African Myths

As you study the African myths, legends, and folklore through this guide, you will find that there are so many gods and goddesses, and so many different versions of certain stories, that it will blow your mind. The intricate myths in this book have been lined up and collected to help you understand some of the earliest, most ancient beliefs from those living on the African continent. Some have been influential in our day, and some have been completely forgotten except for vague traditions that have been passed on from one generation to the next.

Gathering a wide range of traditional African myths, this compelling new collection offers tales of heroes battling mighty serpents and monstrous birds, brutal family conflict and vengeance and desperate migrations across vast and alien lands. From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families.

This classic presents historical, archaeological, and anthropological evidence to support the theory that ancient Egypt was a black civilization.

The modern history of Africa was, until very recently, written on behalf of the indigenous races by the white man, who had forcefully entered the continent during a particularly hubristic and dynamic phase of European history. The embrace of Christianity and Islam, even today, is not necessarily to the exclusion of ancestral spirits, nor the essentials of witchcraft and sorcery. The precarious security of albino people in east and central Africa, whose body parts are sought after in traditional “medicine,” is testimony to the fact that these superstitions are alive and well.

Do you like stories about gods and spirits, giants and monsters, damsels in distress, and clever heroes? All of these can be found in African myth and folklore, which have a vast and varied tapestry of stories from hundreds of cultures, each with its own traditions and values. Sometimes the heroes of these stories are divine beings who come down from heaven to create the world we live in, but sometimes human beings and animals themselves are the ones who see to it that the sun, moon, and stars are put into their proper places

Nelson Mandela's Favorite African Folktales is an audiobook benefiting children orphaned and impacted by HIV/AIDS in South Africa, featuring Gillian Anderson, Benjamin Bratt, LeVar Burton, Ricardo Chavira, Don Cheadle, Matt Damon, Whoopi Goldberg, Sean Hayes, Hugh Jackman, Samuel L. Jackson, LaTanya Richardson Jackson, Scarlett Johansson, Debra Messing, Helen Mirren, Parminder Nagra, Sophie Okonedo, CCH Pounder, and Alan Rickman.

African folktales come in many different types. Some are myths explaining the origins of things, while others are tales of heroes with supernatural abilities. Animal stories are many and varied, and they usually involve some kind of trickster who uses his wiles to get out of sticky situations and sometimes into them. There are also cautionary tales explaining why it is important to behave well and treat others with respect, while other stories have a style and shape similar to that of a fairy tale.

Nnamdi's father was a good chief of police, perhaps the best Kalaria had ever had. He was determined to root out the criminals that had invaded the town. But then he was murdered, and most people believed the Chief of Chiefs, most powerful of the criminals, was responsible. Nnamdi has vowed to avenge his father, but he wonders what a 12-year-old boy can do. Until a mysterious nighttime meeting, the gift of a magical object that enables super powers, and a charge to use those powers for good changes his life forever.

For most kids, catching fireflies is a fun summer activity. For twelve-year-old Serwa Boateng, it's a matter of life and death. That's because Serwa knows that some fireflies are really adze, shapeshifting vampires from the forests of Southeastern Ghana. Adze prey on the blood of innocents, possessing their minds and turning them into hulking monsters, and for generations, slayers like Serwa and her parents have protected an unknowing public from their threats.

Precious is not looking forward to being a donkey in the school play. Precious thinks donkeys look silly and smell bad, that is, until Grandfather comes to visit on his donkey cart. Grandfather teaches Precious that donkeys are much than they seem—they are hardworking, loyal, and kind.

More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth.

The bad-tempered sultan of Kenya is angry because a peasant boy's garden will grow, while his own will not. The boy Imani teaches him that feeding the plants meat of the tongue—singing, laughter, and love—will help them to grow.

How nature came to be is the basis of African folklore. From a greedy baboon, a vain crocodile, and a clever jackal, African animals are often the characters used to convey the message of human characteristics, their pitfalls, and their triumphs. And unlike stories in other parts of the world, the ending is not always happy. In fact, some African fables are downright gruesome! It was from this point that I wanted to adapt some of Africa’s best-loved stories into tales that could delight a very young audience.

One of America's favorite African-American storytellers remembers her childhood in tender, unforgettable new stories: "My Grandmother's Treasure," "The Big Cotton Patch," "Miss Maetroy's Flower Bed," and more.

Containing delightful stories from the Yoruba and other West African peoples, this book presents tales of courage and cunning, virtue and vice, and fortunes found and lost. Some of these stories draw upon actual historical persons and events, while others are purely fictional, but each story has something to delight any listener.

Rex M. Ellis weaves the strands of African folklore, early American history, and contemporary interpretations into the rich quilt that is the African-American experience.

After battling the impossible, Zélie and Amari have finally succeeded in bringing magic back to the land of Orïsha. But the ritual was more powerful than they could’ve imagined, reigniting the powers of not only the maji, but of nobles with magic ancestry, too. Now, Zélie struggles to unite the maji in an Orïsha where the enemy is just as powerful as they are. But when the monarchy and military unite to keep control of Orïsha, Zélie must fight to secure Amari's right to the throne and protect the new maji from the monarchy's wrath.

This sweeping survey of Black history shows how Black humanity has been erased and how its recovery can save the humanity of us all. Using history as a foundation, The Humanity Archive uses storytelling techniques to make history come alive and uncover the truth behind America's whitewashed history. The Humanity Archive focuses on the overlooked narratives in the pages of the past. Challenging dominant perspectives, author Jermaine Fowler goes outside the textbooks to find recognizably human stories.

A careless son named Mohamed loses his inheritance and then makes a hasty business deal with his father's former rival. Knowing he is doomed, Mohamed attempts to end his life. A princess intervenes and solves Mohamed's dilemma.

Anansi the spider used to be handsome, but his never-ending appetite eventually cost him his hair.