Classical Memoirs

James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman.

A concentrated study of Johann Sebastian Bach's creative output and greatest pieces, capturing the essence of his art.

The Confessions of St. Augustine is one of the most moving diaries ever recorded of a man's journey to the fountain of God's grace. Writing as a sinner, not a saint, Augustine shares his innermost thoughts and conversion experiences, and wrestles with the spiritual questions that have stirred the hearts of the thoughtful since time began.

In The Indispensable Composers, Tommasini offers his own personal guide to the canon - and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time.

Meditations is former U.S. President Bill Clinton's favorite book. This audio consists of a series of personal writings by Marcus Aurelius, Roman Emperor 161-180 AD, setting forth his ideas on Stoic philosophy.

How to think clearly, act purposefully, overcome any obstacle, and find peace and happiness along the way. The Meditations is a collection of Marcus' personal journal entries. They were not intended for publication but to remind Marcus himself of his principles and priorities. As a result, they are intimate, direct, and extremely useful. This new edition is rendered in contemporary English, with a foreword by Sam Torode.

Contained here is Julius Caesar's own account of his military adventures in Gaul at the head of the Roman army, uniquely presented in Caesar's first-person perspective (rather than as a third-person narrative as in the original Latin). Included are seven sections ("books") of the Gallic War, each encompassing one year of Caesar's battles and intrigues; though there is an eighth book, it is generally accepted to have been written by another general, shortly after Caesar's death in 44 BCE.

As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn't seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. He spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood.

At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there the last when Mozart was seventeen, all vividly recounted here by acclaimed conductor Jane Glover. Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivelesque birthplace of public opera.

The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.

In clear and entertaining prose, Plotkin explores a thousand years of music, introduces listeners to more than 100 great works, and profiles in depth many significant composers, including Bach, Mozart, Beethoven, Berlioz, Tchaikovsky, Dvoxak, and Mahler. He describes all the musical instruments in the orchestra, defines major musical terms, and makes music theory comprehensible for the uninitiated. There are also conversations with important musicians who offer fascinating insights about their art.

Join Donald Macleod, presenter of BBC Radio 3’s Composer of the Week, as he brings Beethoven vividly to life: from his childhood in Bonn to how he won over the aristocratic music circles of Vienna, from the creation of his timeless works to the tragic loss of his hearing - and everything in between.

The extant letters of Pliny, written between AD 97 and 112, give us a unique insight into Imperial Rome under the early Antonine emperors. Organised into 10 books, the letters reflect a wide range of topics, mirroring Pliny’s own public and private interests. Among many other subjects, the letters also include an eye-witness account of the eruption of Vesuvius in AD 79, with the final book containing the exchange of letters between the writer (whose career culminated as Governor of Bithynia) and the emperor Trajan.

Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert's life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one.

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers.

Journey of a Thousand Miles documents the remarkable, dramatic story of a family who sacrificed almost everything - his parents' marriage, financial security, Lang Lang's childhood, and their reputation in China's insular classical music world - for the belief in a young boy's talent. And it reveals the devastating and intense relationship between a boy and his father, who was willing to go to any length to make his son a star.

John Mauceri brings a lifetime of experience to bear in an unprecedented, hugely informative, consistently entertaining exploration of his profession, rich with anecdotes from decades of working alongside the greatest names of the music world. With candor and humor, Mauceri makes clear that conducting is itself a composition: of legacy and tradition, techniques handed down from master to apprentice - and more than a trace of ineffable magic.

Probably the most naturally gifted musician the world has ever known, Mozart began his career early as a child prodigy. By the age of five, he was already proficient in the violin, the harpsichord, and piano keyboard. He had also begun composing music that had integrity. Ludwig van Beethoven is a crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven displayed his musical talents at an early age. Listen to the full biographies of these two musicians, from the beginning to the end!

At age seventeen, Toni Bentley was chosen by Balanchine, then in his final years, to join the New York City Ballet. From both backstage and onstage, she carries us through the serendipitous history and physical intricacies and demands of Serenade: its dazzling opening, with seventeen women in a double-diamond pattern; its radical, even jazzy, use of the highly refined language that is ballet; its place in the choreographer’s own dramatic story of his immigration to the United States from Soviet Russia.

The unresolved and ambiguous details of Robert Schumann’s psychological decline and death have tended to dominate his biography. Yet in his time Schumann was lauded as a protean Romantic literary genius whose writings, as a music critic, poet, novelist and dramatist, eclipsed his musical creativity. How did Schumann reconcile these elements? Does his music suggest he suffered from bipolar disorder? How did his pianist wife, Clara, influence his compositions?