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Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life," the novel is set in the fictitious Midlands town of ...

An absorbing, semi-philosphical tale of love and people driven to extremes. Our hero, a carpenter, loves Hetty Sorel, but she loves Arthur Donnington, a local squire. The story soon progresses onto powerful themes, such as: who has the right to determine who lives and who dies?

In George Eliot's Middlemarch, the idea of marriage and vocation are explored through a small town's community of ordinary people. One of the main characters, Dorothea Brooke, is a kind and good-hearted woman who gives to the poor and helps to rebuild cottages of poor farmers. However, she is also stubborn and very strong-willed.

George Eliots mest ambitiösa roman Middlemarch är en komplex berättelse om idealism, lojalitet och uppslitande kärlek. I en engelsk småstad under 1800-talets första hälft får vi följa den unga idealisten Dorothea Brooke som är olyckligt gift, och den charmige men taktlöse Dr Tertius Lydgate som även han har problem på det äktenskapliga planet.

Reputed as Eliot’s favourite novel Silas Marner is set in the early years of the 19th century. Marner, a weaver, is a member of a small congregation in Lantern Yard. Falsely accused of a crime he didn’t commit, he leaves his home and lives a solitary life near the village of Raveloe. Dedicating his life to weaving and hoarding gold for the next 15 years, circumstances beyond his control shape his destiny and when his gold is stolen, he is rescued from despair by the arrival on his lonely hearth of a beautiful little girl, whom he adopts.

This 1859 novella by George Eliot takes a rather dramatic departure from her usual realistic fiction. Now canonized along with other great works of Victorian horror literature, The Lifted Veil plays with the theme of extrasensory perception. It discusses the power of fate in our everyday lives and even flirts with the possibilities of life after death.

Although set in the heart of rural England, in a place still untouched by industrial development or social upheaval, Silas Marner is no idyllic country tale. Eliot depicts village life good and bad: Silas’s suspicious neighbours are far from perfect and both the squire’s sons are deeply flawed characters. The hero himself is a naïve individual and – in his unhappiness – becomes a miser.

Silas Marner, a weaver, is cast out from his religious community and arrives in Raveloe, where he is feared because of his mysterious nature and brooding manner. When he is left an unwanted child to care for, his love for the child grows, and the unlikely pair find that kindness from the community towards them does too.

Maggie and Tom, brother and sister, try to save their livelihood as their parents flounder in the face of modernization. Maggie befriends the disabled son of a family rival in an attempt to build bridges, and Tom fights hard to reclaim the family property. Having drifted apart, they are brought back together in the novel's dramatic and moving conclusion.

The weaver Silas Marner is a member of a small Calvinist congregation in Lantern Yard, a slum street in an unnamed city in Northern England in the early 19th century. He is falsely accused of stealing the congregation's funds, leaves the city in disgrace, and accumulates a small fortune in another town…only to lose it to theft. But he soon adopts an orphan child quite by accident. The exchange of one treasure for another is the heart of the story.

Falsely accused of a crime and betrayed by his closest friend, the weaver Silas Marner has been hoarding his earnings for 15 years. Distanced from his religious community, he has devoted himself to his work and taken pleasure only in counting his coins. Then in a single day, his gold is stolen and a lovely child appears on his doorstep. As he changes his life to meet the irresistible needs of the child, Marner accepts that the loss of the gold was a necessary exchange for the child.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

This multi-layered novel concerns complex social relationships in a provincial Victorian neighborhood and the struggle to hold fast to personal integrity in a materialistic environment.

A commentary on guilt, material wealth, community, religion, and more, this novel is a thought provoking yet heartwarming tale. Banished from his church after being falsely accused of theft, Silas Marner becomes a bitter hermit consumed only by the wealth and goods he has been able to attain in exile. After losing everything he loved from his past, he clings now to the materials he has gained since. However, he must suffer through losing those too and instead gain the love of an innocent orphan to find the redemption he didn’t know he needed.

Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life," the novel is set in the fictitious Midlands town of ...

With the talents on display the most difficult task is choosing only ten. Their virtuosity, their craft and ambition scare belie the difficulties that society places upon most women. Their words cannot be denied, their literary heritage is safe forever.

Among the many fatalities attending the bloom of young desire, that of blindly taking to the confectionery line has not, perhaps, been sufficiently considered. How is the son of a British yeoman, who has been fed principally on salt pork and yeast dumplings, to know that there is satiety for the human stomach even in a paradise of glass jars full of sugared almonds and pink lozenges, and that the tedium of life can reach a pitch where plum-buns at discretion cease to offer the slightest excitement.

Reputed as Eliot’s favourite novel "Silas Marner" is set in the early years of the 19th century. Marner, a weaver, is a member of a small congregation in Lantern Yard. Falsely accused of a crime he didn’t commit, he leaves his home and lives a solitary life near the village of Raveloe. Dedicating his life to weaving and hoarding gold for the next fifteen years, circumstances beyond his control shape his destiny and help to restore his faith in humanity.

"The Mill on the Floss" is George Eliot’s second novel, and was published in 1860, only a year after her first, "Adam Bede". It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear.