Middle Ages Fiction

From the best-selling author of The Templars, Dan Jones' epic new history tells nothing less than the story of how the world we know today came to be built. Across 16 chapters, blending Dan Jones' trademark gripping narrative style with authoritative analysis, Powers and Thrones shows how, at each stage in this story, successive Western powers thrived by attracting - or stealing - the most valuable resources, ideas and people from the rest of the world.

The Chivalry series follows young William Gold, who runs away from London to follow the Black Prince, from the killing fields of France, through life as a routier and criminal, and to redemption with the Knights of Saint John, further disillusion and an eventual career as a professional soldier and knight. Rich in the details of life in the High Middle Ages, the series also deals with modern issues about the role of violence in society, rules of conflict and war, and the price that people pay for using violence.

Journeying alongside scholars, spies and saints, from western Europe to the Far East and the Antipodes, this is no ordinary travel guide. From profane pilgrim badges and Venetian laxatives to encounters with bandits and trysts with mysterious medieval witches, this book mixes fact and folklore to offer an entertaining encyclopaedia of wondrous stories and peoples. Offering a vivid and unforgettable insight into how medieval people understood their world, A Travel Guide to the Middle Ages blurs the distinction between real and imagined places.

Written in 1861 but taking place in the fifteenth century, this picturesque historical novel by Charles Reade follows the story of a young scribe and illuminator named Gerard Eliason. In order to escape persecution, Gerard sets out on a journey from Holland to Rome, leaving behind the woman he loves, Margaret. Along the road Gerard meets a colorful cast of characters—including various historical figures—and explores the conflict between a person’s obligation to family versus the church.

In the fair autumn of Our Lord's grace 1431, the nuns of England's St. Frideswide's prepare for the simply ceremonies in which the saintly novice Thomasine will take her holy vows. But their quiet lives of beauty and prayer are thrown into chaos by the merciless arrival of Lady Ermentrude Fenner and her retinue of lusty men, sinful women, and baying hounds. The hard-drinking dowager even keeps a pet monkey for her amusement. She demands wine, a feast.... And her niece, the angelic Thomasine.

Diane Thompson is happy enough. Her successful accounting firm allows her plenty of time to play all the golf she wants and enjoy her life in small Sussex village Tynebury. She's finally over the divorce from her husband, but potential suitors are few and far between for a 50-something woman in the English countryside. Tamsin Foxley is determined to keep matters of the heart separated from her new teaching job at the Royal Tynebury Golf Club after a disastrous romantic experience put an end to her previous employment. She has also vowed to no longer fall for women almost half her age.

Exiled after a battle that left all five Clans devastated, ThunderClan’s loyal deputy, Squirrelflight, must bring to light an earth-shattering truth: the identity of the cat ruling ThunderClan while wearing Bramblestar’s face. While the fate of his body hangs in the balance, the real Bramblestar’s spirit has vanished. Even Rootspring is powerless to reach him - and with tensions among the Clans at a breaking point, Squirrelflight may not be able to ensure Bramblestar has a body to which to return. If he returns at all.

When the mutilated body of midwife and healer Agatha Kyteler is discovered in a hedge one frozen wintry morning, it seems at first that a lack of clues will render the crime impossible to solve. Then a frightened local youth inexplicably flees his village, and a hue and cry is raised in his wake. Sir Baldwin Furnshill, once a Knight Templar, has doubts about the boy's guilt. He enlists his friend Simon Puttock, bailiff of Lydford Castle, in the hunt for a murderer.

It is June in the Year of Our Lord 1143 when Elave, young clerk to William of Lythwood, returns from a pilgrimage to the Holy Land with his elderly master's body. His mission is twofold, to bury William in his home abbey of St. Peter and St. Paul, and to deliver a dowry to William's adopted daughter Fortunata. But Elave, suspected of harboring views inimical to church doctrine, is held for ecclesiastical trial. And when Aldwin, the Lythwood family clerk hired in Elave's absence, is stabbed to death, Elave is incarcerated not only for heresy, but for murder. Fortunata's dowry, an intricately carved box with mysterious contents, holds the key to the mysteries that spring up around Elave and the Lythwood family. Shrewd and patient, Brother Cadfael is at his best here. Performed by Tony Award-winning actor Derek Jacobi, this sixteenth chronicle of Brother Cadfael is sure to delight old friends and new fans.

