Rock Music Memoirs

At its heart, Under A Rock is a love story. The codependent bond between Chris Stein and Debbie Harry carried Blondie through their many tribulations: terribly misogynistic music scenes, greasy record execs, bitter band mates, gruelling schedules, and hard drug abuse abound, and Chris lays it all bare with blunt sincerity and humour. Ultimately, Chris and Debbie broke up, but their bond never dissipated; they remain closest of friends, and continue to tour and promote their various projects together to this day.

With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the '70s is a detailed portrait of Canada's greatest rock ambassadors. The first of three volumes, Anthem puts the band's catalog, from their self-titled debut to 1978's Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context.

Leaving school and starting his career at Decca Records in 1958 at the age of sixteen, Tony King would soon find himself becoming close friends with Elton John, rekindling John Lennon and Yoko Ono's relationship, mediating a quarrelsome Mick Jagger and Keith Richards and spending time with Freddie Mercury in his final days - a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as a stalwart in London and New York's gay scenes.

In a sodden tent at a '70s festival, the teenage Mark Ellen had a dream. He dreamt that music was a rich meadow of possibility, a liberating leap to a sparkling future, an industry of human happiness - and he wanted to be part of it. Thus began his 50-year love affair with rock and roll. From his time at the NME and Smash Hits to Radio One, Old Grey Whistle Test, Live Aid, Q, Select, Mojo, and The Word magazines, he's been at the molten core of its evolution, and watched its key figures from a unique perspective.

'This could be heaven or this could be hell...' So sings Don Henley on their biggest hit, 'Hotel California', yet for The Eagles their story was one where the dividing line between ultimate Hollywood highs and subterranean LA lows was blurred beyond recognition, blinded by white-powdered double-visions and buried beneath greenback mountains.

I Was There is a memoir by Alan Edwards, the godfather of modern music PR, whose stellar list of clients has ranged over the years from the Rolling Stones to the Spice Girls via the Stranglers, Blondie, Prince, Britney Spears, Amy Winehouse and, outside of music, David Beckham and Naomi Campbell. Edwards describes getting his break in the mid-1970s as a scruffy 20-year-old back from the hippy trail; his encounter with London’s thriving punk scene, which inspired him to set up his own PR company; finding success as his work with the likes of Blondie and Bowie takes him to the US and beyond.

To Ease My Troubled Mind is a mosaic portrait collated over a year of interviews with Childish, as well as with close family, ex-girlfriends, bandmembers past and present, friends, foes, collaborators, even his therapist. It is an unflinching, yet frequently spiritual and funny portrait of an artist whose obstacle-strewn upbringing formed the backbone of his work: raised in a broken home and abused as a child, Childish was an undiagnosed dyslexic in remedial class at school who is nevertheless now Britain's most prolific and uncompromising creative force.

The 12th Duke of Beaufort, known to his friends as 'Bunter', inherited his Dukedom and Badminton House in 2017, at the age of sixty-five. But he is also a singer and songwriter with the rock group The Listening Device. Now he combines his responsibilities as Duke with his life as a rock performer. In this lively and anecdote-filled memoir, Harry Beaufort takes us behind the scenes of his varied life: from playing poker with politicians, to partying on Ibiza with film stars to people watching with The Queen from a balcony at Windsor Castle.

The legendary Frank Zappa, one of the most influential, innovative and controversial musical artists for the past 20 years, takes us on a wild, funny trip through his life and times. Along the way, Zappa offers his inimitable views on many things such as art, politics, and beer.

Greg Graffin is the lead vocalist and songwriter of Bad Religion, recently described as “America's most significant punk band.” Since its inception in Los Angeles in 1980, Bad Religion has produced 18 studio albums, become a long-running global touring powerhouse, and has established a durable legacy as one of the most influential punk rock bands of all time. Punk Paradox is Graffin's life narrative before and during L.A. punk's early years, detailing his observations on the genre's explosive growth and his band's steady rise in importance.

Rebellion always starts somewhere, and in the music world of the transgressive teen whether it be the 1960s of the 2020s, The Velvet Underground represent ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang, around a psychedelic rock and roll band - a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory - The Velvet Underground were the first major American rock group with a mixed gender line-up; they never smiled in photographs, wore sunglasses indoors, and in the process invented the archetype that would be copied by everyone.

The definitive anthology of Jim Morrison's writings with rare photographs and numerous handwritten excerpts of unpublished and published poetry and lyrics from his 28 privately held notebooks.

Mark Oliver Everett's upbringing was 'ridiculous, sometimes tragic and always unsteady'. His father - a quantum mechanic who worked for the Pentagon - was a genius who had corresponded with Einstein aged 13. He rarely spoke, and following his own miserable childhood had eccentric ideas of how children should be brought up. Raised in a house with no rules, with parents who had 'a kind of seventies swinging marriage', Everett had to raise himself, not always with the greatest success. His love of music helped pull him through, and by his early 20s he was on the brink of stardom with his first album - Beautiful Freak.

Touring with AC/DC. Befriending The Beatles. Writing one of the world’s most iconic rock songs. This is the story of a young boy from a small town who dreamt of one day playing the guitar for a living – and ended up a rock n’ roll legend. It follows Bernie Marsden’s astonishing career in the industry – from tours in Cold War Germany and Franco’s Spain, to meeting and befriending George Harrison and touring Europe with AC/DC.

From 1969 to 1971, as the United States convulsed with political upheaval and transformative social movements, no band was bigger than Creedence Clearwater Revival. They managed a two-year barrage of top-10 singles and LPs that doubled as an ubiquitous soundtrack to one of the most volatile periods in modern American history, and they remain a staple of classic rock radio and films about the era. Yet despite their enduring popularity, no book has ever sought to understand Creedence in conversation with their time. A Song for Everyone finally tells that story.

In Francis Rossi's explosive new memoir, I Talk Too Much, the Status Quo main man reveals for the first time the true-life stories behind the life and times of one of the best-selling rock singers in the world. With over 100 million records sold worldwide in a career that mirrors the evolution of rock music, from the flower power '60s, with hits like 'Pictures of Matchstick Men', through the denim-clad '70s and classic Quo-tastic anthems such as 'Down Down', 'Rocking All over the World' and 'Whatever You Want', through the turbulent '80s, when they famously opened Live Aid....

As the lead singer of the Doors, Jim Morrison's searing poetic vision and voracious appetite for sexual, spiritual, and psychedelic experience inflamed the spirit and psyche of a generation. Since his mysterious death in 1971, millions more fans from a new generation have embraced his legacy, as layers of myth have gathered to enshroud the life, career, and true character of the man who was James Douglas Morrison.

Electric Wizard have set the bar for heaviness. With their potent VHS-horror aesthetic, lyrics dripping with Lovecraftian horrors, and a monumental sound that provided a template for the myriad bands who followed - not to mention the fights, drugs and sex in the trail of destruction they've left behind them - this is the right time for the band's story to be told. Electric Wizard draw on myriad occult influences to create their own world: menacing, lurid, depraved.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

When Pete Shelley, lead singer of legendary punk band Buzzcocks, passed away in 2018, we lost one of music's brightest stars - as well as the chance to hear his story. Or so it seemed. Recordings have surfaced of a series of remarkable interviews in which Pete tells the story of his life, his band and his place at the beating heart of the punk explosion in fascinating detail. These remarkable recordings have now been brought back to life by professional actors in this audio edition of Ever Fallen in Love: The Lost Buzzcocks Tapes.