France Art

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

This memoir is laced with wonderful stories about the French character, particularly in the world of food, and the way of life that Julia Child embraced so wholeheartedly. Above all, she reveals the kind of spirit and determination, the sheer love of cooking, and the drive to share that with her fellow Americans that made her the extraordinary success she became.

In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews-pillars of an embattled community-invested their fortunes in France's cultural artifacts, sacrificed their sons to the country's army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siecle.

Ian Moore is a stand-up comedian in the UK and a husband, father of three boys, farmhand and chutney-maker in France. He is a mod in both walks of life and most of his time is spent travelling grumpily between the two. Comedian, mod and professional grump Ian Moore has had enough. Tired of being unable to park anywhere near his cramped house in a noisy town he doesn’t like, he hatches a plan to move his wife and young son to a remote corner of the Loire Valley in search of serenity and space.

After six years in the idyllic Loire Valley, comedian Ian Moore, his family, and his ever-expanding menagerie are beginning to feel like they're on the cusp of the peace and tranquility they hoped for when they moved from dreary Crawley to la belle France. Their grand project, a writing school called Les Champs Créatifs, is finally complete - only, nobody's signed up.

While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris. The artists who would make Impressionism the most popular art form in history were showing their first paintings amid scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial.

Every year upon arriving in Plobien, the small Breton town where he spends his summers, American writer Mark Greenside picks back up where he left off with his faux-pas-filled Francophile life. Mellowed and humbled, but not daunted (OK, slightly daunted), he faces imminent concerns: What does he cook for a French person? Who has the right-of-way when entering or exiting a roundabout? Where does he pay for a parking ticket? And most dauntingly of all, when can he touch the tomatoes?

Trois femmes vivaient dans un village. La première était méchante, la deuxième était menteuse, la troisième était égoïste. Elles possédaient pourtant un point commun, un secret en quelque sorte : toutes les trois rêvaient de fuir... Le jour paraît sur Giverny. Du haut de son moulin, une vieille dame veille, surveille. Le quotidien du village, les cars de touristes... Des silhouettes et des vies. Deux femmes, en particulier, se détachent : l'une, les yeux couleur nymphéa, rêve d'amour et d'évasion ; l'autre, onze ans, ne vit déjà que pour la peinture.

Described as both “one of the most important novels ever written” and “the gospel of evil,” 120 Days of Sodom was written by the Marquis de Sade, a notorious eighteenth-century aristocrat who waged a campaign of mayhem and debauchery across France, evaded execution, and inspired the word “sadism,” which came to mean receiving pleasure from pain. Despite all his crimes, Sade considered this work to be his greatest transgression.

"We are all travelers in the 'wilderness of the world' - travelers with a donkey." So Robert Louis Stevenson wrote to a friend on completing this enchanting account of a journey in rural France in 1878. Alone with his pack-donkey Modestine, and showing total disregard for discomfort, Stevenson relishes to the full his walking tour of the Cevennes.

Ernest Hemingway's literary ambitions took root in France in the 1920s among some of the most extravagantly creative artists of the twentieth century. Pablo Picasso, Georges Braque, James Joyce, T. S. Eliot, Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, and others were drawn to the left bank of the Seine in Paris after World War I. Hemingway joined them and, with the publication of his book The Sun Also Rises became one of the most powerful forces in the vortex of talent and experimentation.

Voltaire, born François-Marie Arouet in Paris, France, was a writer and leading figure of the Enlightenment. His insistence that all authority could and must be questioned was so radical, he ended up in prison several times and was ultimately exiled. Voltaire’s writings were instrumental in influencing the American and French revolutions. Man as a being with natural rights was a radical concept at the time, but one which the American founding fathers embraced. Voltaire’s anger was specifically directed at the arbitrary powers of the state and the church.

In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France's Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan's Upper West Side. Packing up his enormous, 35,000 volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading.

Claude Monet has been the icon for the impressionist movement. His family life wasn’t perfect, but despite all obstacles, the French genius painter has left us a legacy and a new perspective on realism and technique in their purest forms. In this guide, we’ll go over his youth, his style, his methods, his most famous paintings, and many of the reasons why he made the decisions he made.

From the acclaimed biographer of explorers Magellan, Columbus, and Francis Drake comes a unique exploration of life and influence of Jules Verne, the novelist whose mind spun the greatest adventures ever told and whose daring and prescient imagination sparked a lasting transformation of modern society and technology, inspiring everyone from J.R.R. Tolkien to Kurt Vonnegut to Jeff Bezos.

Pierre-Augustin Caron de Beaumarchais was an 18th-century French inventor, famed playwright, and upstart near-aristocrat in the court of King Louis XVI. In 1776, he conceived an audacious plan to send aid to the American rebels. What's more, he convinced the king to bankroll the project, and singlehandedly carried it out. By war's end, he had supplied Washington's army with most of its weapons and powder, though he was never paid or acknowledged by the United States. To some, he was a dashing hero - a towering intellect who saved the American Revolution. To others, he was pure rogue.

Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French - at the minimum - of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely 50 years old, who can hardly walk or breathe: “You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that.

From the moment the ship docked in Le Havre, en route to Paris, in the fall of 1948, Julia had an awakening that changed her life. Soon this tall, outspoken gal from Pasadena, California, who didn't speak a word of French and knew nothing about the country, was steeped in the language, chatting with purveyors in the local markets, and enrolled in the Cordon Bleu.

When the leaders of the French Revolution executed Louis XVI and Marie Antoinette in 1793, they sent a chilling message to the hereditary ruling orders in Europe. Believing that monarchy anywhere presented a threat to democratic rule in France, the leaders of the revolution declared war on European aristocracies, including those of Great Britain. For more than 20 years thereafter, France and England waged a protracted war that ended in British victory.

Durante los siglos XVII y XVIII las naciones europeas tienden a sobresalir sobre sus vecinas y a buscar expresiones barrocas típicas de cada país. Para conseguirlo, este estilo recurre a sofisticadas ornamentaciones que le convierten en un estilo recargado y a veces violento. Francia y Flandes, igual que las otras naciones europeas se preocupan de destacar, como hacen todos los demás con un estilo demasiado teatral a veces.