For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns and antidotes tested on condemned prisoners. The Royal Art of Poison is a hugely entertaining work of popular history that traces the use of poison as a political - and cosmetic - tool in the royal courts of Western Europe from the Middle Ages to the Kremlin today.

Jean Le Viste, a 15th-century nobleman close to the King, hires an ambitious artist to design six tapestries celebrating his rising status at Court. A talented miniaturist, Nicolas des Innocents overcomes his surprise at being offered this commission when he catches sight of his patron's sumptuous daughter, Claude. His pursuit of her pulls him unwittingly into the web of fragile relationships between husband and wife, parents and children, lovers and servants.

Greed and ambition threaten to tear the north apart. War rages between the two kingdoms of Northumbria. Kin is pitted against kin, and friend becomes foe as ambitious kings vie for supremacy. When Beobrand travels south into East Angeln to rescue a friend, he unwittingly tilts the balance of power in the north, setting in motion events that will lead to a climactic confrontation between Oswiu of Bernicia and Oswine of Deira.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.

In 1349, one small town in Germany disappeared and was never resettled. Tom, a contemporary historian, and his theoretical-physicist girlfriend, Sharon, become interested. By all logic, the town should have survived, but it didn't. Why? What was special about Eifelheim that it utterly disappeared more than 600 years ago?

A history of peasants in the Middle Ages, the story takes the listener into the life of Marion, the carpenter's wife, and her extended family as they struggle to survive through hardship, featuring a year in their lives at the mercy of the weather and the Lord of the Manor. Existing without soap, paper or glass and only with the most basic of tools, we learn how they survive starvation, sickness, fire and natural disaster in their home on the edge of the Weald.

After 12 years of marriage and two kids, Merit has begun to feel like a stranger in her own life. She loves her husband and sons, but she desperately needs something more than sippy cups and monthly sex. So, she returns to her career at Jager + Brandt, where a brilliant and beautiful Danish architect named Jane decides to overlook the “break” in Merit’s résumé and give her a shot.

William Shakespeare may have been the greatest playwright in the English language, but how does he measure up as a historian? In this brilliant comparison between the events and characters in Shakespeare's history plays and the actual events that inspired them, acclaimed historian John Julius Norwich examines the nine works that together amount to an epic masterpiece on England's most fascinating period.

All Michael Hollister wanted was death. What he got was time travel. Convicted of murder, and with nothing left to live for, Michael commits suicide in his jail cell in 1977, then opens his eyes in 1966, in his eight-year-old body, with all memories of his previous life intact. His first thoughts are of the dark intentions of his father. When the man who raised him once again tries to do the unthinkable, Michael has a chance to right his childhood's greatest wrong. But, can he do that without becoming a killer all over again?

Out of the mixture of Latin and Germanic paganism and the Christianity of the Early Middle Ages has sprung one of the world's supremely great pieces of literature. J.R.R. Tolkien, author of The Lord of the Rings, delivered a famous lecture to the British Academy in 1936 in which he maintained that Beowulf was a poem all of a piece, and not (as had been suggested) a jumble of fragments for pedantic scholars to paw over.

Fresh from his defeat of King Harold at the Battle of Hastings, William of Normandy has returned home in triumph, accompanied by the English nobles he cannot trust to leave behind. For Waltheof of Huntington, however, rebellion is not at the forefront of his thoughts. From the moment he catches sight of Judith, daughter of the King's formidable sister, he knows he has found his future wife. When Waltheof saves Judith's life, it is clear that the attraction is mutual. But marriage has little to do with love in medieval Europe.