Showing results by author "Well Well Well" in All Categories

"The Star" is an 1897 apocalyptic short story by H.G. Wells. In January (about 1900, presumably), the people of Earth awaken to the notion that a strange luminous object has erupted, into the Solar System, after disturbing the normal orbit of the planet Neptune. Indeed, such object is a luminous celestial body, whose luminosity is distinguishable on the sky about the constellation of Leo.

After narrowly escaping Rogue City, Ben travels north into the Deschutes Territory in hopes of finding sanctuary, if only for a little while. His respite is brief and his hunters are persistent. Within a few days he's on the run again. Ben must negotiate the desert, the underground, and the unknowable perils of magic if he is to recover the Dragon's Codex, the only known book of magic in the world, and his best hope for finding a way to stand against the wyrm.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

When second son Alexander Valentine loses his brother to an assassin's arrow, he discovers that his family protects an ancient secret and reluctantly finds himself at the center of the final battle of a war that was supposed to have ended 2,000 years ago.

Herbert George Wells was one of the most prolific and visionary British writers of the late 19th and early 20th centuries. H. G. Wells is now best remembered for his science fiction novels, although he wrote across many genres, including nonfiction. His fiction embraces history, science fiction, horror, satire, fantasy, and social commentary. Wells was also a futurist, foreseeing air travel, tanks (as in “The Land Ironclads” - part of this anthology) space travel, nuclear weapons, and even satellite television.

H. G. Wells' classic science fiction work, first serialized in 1897, is one of many invasion narratives prevalent in British literature towards the end of the 19th century. However, The War of the Worlds not only introduces the extraterrestrial element of brutal Martian forces on the rampage but also explores many other contemporary issues and themes.

Jude Gray never thought she’d find herself widowed and running a working farm full-time, but here she is, living in the small Malvern village her husband Adam spent most of his life in. After a particularly gruelling lambing season, she is looking forward to some time off, but there’s no rest for the wicked, especially when she finds the body of one of Adam’s oldest friends on her farm. Unimpressed with the local constabulary's efforts, Jude starts an investigation of her own. But as the body count rises, danger creeps ever closer to Malvern Farm.

In 1896 HG Wells produced the Island of Doctor Moreau. After a fateful shipwreck, a chance rescue, and offer of safe harbor, Edward Prendick must contend with a dark science. A man of science, Prendick must wrestle with the ethics of its passions. His inner struggle is illuminated by the island's outward horrors. Central to the themes are ethics, principles, and the extent of human compassion. This science fiction icon argues the true question of science: Could the cure be more dangerous than the disease?View our full collection of podcasts at our website: https://www.solgoodmedia.com or ...

Full-cast dramatisations of six masterpieces from the founding fathers of dystopian fiction. Dark and disturbing, provocative and prescient, dystopian literature has long captured our imagination with its nightmarish visions of forbidding future worlds. Included here are six classic novels of time-travel, totalitarianism and terror, written by some of the masters of speculative fiction and adapted for radio with all-star casts.

On the last night of the 2021 CrossFit Games, ten thousand fans watched in horror as Brooke Wells’ elbow dislocated under the weight of a 190-pound barbell. This is the extraordinary story of what happened next: How Wells pulled off a highly improbable comeback that transformed her mentally and physically into one of the fittest women in the world. In Resilient, Wells provides a refreshingly honest, authentic account of how she overcame fear, self-doubt, and a slew of unexpected obstacles to return to the CrossFit Games less than a year after undergoing total elbow reconstruction.

Pia Mellody creates a framework for identifying codependent thinking, emotions and behaviour and provides an effective approach to recovery. Mellody sets forth five primary adult symptoms of this crippling condition, then traces their origin to emotional, spiritual, intellectual, physical and sexual abuses that occur in childhood. Central to Mellody's approach is the concept that the codependent adult's injured inner child needs healing.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

The thesis of this story is that “because of the development of scientific knowledge, separate sovereign states and separate sovereign empires are no longer possible in the world. To attempt to keep on with the old system is to heap disaster upon disaster for [hu]mankind and perhaps to destroy our race altogether. The remaining interest of this book now is the sustained validity of this thesis and the discussion of the possible ending of war on the earth.”

Ghost Station is a tense thriller about espionage, cryptography, and paranoia, set in the earliest days of the Berlin Wall. Can Reed trust Longshore? His boss? His lover? Can he find the truth behind the lies - or will Berlin become ground zero for a world-ending war?

The latest freshers have more than fitting in to fear when a forbidden entity is unleashed in an ancient seat of learning. New arrivals Nick and Annabel feel out of place at university, but when they are attacked by a creature straight out of their worst nightmares, their first term becomes less pass-fail than do-or-die. As the bodies pile up, their college’s dark secret cannot stay hidden for long. And when their tutors fall prey to mysterious forces, can Nick and Annabel enroll the night climber Giles to help banish the beast before freshers’ year becomes their last?

When it was first published in 1909, Ann Veronica caused a sensation, due to Wells' groundbreaking treatment of female sexuality. Twenty-one, passionate, and headstrong, Ann Veronica Stanley is determined to live her own life. When her father forbids her from attending a fashionable ball, she leaves her family home and makes a fresh start in London. There, she finds a world where she can be truly free. But when she meets the brilliant Capes, a married academic, and quickly falls in love, she soon finds that freedom comes at a price.

Tono-Bungay is very possibly H. G. Wells' finest novel, bringing together so many strands of his work: that of the novelist, the scientific romancer, the humorist, the historian, and the prophet-like sociologist. It was published in 1909, and although Wells was disappointed by its poor sales, Arnold Bennett praised it thus: "When with the thrill of emotion that a great work communicates I finished reading Tono-Bungay, I was filled with a holy joy because Wells had stirred up the dregs again and more violently than ever....

Nicholas Valiarde is a passionate, embittered nobleman with an enigmatic past. Consumed by thoughts of vengeance, he is consoled only by thoughts of the beautiful, dangerous Madeline. He is also the greatest thief in all of Ile-Rien... On the gaslight streets of the city, Nicholas assumes the guise of a master criminal, stealing jewels from wealthy nobles to finance his quest for vengeance: The murder of Count Montesq.

Spring has arrived, and open war with it. Mostly healed from his wound, Alexander departs the Dragon Isle only to be set upon by enemies from all sides. Outnumbered, desperate and running for his life, he’s shipwrecked in enemy territory then sold into slavery in the fabled city of Mithel Dour. Ancient and mysterious, it’s said that the city was discovered rather than built. Within, Alexander finds a secret so old and so powerful that it could turn the tide of war and possibly doom Isabel to the netherworld in the process.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people - who knew?). Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!