Ancient Women

Is it possible that a place called Lemuria existed? What about the missing continent of MU? What does being a Lemurian actually mean for you today? The answer to these questions and more is revealed in this book.

The Greek myths are among the world's most important cultural building blocks, and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories. Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost 3,000 years ago.

Augustus, Tiberius, Caligula, Claudius, and Nero - these are the names history associates with the early Roman Empire. Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors' line to continue. Eminent scholar Guy de la Bedoyere, author of Praetorian, asserts that the women behind the scenes - including Livia, Octavia, and the elder and younger Agrippina - were the true backbone of the dynasty.

You wake up, and the world is already throwing a whirlwind of chaos your way. From the boss’s never-ending demands to the endless juggle of responsibilities, life can feel like a high-wire act without a safety net. Yet, amid the madness, there's an unseen power waiting to be unleashed— Enter stoicism, your new life coach with a fabulous toga and a snazzy philosophy.

Troy has fallen. The Greeks have won their bitter war. They can return home victors, loaded with their spoils: their stolen gold, stolen weapons, stolen women. All they need is a good wind to lift their sails. But the wind does not come. The gods have been offended - the body of Priam lies desecrated, unburied - and so the victors remain in limbo, camped in the shadow of the city they destroyed, pacing at the edge of an unobliging sea.

While the rest of Greece mourns for the war that has taken their husbands away, Clytemnestra fears the day it will bring hers back. When her husband willingly sacrifices their eldest daughter to appease the Gods, Clytemnestra vows to do whatever it takes to protect her remaining children. But in doing so she faces losing them altogether.

The great city of Troy is under siege as Greek heroes Achilles and Agamemnon wage bloody war over a stolen woman. In the Greek camp, another woman is watching and waiting: Briseis. She was a queen of this land until Achilles sacked her city and murdered her husband and sons. Now she is Achilles' concubine: a prize of battle. Briseis is just one among thousands of women backstage in this war - the slaves and prostitutes, the nurses, the women who lay out the dead - all of them voiceless in history.

In the waning years of Egypt's 18th Dynasty, when female power can only come at an unsettling price, four royal women struggle against the shadowy influence of Akhenaten, the infamous heretic pharaoh. Akhenaten wields control of a strange emerging religion unlike anything Egypt has seen. His power can't be denied, but whoever can maintain her grip on the unpredictable pharaoh will hold all of Egypt in her hands - and better still, will remain mistress of her own fate.

For nearly three thousand years, Helen of Troy has been both the embodiment of absolute female beauty and a reminder of the terrible power that it can wield. Held responsible for both the Trojan War and enduring the enmity between East and West, for millennia she has been viewed as an exquisite agent of extermination. But who was she really? Focusing on the 'real' Helen, bestselling historian Bettany Hughes reconstructs the true life for this elusive Green Bronze age princess and places her alongside the heroes and heroines of myth and history.

Amara has escaped her life as a slave in the town's most notorious brothel, but now her existence depends on the affections of her patron: a man she might not know as well as she once thought. At night, she dreams of the wolf den, still haunted by her past. Amara longs for the women she was forced to leave behind and worse, finds herself pursued by the man who once owned her. In order to be free, she will need to be as ruthless as he is. Amara knows her existence in Pompeii is subject to Venus, the goddess of love. Yet finding love may prove to be the most dangerous act of all.

Continuing the story of the captured Trojan women as they set sail for Mycenae with the victorious Greeks, this novel centres on the fate of Cassandra -- daughter of King Priam, priestess of Apollo, and a prophet condemned never to be heeded. (When she refuses to have sex with Apollo, after he has kissed her, granting her the gift of true prophecy, he spits in her mouth to make sure she will never be believed.)

Sun Tzu's Art of War for Women helps women find the peaceful path to success through strategies made famous in the ancient Chinese text, The Art of War. Female wisdom, or common sense, is about avoiding needless confrontation, conserving energy for the things that matter, and seeking an outcome in which everyone wins. And for women, as for Sun Tzu, success doesn't come simply from knowing what to do, but from knowing who you are.

For centuries, men have been writing histories of antiquity filled with warlords, emperors and kings. But when it comes to incorporating women aside from Cleopatra and Boudica, writers have been more comfortable describing mythical heroines than real ones. While Penelope and Helen of Troy live on in the imagination, their real-life counterparts have been relegated to the margins. In The Missing Thread, Daisy Dunn inverts this tradition and puts the women of history at the centre of the narrative.

Venus and Aphrodite brings together ancient art, mythology, and archaeological revelations to tell the story of human desire. From Mesopotamia to modern-day London, from Botticelli to Beyoncé, Hughes explains why this immortal goddess continues to entrance us today - and how we trivialize her power at our peril.

Writer, activist and journalist Joan Smith has worked for years to raise awareness of violence against women and girls, and has been instrumental in bringing the innate misogyny of the police to public attention. Unfortunately, She Was a Nymphomaniac reinterprets the bloody, violent story of twenty-three women closely associated with the Julio-Claudian emperors of Rome. Fewer than half a dozen of them can be said with any confidence to have died of natural causes.

This brilliant adaptation of the ancient masterpiece The Art of War shows women how to use Sun Tzu's philosophy to win in every aspect of life. In the West, when we think of war, we imagine battle, casualties, brutality. But Sun Tsu, who wrote The Art of War 2,500 years ago, was Chinese, and their view of war is not about fighting. It is about determining the most efficient way of gaining victory with the least amount of conflict.

This riveting narrative explores the lives of six remarkable female pharaohs, from Hatshepsut to Cleopatra - women who ruled with real power - and shines a piercing light on our own perceptions of women in power today. Female rulers are a rare phenomenon - but thousands of years ago in ancient Egypt, women reigned supreme. But throughout human history, women in positions of power were more often used as political pawns in a male-dominated society. What was so special about ancient Egypt that provided women this kind of access to the highest political office?

Where do human societies come from? The drive to answer this question took on a new urgency in the nineteenth century, when a generation of archaeologists began to look beyond the bible for the origins of different cultures and civilizations. Zelia Nuttall threw herself into the study of Aztec customs and cosmology, eager to use the tools of the emerging science of anthropology to prove that modern Mexico was built over the ruins of ancient civilizations.

Noble Aislinn grieves as the Iron Wolf and his minions storm through her beloved Darkenwald. And she burns with malice for the handsome Norman savage who would enslave her. . .even as she aches to know the rapture of the conqueror's kiss.

Disciple Matthew, a former tax collector, is invited to work with Peter, James, and John in Jerusalem. He dreams of preaching and performing miracles like his fellow apostles, but he finds his dreams postponed because of a request from Yeshua's mother. Well aware of the passing years, Mary asks Matthew to help her record the stories of Yeshua while the eyewitnesses are still alive. Reluctantly, he agrees, though the longer he and Mary work together, the more difficult their task becomes.