Museum History

London, 1895. Daniel Wilson and Abigail Fenton have been hired by the Natural History Museum to find out who deliberately smashed the fossilised skeleton of a small dinosaur. At first Daniel is reluctant to take the case, pointing out that they deal in murders, not vandalism. But then one of the attendants in the dinosaur room is murdered, his body found tied to a dinosaur skeleton and a note pinned to him saying 'The price of betrayal'. As Daniel and Abigail investigate, they must negotiate a web of legal and professional tensions.

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

The British Museum devoted itself to acquiring historical artifacts that showcased the influence and prestige of the British Empire, as well as the facilities in which to house them, surviving wars, financial challenges, controversies, and political pressures. In the process, it became one of the British Empire’s greatest cultural jewels, and to this day, it holds the distinctions of being the world’s first national public museum and the most venerated museum of its kind in Britain.

As a material, wood has no equal in strength, resilience, adaptability and availability. It has been our partner in the cultural evolution from woodland foragers to engineers of our own destiny. Tracing that partnership through tools, devices, construction and artistic expression, Max Adams explores the role that wood has played in our own history as an imaginative, curious and resourceful species.

Millions of people climb the grand marble staircase into New York's Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They're the guards in dark blue suits, keeping careful watch over this vast treasure house. Caught up in the early days of a glamorous journalism career, Patrick Bringley never thought he'd be one of them. Then his brother was diagnosed with fatal cancer and he needed to escape the mundane clamour of daily life. So he quit, and sought solace in the most beautiful place he knew.

Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes or filled with bean bags and children's drawings - the history of the library is rich, varied and stuffed full of incident. In this, the first major history of its kind, Andrew Pettegree and Arthur der Weduwen explore the contested and dramatic history of the library

Uncovering the physical remains of our past is a quintessential human itch; the pursuit of every society from the ancients through to today. But the stories behind archaeological exploration and discovery - what we look for when, what we end up finding, and what we then do with it - tell us as much about ourselves today as they do about the past. Through eight sensational stories of discovery, Professor Michael Scott traces the evolution of modern archaeology from colonial expeditions to today's cutting-edge digs, unearthing traps, curses and buried treasure along the way.

Gilbert Keith Chesterton (1874-1936) was a British writer, philosopher, lay theologian, and literary critic. Chesterton wrote around 80 books, several hundred poems, some 200 short stories, several plays, plus 4,000 essays and newspaper columns. He was a columnist for the Daily News and The Illustrated London News.

Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?

Capitol City's Natural History Museum is haunted—or at least that's what someone wants people to think. But Wilson Kipper, son of the museum's head paleontologist, knows better. When the mysterious occurrences go from spooky to dangerous, the museum is forced to close its doors. Can Wilson and his friends get to the bottom of things, or will the Natural History Museum be closed for good?

Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in spare, luminous prose the spellbinding power of the things we wear.

This collection contains: Twelve Years a Slave, Up from Slavery, Life and Times of Frederick Douglass, The Interesting Narrative of the Life of Olaudah Equiano, Incidents in the Life of a Slave Girl, The History of Mary Prince, a West Indian Slave, The Life of an American Slave (Fifty Years in Chains), The Experience of Rev. Thomas H. Jones, Memoir and Poems of Phillis Wheatley, a Native African and a Slave, From Log Cabin to the Pulpit, and many more.

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

As Hitler proceeded with his invasion plans, code-named Operation Sealion, he knew that the RAF must not be allowed to threaten the invading forces as they crossed the Channel. It was clear that they would have to be brought to battle and defeated. Still hopeful of a settlement, Hitler believed that a sustained aerial attack, coupled with a U-Boat blockade, might bring Britain to the negotiating table.

The New York Museum of Natural History receives their pilfered gem collection back, ground down to dust. Diogenes, the psychotic killer who stole them in Dance of Death, is throwing down the gauntlet to both the city and to his brother, FBI Agent Pendergast, who is currently incarcerated in a maximum security prison.

In its first four months of operation, the Smithsonian National Museum of African American History and Culture surpassed one million visits and quickly became a cherished, vital monument to the African American experience. And yet this accomplishment was never assured. In A Fool's Errand, founding director Lonnie Bunch tells his story of bringing his clear vision and leadership to realize this shared dream of many generations of Americans.

Anarchism claims that there's no need for a state and that it would be better to have a society without central government. Anarchists dislike the authority of the state, but the dream of the stateless society is not a simple matter.

From July to September 1940 the British people watched the From July to September 1940, the British people watched the Battle of Britain play out in the skies above them, aware that the eventual outcome would decide their fate. From September through to the following May, Hitler attempted to "blitz" London and other major cities into submission. For a year, the citizens of Britain were effectively front-line soldiers in a battle that united the country against a hated enemy.

As Hitler prepared to invade Poland during the sweltering summer of 1939, men and women from across London's museums, galleries and archives formulated ingenious plans to send the nation's highest prized objects to safety. Using stately homes, tube tunnels, slate mines, castles, prisons, stone quarries and even their own homes, a dedicated bunch of unlikely misfits packed up the nation's greatest treasures and, in a race against time, dispatched them throughout the country on a series of top-secret wartime adventures.

On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum's castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last—disaster to upend a museum in the United States. The Museum explores the concepts of "crisis" as it relates to museums, and how these historic institutions have dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty.