Showing results by author "Edward Smith" in All Categories
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Charming Baker-Guerilla Art
- Studies in World Art, Book 19
- By: Edward Lucie-Smith
- Narrated by: Bob Barton
- Length: 9 mins
- Unabridged
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Charming Baker is a phenomenon. Right now, a much bigger phenomenon in the British art scene than the much touted, but now rather tired and fading YBAs. The YBAs, after suitably Bohemian, in-your-face beginnings, are now the official face of British art. You will find most of them (though not quite all) represented in the closing galleries of the new hang at Tate Britain, which aims to tell the complete story of British art, from the Tudors until now.
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Charming Baker-Guerilla Art
- Studies in World Art, Book 19
- Narrated by: Bob Barton
- Series: Studies in World Art, Book 19
- Length: 9 mins
- Release date: 22-01-18
- Language: English
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Halfway There with Delacroix
- Studies in World Art, Book 120
- By: Edward Lucie-Smith
- Narrated by: Tim Carper
- Length: 11 mins
- Unabridged
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The new exhibition at the National Gallery in London is entitled "Delacroix - And the Rise of Modern Art". In other words, Delacroix, one of the most important artists of the first half of the 19th century, is presented as being important, not so much for what he actually did as an individual creator, but because he in so many ways foreshadowed the kind of art that was made immediately after his demise - in particular by artists linked to Impressionism, Post-Impressionism and even Fauvism.
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Halfway There with Delacroix
- Studies in World Art, Book 120
- Narrated by: Tim Carper
- Series: Studies in World Art, Book 120
- Length: 11 mins
- Release date: 17-01-18
- Language: English
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Byzantium
- Studies in World Art, Book 17
- By: Edward Lucie-Smith
- Narrated by: Bob Barton
- Length: 6 mins
- Unabridged
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Byzantine art has a slightly odd reputation. It is regarded, on the one hand, as something remote, hieratic, and difficult. On the other hand, the word Byzantium has a very romantic ring - it lives in our minds as the name of a citadel of civilization, a place that preserved for posterity both intellectual and material treasures that would otherwise have vanished forever. The remarkable exhibition now at the Royal Academy in London touches on both of these aspects.
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Byzantium
- Studies in World Art, Book 17
- Narrated by: Bob Barton
- Series: Studies in World Art, Book 17
- Length: 6 mins
- Release date: 17-01-18
- Language: English
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Paris and Beyond
- Studies in World Art, Book 60
- By: Edward Lucie-Smith
- Narrated by: Joe Van Riper
- Length: 9 mins
- Unabridged
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In the early years of the 20th century, Paris became the center for an international community of artists. Some of them were French, but the city also offered its hospitality to artists from an increasingly wide range of other nationalities. Some, like Marc Chagall, came from communities that had never produced artists of international note before. The result was a mixture between a stewpot and a laboratory.
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Paris and Beyond
- Studies in World Art, Book 60
- Narrated by: Joe Van Riper
- Series: Studies in World Art, Book 60
- Length: 9 mins
- Release date: 15-01-18
- Language: English
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Art in Putinland
- Studies in World Art, Book 111
- By: Edward Lucie-Smith
- Narrated by: Don Wang
- Length: 9 mins
- Unabridged
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Maybe it’s time for attention to turn back to the Russians. In the 1980s, as some of us still remember, so-called perestroika art was pretty big in the West, with enthusiasm from leading Western curators and critics, and some support from the big international auction rooms. In fact, the pattern was pretty much the same as what happened with contemporary Chinese art just a little later on.
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Art in Putinland
- Studies in World Art, Book 111
- Narrated by: Don Wang
- Series: Studies in World Art, Book 111
- Length: 9 mins
- Release date: 15-01-18
- Language: English
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Ted Hughes: A Modern Wordsworth? A Modern Byron?
- Studies in World Art, Book 138
- By: Edward Lucie-Smith
- Narrated by: Tim Carper
- Length: 17 mins
- Unabridged
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Of all the British poets of my generation, Ted Hughes, now nearly 20 years dead, left behind him both the grandest and most sulfurous reputation. The controversies he aroused rumble on, and the hurts, in certain quarters, are still keenly felt. Any life story that comprises not just two but actually three suicides, plus a murder, does wrap a cloak of darkness about itself.
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Ted Hughes: A Modern Wordsworth? A Modern Byron?
- Studies in World Art, Book 138
- Narrated by: Tim Carper
- Series: Studies in World Art, Book 138
- Length: 17 mins
- Release date: 16-01-18
- Language: English
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Before Damien Hirst: There Was Salvador Dali
- Studies in World Art, Book 112
- By: Edward Lucie-Smith
- Narrated by: Jack Wynters
- Length: 11 mins
- Unabridged
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When I visited the huge Damien Hirst exhibition staged by the Gagosian Gallery in New York in 1996, one of the most striking pieces was a large glass tank full of live fish. Dumped among the fish were an obstetrical couch, in a rather decayed condition, and various obstetrical implements. For some time after I had seen the show, this image tugged at my mind. It reminded me of something - but of what? Finally, memory dragged up the reference I needed: Hirst's piece was a direct descendant of Salvador Dali's installation, "Rainy Taxi".
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Before Damien Hirst: There Was Salvador Dali
- Studies in World Art, Book 112
- Narrated by: Jack Wynters
- Series: Studies in World Art, Book 112
- Length: 11 mins
- Release date: 15-01-18
- Language: English
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Hockney at the Royal Academy
- Studies in World Art, Book 34
- By: Edward Lucie-Smith
- Narrated by: Tim Carper
- Length: 7 mins
- Unabridged
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British, even more than most countries, like to have a "boss" artist - an artistic figure who is indubitably the head of the profession. In the old days, this need was easily accommodated within the establishment structures of the time. The big boss could be Sir Joshua Reynolds, knighted by the monarch of the day, or Lord Leighton, given a peerage. Both of these were also presidents of the Royal Academy.
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Hockney at the Royal Academy
- Studies in World Art, Book 34
- Narrated by: Tim Carper
- Series: Studies in World Art, Book 34
- Length: 7 mins
- Release date: 15-01-18
- Language: English
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Loot
- Studies in World Art, Book 45
- By: Edward Lucie-Smith
- Narrated by: Paul Bright
- Length: 30 mins
- Unabridged
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The current agitation about the restitution of artistic treasures of all kinds to their original locations is usually presented as overdue justice for faults committed by European colonialism. In fact, this is a serious oversimplification. Conquering armies have always regarded works of art as legitimate spoil. Modern attitudes to the legitimate or illegitimate possession of famous artworks can be traced to the European Enlightenment that blossomed in the late 18th century.
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Loot
- Studies in World Art, Book 45
- Narrated by: Paul Bright
- Series: Studies in World Art, Book 45
- Length: 30 mins
- Release date: 10-01-18
- Language: English
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A Stagnant Art World
- Studies in World Art, Book 136
- By: Edward Lucie-Smith
- Narrated by: Jack Wynters
- Length: 17 mins
- Unabridged
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This may seem a funny moment to proclaim that nothing much is happening in art - certainly not in contemporary art. In many ways, the art world has never seemed more vibrant and active, and this activity is increasingly focused on what is defined as contemporary. There hasn’t, in fact, been a moment like this in the relatively recent history of art since the mid-19th century. If one looks at the years of political and economic chaos between 1789 and 1815, as the fortunes of war swayed back and forth, this is not surprising.
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A Stagnant Art World
- Studies in World Art, Book 136
- Narrated by: Jack Wynters
- Series: Studies in World Art, Book 136
- Length: 17 mins
- Release date: 15-01-18
- Language: English
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What It Is to Curate
- Cv/Visual Arts Research, Book 174
- By: Edward Lucie-Smith
- Narrated by: Joe Van Riper
- Length: 23 mins
- Unabridged
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Anyone who Googles the phrase curatorial theory will immediately come upon quite a long list of suggested websites. Sometimes it is a little difficult to be sure if the texts offered are intended to be taken entirely seriously. However, if I hack my way through the dense thickets of language, I find myself in agreement with what they seem to be trying to say, which is that curating an exhibition - or for that matter, a website - is not an end in itself.
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What It Is to Curate
- Cv/Visual Arts Research, Book 174
- Narrated by: Joe Van Riper
- Length: 23 mins
- Release date: 09-01-18
- Language: English
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Figurative Painting: Confronting the Crisis
- Studies in World Art, Book 119
- By: Edward Lucie-Smith
- Narrated by: Joe Van Riper
- Length: 22 mins
- Unabridged
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This exhibition, based on a single, very personal and - dare one say it? - extremely distinguished private collection, tackles a large subject within a relatively small compass. It aims to examine a now universally recognized crisis, which is what is happening to painting as an art form. Quite a large number of critics and curators have, in recent years, proclaimed that painting is dead: that attention must now be paid to other kinds of art.
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Figurative Painting: Confronting the Crisis
- Studies in World Art, Book 119
- Narrated by: Joe Van Riper
- Series: Studies in World Art, Book 119
- Length: 22 mins
- Release date: 09-01-18
- Language: English
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Gauguin at Tate Modern
- Studies in World Art, Book 31
- By: Edward Lucie-Smith
- Narrated by: Joe Van Riper
- Length: 8 mins
- Unabridged
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The new Gauguin exhibition at Tate Modern in certainly the art event of the year in London. It’s a blockbuster exhibition of a kind that, thanks to the continuing worldwide financial crisis, may soon become extinct. It is also an exhibition that raises important questions about how we currently see and think about art.
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Gauguin at Tate Modern
- Studies in World Art, Book 31
- Narrated by: Joe Van Riper
- Series: Studies in World Art, Book 31
- Length: 8 mins
- Release date: 09-01-18
- Language: English
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The Artist and the Artwork
- Studies in World Art, Book 75
- By: Edward Lucie-Smith
- Narrated by: Tim Carper
- Length: 13 mins
- Unabridged
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Works of art have often been endowed by their audience with talismanic force. Their impact exceeds the visual impression they make. This seems natural enough when we consider the fact that the most ambitious works of art produced by ancient civilizations were religious. To those who originally encountered them, they seemed to speak directly from the gods. Their makers were very seldom recorded, though the names of those who ordered them to be made - pharaohs, emperors and kings - quite frequently survive.
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The Artist and the Artwork
- Studies in World Art, Book 75
- Narrated by: Tim Carper
- Series: Studies in World Art, Book 75
- Length: 13 mins
- Release date: 09-01-18
- Language: English
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Realism in the Caribbean
- Studies in World Art, Book 66
- By: Edward Lucie-Smith
- Narrated by: Dana Tucker
- Length: 18 mins
- Unabridged
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Art in the Caribbean is culturally of great complexity. This complexity reflects the intricacies of the colonial history of the region, with the different islands and territories divided between many different European powers. Artists in each territory tended to mesh into a different education system and a different set of preconceptions about art.
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Realism in the Caribbean
- Studies in World Art, Book 66
- Narrated by: Dana Tucker
- Series: Studies in World Art, Book 66
- Length: 18 mins
- Release date: 04-01-18
- Language: English
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Meditation
- Studies in World Art, Book 2
- By: Edward Luie-Smith
- Narrated by: Joe Van Riper
- Length: 11 mins
- Unabridged
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This is not an exhibition about ‘Realist’ art, as will be immediately apparent from some of the works included. Instead, it is an exhibition that invites the spectator to consider what his, or her, vision of reality truly is. The philosophical debate about the nature of realism in art began in earnest quite late in the history of Western painting and sculpture. The trigger was the invention of photography. When Louis Daguerre announced his new process in 1839 there were many people who thought that it might, in due course, make the visual artist superfluous.
