Elizabethan Fiction

What happened to Dr. Jonathan Brandon, a dashing RAF flight surgeon, who disappeared from London in 1945? Kidnapping? Murder? Or did Brandon merely vanish of his own free will, seeking another life? American teacher Anne Howard is stunned by a different explanation - that her British grandmother's long-lost fiance was unwillingly wrenched back through time to Elizabethan England. Anne knows time travel is nonsense - until she is handed a fresh-cut thornless rose, a bloom extinct for over 400 years.

What is the mind? How does it relate to the body and soul? These questions were as perplexing for the Elizabethans as they are for us today—although their answers were often startlingly different. Shakespeare and his contemporaries believed the mind was governed by the humors and passions, and was susceptible to the Devil’s interference. In this insightful and wide-ranging account, Helen Hackett explores the intricacies of Elizabethan ideas about the mind.

Bess Throckmorton defies her notorious background and lack of education to become Queen Elizabeth’s Gentlewoman and trusted confidante. Forced to choose between loyalty and love, duty and desire, will she risk her queen’s anger by marrying adventurer Sir Walter Raleigh without permission? Entangled in a web of intrigue, from the glittering Palace of Whitehall to the cells of the Tower of London, Bess endures tragedy and injustice, becoming a resilient, determined woman, who takes nothing for granted.

1564: Devon sailor Francis Drake sets out on a journey of adventure. Drake learns of routes used to transport Spanish silver and gold, and risks his life in an audacious plan to steal a fortune.

Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay Elizabeth's bedchamber, closely guarded by the favoured women who helped her dress, looked after her jewels and shared her bed. Elizabeth’s private life was of public, political concern. Her bedfellows were witnesses to the face and body beneath the make-up and elaborate clothes, as well as to rumoured illicit dalliances with such figures as Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic subterfuge.

Lady Penelope Rich is one of the most beautiful and sought-after women in Elizabethan England. The daughter of the Earl of Essex, she is married to the wealthy Baron Robert Rich. Penelope's life is full of love and scandal. The inspiration for Sir Philip Sidney’s sonnet "Astrophel and Stella", she is involved in the Essex Rebellion. A complex and fascinating woman, her life is a story of love, betrayal, and tragedy.

Frances Walsingham is the only surviving child of Queen Elizabeth’s ‘spymaster’ Sir Francis Walsingham. Better educated than most men, her father arranges her marriage to warrior poet Sir Philip Sidney. After Philip Sidney is killed in battle, Frances becomes Countess of Essex, and is banished from court after her husband Sir Robert Devereaux’s rebellion against the queen.

In the final days of World War II, Catherine Hastings meets the man she wants to marry. Flight surgeon Jonathan Brandon isn't just handsome - he's everything Catherine could hope for in her betrothed. But her dream of a happily ever after is shattered when Jonnie vanishes before their wedding, leaving Catherine bereft, broken-hearted, and with a lifetime of unanswered questions.

Tudor adventurer, courtier, explorer and poet, Sir Walter Raleigh has been called the last true Elizabethan. He didn’t dance or joust, didn’t come from a noble family, or marry into one. So how did an impoverished law student become a favourite of the queen, and Captain of the Guard? The story which began with the Tudor trilogy follows Walter Raleigh from his first days at the Elizabethan Court to the end of the Tudor dynasty.

As Stephen Long steps ashore in England one gray dawn in May 1581, he wonders how many more Catholics will have to die to make Queen Elizabeth feel secure. Involuntarily he trembles at the thought that soon he may be numbered among them.

Shakespeare's dominance during the Elizabethan era has overshadowed the works of many of his truly gifted contemporaries. This collection features poems covering a wide range of subjects, including love songs, wedding songs, and meditations on death, presented in a variety of forms.

The day Rodney Hawkhurst rides onto her father's grand estate, Lizbeth Gillingham is a wild eighteen-year-old, with tangled red hair, dirt on her apron, and an archer's bow in her hand. A chance encounter leads to a clandestine kiss, leaving the tomboy Lizbeth wondering if the life of a sophisticated lady could be so bad if she was on the arm of Rodney Hawkhurst... But Rodney has not come to see Sir Gillingham about Lizbeth. He has come to borrow money for a daring sea voyage, and to ask for the hand of Phillida, Lizbeth's elegant sister.

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.

The writing of sonnets was a craze among poets of the 1590s. The sonnet, an Italian form, was introduced into England by Thomas Wyatt (1503-1542), who modelled himself on Petrarch, and by Henry Howard, Earl of Surrey (1517-1547). It was Surrey who invented what is now known as the Shakespearean sonnet - three differently rhyming quatrains and a clinching couplet. This collection of Elizabethan sonnets and lyrics were recorded by Anthony Quayle.