Film Finance

Bank Job is a white-knuckle ride into the dark heart of the global financial system. Discover how art hacks life as artist and filmmaker duo Hilary Powell and Dan Edelstyn bring a community together to buy up and abolish crippling debt by printing their own money in a disused bank in East London. Behind the opaque language of loans and the defunct diagrams of debt, they discover a system flawed by design and ripe for hacking.

The Pixar Touch is a lively chronicle of Pixar Animation Studios' history and evolution, and the "fraternity of geeks" who shaped it. With the help of visionary businessman Steve Jobs and animating genius John Lasseter, Pixar has become the gold standard of animated filmmaking, beginning with a short special effects shot made at Lucasfilm in 1982 all the way up through the landmark films Toy Story, Finding Nemo, Wall-E, and others.

Aspiring to bring your cinematic vision to life but daunted by the intricacies of film finance? You're not just a filmmaker—you're an entrepreneur. This guide offers you the tools and insights to unlock your project's potential, secure funding, and ensure its success.

Non-Fungible Token (NFT) Investing Mastery is a book primarily written to help you navigate your way through NFT investing. The book explores the basics of NFTs and how to make, buy, sell, trade, and invest in NFT crypto. Because of the complexity of crypto and NFT investment, this guide to non-fungible tokens has been specifically designed to serve the investment needs of both beginners and pros.

Analysis of the Egyptian social and economic conditions during the July era through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue and messages contained in the artistic works, analysis of the artistic production process, how these conditions were presented through cinema at that time, and why.

Hoy, más que nunca, es difícil para los cineastas independientes ganar dinero con sus películas. Desde los distribuidores depredadores que los estafan hasta los agregadores de películas que se aprovechan de ellos, las probabilidades están en contra de los cineastas independientes. El antiguo modelo de distribución para ganar dinero no funciona y tiene que haber un cambio. El futuro del cine independiente es el cineasta empresarial o Filmtrepreneur.