American Literature

These days, English professors prefer to teach anything and everything but classic English literature. They indoctrinate their students in Marxism and radical feminism, show them Michael Moore's Fahrenheit 9/11, and teach them the "post-colonial literature" of South Asia. When they do teach a genuine work of English or American literature, they use it to propagandize against our "oppressive" Western culture.

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed. Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author.

This anthology presents a new vision that recovers and reframes the literature produced by the people targeted by the actions of President Franklin D. Roosevelt and Congress to deny Americans of Japanese ancestry any individual hearings or other due process after the Japanese attack at Pearl Harbor. From nearly seventy selections of fiction, poetry, essays, memoirs, and letters emerges a shared story of the struggle to retain personal integrity in the face of increasing dehumanization—all anchored by the key government documents that incite the action.

In American Literature, all main periods are covered, from colonial times to the present movement toward cultural diversity. Also covered are key themes and personalities, with emphasis on major figures, including Ben Franklin, Ralph Waldo Emerson, Walt Whitman, Emily Dickinson, Henry James, Edith Wharton, William Faulkner, Langston Hughes, Tennessee Williams, Alice Walker, and many more.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

يضم الكتاب إحدى عشرة قصة قصيرة من الأدب الأمريكي، هذا الأدب الذي بدأ بداية متواضعة، ثم ما لبث أن أخذ مركزه بين الآداب الأولى في العالم. ومن خصائصه المميزة أنه يمجد المثل العليا، وصفات الاعتماد على النفس والاستقلالية، واحترام الإنسان، والتأكيد على الديمقراطية، وحب الطبيعة والخروج عن التقاليد الأدبية من أجل كل إبداع جديد. وتُعد الفكاهة عامَّة، والفكاهة الساخرة أيضًا من الخصائص المميزة لهذا الأدب.

The American Literature CLEP Study Guide teaches you what you need to know to pass the CLEP test. This study guide is more than just lines of sample test questions. Our easy-to-understand study guide will teach you the information. We’ve condensed what you need to know into a manageable audiobook - one that will leave you completely prepared to tackle the test.

At the dawn of human civilization, a blind prophet foretold the coming of one who would transform American literature forever, thrilling millions with his prose and debauching thousands with the meltingly seductive rhythm of his poetry. Now he has arrived. His name is Neal Pollack, the author of The Neal Pollack Anthology of American Literature, and he walks among us.

Includes 'Titbottoms Spectacles' by George William Curtis, 'The First Piano in Camp' by Samuel Davis, 'Mr Tolman' by Frank R. Stockton, 'Mrs Bullfrog' by Nathaniel Hawthorne, 'Against His Judgement' by Robert Grant, 'A Desperate Adventure' by Max Adeler, 'Occurence at Owl Creek' by Ambrose Bierce, 'The Stout Gentleman' by Washington Irving, 'Clothes 'by Gustav Kobbé and 'Negative Gravity' by Frank R. Stockton.

In the 1960s and 1970s, complaints about a "Jewish literary mafia" were everywhere. Although a conspiracy of Jews colluding to control publishing in the United States never actually existed, such accusations reflected a genuine transformation from an industry notorious for excluding Jews to one in which they arguably had become the most influential figures. Josh Lambert examines the dynamics between Jewish editors and Jewish writers; how Jewish women exposed the misogyny they faced; and how children of literary parents have struggled with and benefited from their inheritances.

Learning from Black voices means listening to more than snippets. It means attending to Black stories. Reading Black Books helps Christians hear and learn from enduring Black voices and stories as captured in classic African American literature.

From Charles Chesnutt's The Marrow of Tradition to Toni Morrison's The Bluest Eye, Black writers, some of whom worked as maids themselves, have manipulated the stereotype in a strategic way as a figure to comment on Black-white relations or to dramatize the conflicts of the Black protagonists. In fact, the characters themselves, like real-life maids, often use the stereotype to their advantage or to trick their oppressors.

The titles in this collection include: "The Storm" by Kate Chopin, "Life In the Iron Mills" by Rebecca Harding Davis, "A Humble Romance", "Two Old Lovers", "On the Walpole Road", "An Honest Soul" and "A Conflict Ended" all by Mary Wilkins Freeman, and "Between Two Shores" by Ellen Glasgow.

Herman Melville was born in New York City on August 1st 1819, the third of eight children. At the age of seven, Melville contracted scarlet fever which was to permanently diminish his eyesight. At this time Melville was described as being 'very backwards in speech and somewhat slow in comprehension.' His father died when he was 12, leaving the family in very straitened times. Just 14, Melville took a job in a bank paying $150 a year that he obtained via his uncle Peter Gansevoort, who was one of the directors of the New York State Bank.

Samuel Langhorne Clemens, su verdadero nombre, es acaso la figura más famosa y conocida de la literatura norteamericana del siglo XIX. Popular humorista e imaginativo escritor estadounidense, sus obras "Tom Sawyer" y "Las Aventuras de Huckleberry Find" destacan en el Olimpo de las letras anglosajona.