Classic Japanese Literature

For those looking for the real story behind the fictionalized movie account of the 47 Ronin story, this is the definitive, fascinating account of this unforgettable tale of a band of samurai who defied the Emperor to avenge the disgrace and death of their master, and faced certain death as a result. It led to one of the bloodiest episodes in Japanese history, and in the process, created a new set of heroes in Japan.

In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs, paintings come alive, deadly spectral brides haunt the living and a samurai delivers the baby of a Shinto goddess with mystical help. Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods.

Here are 22 charming Japanese Fairy Tales, translated by Yei Theodora Ozaki, including "My Lord Bag of Rice", "The Tongue-Cut Sparrow", "The Story of Urashima Taro, the Fisher Lad", "The Farmer and the Badger", "The Shinansha, or the South Pointing Carriage", "The Adventures of Kintaro, the Golden Boy", "The Story of Princess Hase", "The Story of the Man Who Did Not Wish to Die", "The Bamboo-Cutter and the Moonchild", "The Mirror of Matsuyama", and more.

Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

Emma Hooper thought coming home to small-town life and the family farm would give her a chance to rest and recover from a traumatic accident. But that was before she started seeing ghosts. It was before Grandma Hooper started singing on the roof, and it was way, way before anybody spotted a ghost in a 19th-century cavalry uniform coming out of an outhouse. Can Emma learn to handle her newfound ability to see spirits, while figuring out a confusing relationship with the handsome local doctor? All while solving the ghastly murder of Preacher Jacob?

Japanese culture has fascinated the West ever since the country’s doors opened up in the 1800s. In many ways, Japan has remained elusive, and people have travelled from all around the world to see for themselves how unique this nation remains. Another way of exploring this enigmatic culture is through its literature. The English language succeeds surprisingly well in revealing the Japanese sense of life.

The Narrow Road to the Interior and Hojoki are two of the best-loved works of their kind; famous for their beautiful, delicate verse and subtle insight into the human condition. It has been said of The Narrow Road that 'it was as if the very soul of Japan had itself written it'. It takes the form of a travel diary, and traces the poet's journey from Edo (modern-day Tokyo) to the northern interior.

Japanese noblewoman Murasaki Shikibu wrote The Tale of Genji in the 11th century to entertain the other women in the court. It follows the romantic exploits of the title character, an emperor’s son, as he navigates life within aristocratic society and eventually outside of it. Praised for its psychological insight into the characters’ motivations, the book greatly influenced Japanese culture and is widely considered the world’s first novel. In 1882, Suematsu Kencho translated a condensed version of the text into English, allowing this classic tale to reach a wider audience.

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji - widely considered the world’s first novel - during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki’s tale came to occupy a central place in Japan’s remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

Are you interested in learning about Japanese mythology? Are you intrigued by the culture of Japan? Are you looking for some interesting stories to read? These myths are great from adults and children alike. They give you an insight into a culture that is full of traditions. These myths are like nothing you have ever read before. You will find that Japanese mythology is not based in only one belief system. These myths and folktales are based in their Shinto and Buddhist traditions. The origin stories within Japanese mythology can vary.

A humble clerk and his loving wife scrape out a quiet existence on the margins of Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families' consent, and unable to have children of their own, Sosuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of Sosuke's brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital.

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

Patrick Lafcadio Hearn, was an Irish writer known also by the Japanese name Koizumi Yakumo. His book Kwaidan: Stories and Studies of Strange Things, comprises two parts, the first being the "Kwaidan Proper" and the second, "Insect-Studies", which consists of an essay each on ants, butterflies and mosquitos. According to the author, most of the folk tales and ghost stories in the first part were translated from old Japanese texts. The themes encompass resurrection, sacrifice, magic, and the realm of dreams.

Mimei Ogawa, a prolific author of short stories nearly 100 years ago, is considered to be one of the founding figures of modern Japanese children’s literature. He has also been called the Hans Christian Andersen of Japan because of how his works were influenced by Andersen. This collection contains a fresh, modern translation of one of Mimei Ogawa’s most famous works, "The Mermaid and the Red Candles", as well as several other stories that have never been translated and published in English before.

When her cozy hometown is visited by death, Emma's investigative skills are enlisted by a secretive ghost. But with the uncooperative spirit holding so much back, and with the handsome local doctor pressing Emma for answers, will she ever get to the bottom of the case? Or will the Hollow be forever haunted by the secrets of the past?

内容紹介

日本の文学史上最古にして最高傑作ともいわれる『源氏物語』。

紫式部によって書かれた全五十四帖にわたる長編小説を、わかりやすく情感豊かに読み上げました。

日本文学最大の傑作を、小説としての魅力を余すことなく現代に甦えらせた角田源氏。輝く皇子として誕生した光源氏が、数多くの恋と波瀾に満ちた運命に動かされてゆく。「桐壺」から「末摘花」までを収録。

One of the first recorded alien visitor stories, from Japan in around 900 AD. Taken from the translation by Yei Theodora Ozaki. Includes a very early version of an interplanetary society. The Tale of the Bamboo Cutter (Japanese: 竹取物語, Hepburn: Taketori Monogatari) is a monogatari (fictional prose narrative) containing elements of Japanese folklore. Written by an unknown author in the late 9th or early 10th century during the Heian period, it is considered the oldest surviving work in the monogatari form.

Originally published in 1922 and translated by Takashi Kojima, this classic short story was the inspiration for Akira Kurosawa's 1950 film Rashomon, about the murder of a samurai. Told from the perspective of multiple witnesses.

明治期の文学者、夏目漱石の中編小説。初出は「ホトトギス」［1906（明治39）年4月。