inhabit these chapters in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. These stories, set in Norway's majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe.

Born in 1150 to a noble Swedish family and coming of age at a monastery under the tutelage of a Cistercian monk and a former Knight Templar, young Arn Magnusson is sent to fulfill his destiny beyond the cloister walls. But the world awaiting him is a place at odds with his monastic ways. And when the murder of a king engulfs Western Götaland into a whirlwind of intrigue and ruthless power plays, headstrong and naive Arn is forced to leave the woman he loves behind and take up arms to battle infidels in the Holy Land.

It’s the right time for love, but is it the right place? Following her husband's untimely passing, Martha's life revolves around their daughter, Rosie. But with Rosie leaving the nest and Martha's job in jeopardy, she feels life slipping away. On a whim, fueled by a love for Scandi-noir dramas, Martha travels to Denmark. Amidst its charming landscapes, she's drawn to the serene island of Fano where she meets the handsome Lars.

The Prose Edda and the Poetic Edda are our oldest written sources for Norse mythology. When it comes to the norse myths, they are the closest thing we have to listening these stories as the vikings actually told them, around those ancient campfires so long ago. It is my hope that you will enjoy this collection, and that the two books will work in tandem to broaden and deepen your appreciation for these epic and mystical stories, and the enigmatic culture that spawned them.

DI Jamie Johansson is trying to find normality in Kurrajakk when she gets the chance to sit in on the Interpol interview linked to her last case. A pattern of mutilation and beheading on the Finnish border has Jamie's full attention, but Interpol seem more interested in the Russian connection. Begrudgingly, they let her follow up, and as usual, Jamie's nose for trouble doesn't steer her wrong.

Una knows she is struggling to deal with her father's sudden, tragic suicide. She spends her nights drinking alone in Reykjavik, stricken with thoughts that she might one day follow in his footsteps. So when she sees an advert seeking a teacher for two girls in the tiny village of Skálar - population of 10 - on the storm-battered north coast of the island, she sees it as a chance to escape. But once she arrives, Una quickly realises nothing in city life has prepared her for this. The villagers are unfriendly. The weather is bleak.

It begins with a nursery rhyme. Nineteen minutes later you die.... The sixth gripping thriller in Lars Kepler’s best-selling series featuring Joona Linna. Perfect for fans of Stieg Larsson and Jo Nesbo. There’s a face at the window. A stranger wearing a mask stands in the shadow of a garden. He’s watching his first victim through the window. He will kill him slowly, make it last - play him a nursery rhyme - make him pay.

Four nuns and a fifth woman, a visitor to Africa, are killed in a savage nighttime attack. Months later in Sweden, the news of the unexplained tragedy sets off a cruel vengeance for these killings. Inspector Kurt Wallander is home from an idyllic holiday in Rome, full of energy and plans for the future. Autumn settles in, and Wallander prays the winter will be peaceful. But when he investigates the disappearance of an elderly birdwatcher, he discovers a gruesome and meticulously planned murder - a body impaled in a trap of sharpened bamboo poles.

On the day Stockholm police officer Hanna Ahlander’s personal and professional lives crash, she takes refuge at her sister’s lodge in the Swedish ski resort paradise of Åre. But it’s a brief comfort. The entire village is shaken by the sudden vanishing of a local teenage girl. Hanna can’t help but investigate, and while searching for the missing person, she lands a job with the local police department. There she joins forces with Detective Inspector Daniel Lindskog, who has been tasked with finding the girl. Their only lead: a scarf in the snow.

When the oil and gas ran out, civilization collapsed. Now, centuries later, mankind is once again beginning to discover the secrets of the past...starting with clockwork.

July 2007. A letter arrives on Inspector Barbarotti’s doorstep detailing a murder that is about to take place in his quiet Swedish town. By the time the police track down the subject of the letter, he is already dead. So when a second letter arrives, then a third, and a fourth, it’s a game of cat and mouse to stop the killer before he can make good on all of his promises.

INDHOLD: Track: 1 Fyrtøjet; Track: 2 Gaaseurten; Track: 3 Flipperne; Track: 4 Gartneren og herskabet; Track: 5 Under piletræet; Track: 6 Paradisets have; Track: 7 Billedbog uden billeder.

The body of a homeless woman is found in the river, viciously beaten and with all her teeth removed. A young immigrant, the prime suspect in a recent spate of robberies in Umeå, was seen running in the vicinity around the time the body was dumped. Trouble is, he hasn’t been seen since. When he does appear, in the town square, he’s wearing an explosive vest and holding a detonator.

In the Swedish ski resort of Åre, crime is rare. Certainly nothing so brutal as the murder of Johan Andersson, a former Olympic skier found bound and beaten to death in the forest. According to his distraught wife, he didn’t have any enemies in the world. To Detective Inspectors Hanna Ahlander and Daniel Lindskog, the crime proves otherwise. But what could have provoked such rage? And in whom?

En compagnie de Sophie Amundsen, le lecteur est initié par le détour de la fiction romanesque aux grands événements et figures de la pensée occidentale : Socrate, Platon, Aristote, le Moyen Age, la Renaissance, Spinoza, Hegel, Marx, Freud, le post-modernisme, entre autres. "Qu'est-ce qu'il y a de plus important dans la vie ? Tous les hommes ont évidemment besoin de nourriture. Et aussi d'amour et de tendresse. Mais il y a autre chose dont nous avons tous besoin : c'est de savoir qui nous sommes et pourquoi nous vivons."

Jen Beeny is leaving her turbulent past behind and now it's time to start living. Or at least she's trying to. Between her dead-end job, live-in-landlord and disastrous dates, life in London is not quite turning out as she'd planned. When her dates start to go missing, Jen is determined to ignore the sense of dread building inside her. She continues on with life...until the police come knocking. All signs suggest Jen is the culprit, and the internet sleuths are gaining traction. But Jen didn't do anything wrong, did she?

When a young woman is discovered brutally murdered in her own apartment, with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. They very quickly establish a link between the victim, Julie Stender, and her complex landlady, Esther de Laurenti. Esther also turns out to be a budding novelist - and when Julie turns up as a murder victim in the still-unfinished mystery she's writing, the link between fiction and real life grows more urgent.

Hans Christian Andersen was a Danish author and poet. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales, a literary genre he so mastered that he himself has become as mythical as the tales he wrote. Andersen's popularity is not limited to children; his stories — called eventyrs, or "fantastic tales" — express themes that transcend age and nationality.

In an orphanage outside Oslo, twelve-year-old Olav is causing havoc. The institution's ageing director, Agnes Vestavik, sees sheer hatred in the boy's eyes. When Vestavik is found murdered at her desk, stabbed in the neck with a kitchen knife – with Olav nowhere to be found – the case goes to Hanne Wilhelmsen, recently promoted to superintendent in the Oslo police. Hanne suspects that Olav witnessed the murder and fled, and she orders an investigation of the orphanage staff.