Japanese Women

A young woman walks into an employment agency and requests a job that has the following traits: It’s close to her home, and it requires no reading, no writing, and, ideally, very little thinking. Her first gig - watching the hidden-camera feed of an author suspected of storing contraband goods - turns out to be inconvenient. Her next gives way to the supernatural: announcing advertisements for shops that mysteriously disappear. As she moves from job to job, it becomes increasingly apparent that she's not searching for the easiest job at all but something altogether more meaningful.

Lydia is hungry. She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside—the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London—where she is living away from her vampire mother for the first time—is much more difficult than she'd anticipated.

The year is 1903, and tenacious and spirited Aoi Ichi is sold to the most exclusive brothel in Kumamoto, Japan, becoming the protégée of Shinonome, the oiran, or the highest-ranking courtesan. Through Shinonome's teachings, fifteen-year-old Ichi begins to understand the intertwined power of sex and money. Education for a courtesan extends beyond the art of seduction, and as Ichi is taught to read and write she develops a voice that refuses to be dampened by the brothel's rigid hierarchy.

Emma Hooper thought coming home to small-town life and the family farm would give her a chance to rest and recover from a traumatic accident. But that was before she started seeing ghosts. It was before Grandma Hooper started singing on the roof, and it was way, way before anybody spotted a ghost in a 19th-century cavalry uniform coming out of an outhouse. Can Emma learn to handle her newfound ability to see spirits, while figuring out a confusing relationship with the handsome local doctor? All while solving the ghastly murder of Preacher Jacob?

Nanako Hanada's life is in crisis. Recently separated from her husband, living in youth hostels and internet cafes, her work is going no better. Book sales at the eccentric Village Vanguard bookstore in Tokyo, which Nanako manages, are dwindling. Fallen out of love in all aspects of her life, Nanako realises how narrow her life has become, with no friends outside of her colleagues, and no hobbies apart from reading and arranging books. That's when Nanako joins a meet-up site where people meet for 30-minute bursts to find romance, build a network, or just share ideas.

Having married her childhood sweetheart, Riko now finds herself trapped in a relationship that has been soured by infidelity. One day, by chance, she runs into her old friend Mr. Takaoka, who offers friendship, love, and an unusual escape: he teaches her the trick of living inside her dreams. And so, each night, she sinks into another life: first as a high-ranking courtesan in the 17th century, and then as a serving lady to a princess in the late Middle Ages.

In the late 19th century, after Japan was restored to imperial rule, the samurais were no longer the seat of power. The families who were impacted by this shift lost wealth and power. Etsu Inagaki Sugimoto was the daughter of one such samurai, and had begun her life on a track to become a Buddhist priestess. But as the family lost their position in society, her path changed, and she was eventually sent to the United States to be in an arranged marriage to an American man. A Daughter of the Samurai is her personal memoir.

A ghostly visit from her former landlady draws Emma away from sleepy little Hillbilly Hollow to investigate a murder in the big city. But what seems like a straightforward case soon becomes entangled with an event from Emma's past and a personal quest for justice. With the attractive but bungling Sheriff Tucker at her side, will Emma be tempted by the chance to avenge an old wrong?

Set in 1944 Chicago, Edgar Award-winner Naomi Hirahara’s eye-opening and poignant new mystery, the story of a young woman searching for the truth about her revered older sister's death, brings to focus the struggles of one Japanese-American family released from mass incarceration at Manzanar during World War II.

あなたも一歩、踏み出す勇気を。

震災を契機に自衛官を夢見た少女は、入隊後、絶望を味わった。訓練中の性暴力を報告するも自衛隊は黙殺。そして彼女は実名・顔出しでメディアに訴えることを決意したが…

La historia de amor entre la joven Alma Velasco y el jardinero japonés Ichimei conduce al lector por un recorrido a través de diversos escenarios que van desde la Polonia de la Segunda Guerra Mundial hasta el San Francisco de nuestros días.

Elizabeth's mother was working as a nightclub hostess on US-occupied Okinawa when she met the American soldier who would become her husband. The language barrier and power imbalance that defined their early relationship followed them to the predominantly white upstate New York suburb where they moved to raise their only daughter. There, Elizabeth grew up with the trappings of a typical American childhood and adolescence. Yet even though she felt almost no connection to her mother's distant home, she also felt out of place among her peers.

アイダホの山奥で育ったタラ。狂信的なモルモン教原理主義者の父の方針で、学校へも通わせてもらえず、病院に行くのも禁じられていた。兄からは虐待も受けていた。

Rei Shimura, a California girl living in Tokyo, has an antiques business that's only slightly more successful than her love life. When her aunt enrolls her in the Kayama School of Ikebana to learn how to arrange flowers, disaster strikes. A mean teacher is found with scissors in her neck, and Takeo Kayama, the sexy billionaire heir to the school, considers Rei's aunt the main suspect.

Recién reincorporada a la Brigada tras la cirugía de reasignación de sexo, Sofía Luna se ve obligada a investigar un misterioso caso. ¿Quién es este asesino que escoge a sus víctimas, todas japonesas, en el centro turístico de Madrid? Todo parece apuntar hacia el peculiar mundo de los viajes turísticos organizados y el más peculiar aún de personas asexuales, un grupo que rechaza la hipersexualidad de la vida moderna y tiene como animal favorito la estrella de mar.

From the unique standpoint of an American woman who married into a Japanese family and has lived in Japan for more than 30 years, Rebecca Otowa weaves enchanting tales of her adopted home that portray the perspective of both the Japanese and the foreigner on the universal issues that face us all - love, work, marriage, death, and family conflict.

Spring 1939 - Dashing young William Burton and the beautiful Constance Han set sail from London on the same ocean liner to Hong Kong. Connie is intrigued by Will’s talent for writing poetry, and as romance blossoms she offers to give him Cantonese lessons to help him with his new job — a cadet in the colonial service. But once in Hong Kong, Connie is constrained by filial duty towards her Eurasian parents, and their wish for her to marry someone from her own background.

Akiko "Jane" Thompson, a half-Japanese, half-Caucasian woman in her mid-30s, is attempting to forge a quietly happy life in the Bay Area with her fiance, Shiro. But after a bizarre car accident, things begin to unravel. An intruder ransacks their apartment but takes nothing, leaving behind only cryptic traces of his or her presence. Shiro, obsessed with government surveillance, risks their security in a plot to expose the misdeeds of his employer, the TSA. Jane's mother has seemingly disappeared, her existence only apparent online.

Une jeune femme de vingt-cinq ans perd la voix à la suite d'un chagrin d'amour, revient malgré elle chez sa mère, figure fantasque vivant avec un cochon apprivoisé, et découvre ses dons insoupçonnés dans l'art de rendre les gens heureux en cuisinant pour eux des plats médités et préparés comme une prière. Rinco cueille des grenades juchée sur un arbre, visite un champ de navets enfouis sous la neige, et invente pour ses convives des plats uniques qui se préparent et se dégustent dans la lenteur en réveillant leurs émotions enfouies.

1976. A 22-year-old Japanese American woman enters the management ranks of a major corporation and encounters...just what you'd expect. Sexism. Misogyny. Racial bias. And she breaks barriers anyway. From the moment Elaine Koyama was hired as a management trainee at agri-business giant Cargill, Inc., she found herself entangled in the endless fight to wedge herself through the doors the women's movement opened.