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Meditation
- Studies in World Art, Book 2
- Narrated by: Joe Van Riper
- Series: Studies in World Art, Book 2
- Length: 11 mins
- Release date: 29-12-17
- Language: English
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Men Looking at Men
- Studies in World Art, Book 50
- By: Edward Lucie-Smith
- Narrated by: Joe Van Riper
- Length: 8 mins
- Unabridged
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In 1975, the American critic, Laura Mulvey, published an article entitled "Visual Pleasure and Narrative Cinema". This has over the years been one of the most influential of all feminist texts. In it, Mulvey made use of a version of Freudian theory, as reinterpreted by the French philosopher and psychoanalyst Jacques Lacan. Freud referred to scopophilia - the pleasure of look at other people’s bodies as erotic objects. Mulvey applied this to the cinema.
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Men Looking at Men
- Studies in World Art, Book 50
- Narrated by: Joe Van Riper
- Series: Studies in World Art, Book 50
- Length: 8 mins
- Release date: 28-12-17
- Language: English
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Alex Katz
- Studies in World Art, Book 4
- By: Edward Lucie-Smith
- Narrated by: Joe Van Riper
- Length: 15 mins
- Unabridged
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Alex Katz is one of the great survivors of a heroic period in American art. He is also one of the great unclassifiables. At various times he has been described both as a Pop artist and as a classic American Realist, though critics admit that he does not fit comfortably into either of these categories. What most people admit, however, is that he reflects and presents aspects of American culture and American landscape in a uniquely skillful and economical way.
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Alex Katz
- Studies in World Art, Book 4
- Narrated by: Joe Van Riper
- Series: Studies in World Art, Book 4
- Length: 15 mins
- Release date: 28-12-17
- Language: English
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Renoir Landscapes
- Studies in World Art, Book 67
- By: Edward Lucie-Smith
- Narrated by: Willis Miller
- Length: 7 mins
- Unabridged
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Renoir’s reputation has long been in decline with intellectuals. He is seen as sugary and self-indulgent, to the point where his work gives the whole of the Impressionist Movement a bad name. The thing that has contributed to this fall from grace is, of course, the late work, with its bloated nudes and curiously hot colors. Yet even the work of Renoirís best period tends to seem uneven, despite the continuing popularity of undoubted masterpiece such as La Loge [1874].
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Renoir Landscapes
- Studies in World Art, Book 67
- Narrated by: Willis Miller
- Series: Studies in World Art, Book 67
- Length: 7 mins
- Release date: 27-12-17
- Language: English
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Frida Kahlo
- Studies in World Art, Book 29
- By: Edward Lucie-Smith
- Narrated by: Willis Miller
- Length: 7 mins
- Unabridged
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Going to the Frida Kahlo exhibition current at Tate Modern in London is like entering the shrine of a secular saint. The rooms are thronged. People peer closely at the paintings, many of them very small. They seem afraid to talk much above a whisper. There are a number of reasons for this reaction. One is Hayden Herrera’s highly readable biography of the artist, first published in 1983, and now established as a classic feminist text. Another is the feminist movement’s general need for heroines, which has had a similar effect on the posthumous reputation of Georgia O’Keeffe. A third, probably the most powerful, reason is Kahlo’s own personality, which combined self-assertion, defiance and masochism in almost equal proportions. In this respect Kahlo can be compared with a slightly later generation of English-language poets, male and female. Prominent among them are Robert Lowell, John Berryman, Sylvia Plath and Anne Sexton.
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Frida Kahlo
- Studies in World Art, Book 29
- Narrated by: Willis Miller
- Series: Studies in World Art, Book 29
- Length: 7 mins
- Release date: 22-12-17
- Language: English
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