American Film

The Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists.

Stanley Kubrick revolutionized Hollywood with movies like Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange, and electrified audiences with The Shining and Full Metal Jacket. David Mikics takes listeners on a deep dive into Kubrick's life and work, illustrating his intense commitment to each of his films.

“All my life I had one dream and that was to be in the movies.” He was the Golden Boy of the Golden Age. A prince of the silver screen. Dashing and debonair, Tony Curtis arrived on the scene in a blaze of bright lights and celluloid. His good looks, smooth charm, and natural talent earned...

NATIONAL BESTSELLER! “Convincing and illuminating.” —The Atlantic A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about...

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel...

A fascinating look at Hollywood’s most turbulent decade and the demise of the studio system—set against the boom of the post–World War II years, the Cold War, and the atomic age—and the movies that reflected the seismic shifts “The definitive book on 1950s Hollywood.” —Booklist...

 For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time. 

From the acclaimed author of American Comics and Jewish Comedy comes a highly entertaining book that examines the American obsession with horror—and what it tells us about ourselves. In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the...

John Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team...

In the early 20th century, Germany's most renowned film directors were pioneering the genre known as "expressionism", and within it, Fritz Lang was known as the "Master of Darkness". Together with his eventual wife Thea von Harbou, Lang wrote a number of acclaimed movies. Some of his well-known films include Dr. Mabuse the Gambler (1922), Die Nibelungen (1924), Metropolis (1927), and Woman in the Moon (1929).

“John Updike is the great genial sorcerer of American letters [and] The Witches of Eastwick [is one of his] most ambitious works. . . . [A] comedy of the blackest sort.”—The New York Times Book Review Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful...

The acclaimed, bestselling author of The Good German and Los Alamos returns with his most absorbing and accomplished novel yet—a mesmerizing tale of Hollywood, postwar political intrigue, and one man's determination to learn the truth about his brother's death. Hollywood, 1945. Ben Collier has...

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

A forty-ton truck hurtles out of control on a snowy country road, a teenage girl on horseback in its path. In a few terrible seconds the life of a family is shattered. And a mother's quest begins -- to save her maimed daughter and a horse driven mad by pain. It is an odyssey that will...

Today, the name Clint Eastwood conjures up many different and unforgettable images. While many will always associate him as the quintessential Western hero in classics like The Good, the Bad, and the Ugly, new generations know him as a critically acclaimed director and even an outspoken conservative firebrand.

The untold, intimate story of how three young visionaries—Francis Ford Coppola, George Lucas, and Steven Spielberg—revolutionized American cinema, creating the most iconic films in history while risking everything, redefining friendship, and shaping Hollywood as we know it. "Shaun...

No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society.  

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Week after week, SNL has produced unforgettable sketches and provocative political satire, adapting to changing times while staying true to its original vision of performing timely topical humor. With essays that address issues ranging from race and gender to authorship and comedic performance, Saturday Night Live and American TV follows the history of this 36-time Emmy-winning show and its place in the shifting social and media landscape of American television.