Showing results by author "Mary E" in All Categories

Being pregnant wasn’t in October’s plans, but being a pregnant virgin is just one more sacrifice along her journey. With Von gone and Captain Finn stepping up, reaping is the only thing October can do to take her mind off of things. Even her dream life starts to twist with a little too much darkness and begins to bleed into reality. October isn’t sure who she can trust, or how to protect herself and her baby from the Matruculan in her bed, the Kataw in her life, and the vampire in her heart.

When October struggles to keep her baby healthy, the Vandershot brothers move in - all except for Von, who is nowhere to be found. Every day that Sama tries to reach her in her dreams is another she's driven slowly insane. October is determined to provide a good life for her daughter, despite the reaping that breaks her down a little more each day. When Terraway twists her body and her brain, the one person she wants to keep might just be the one who slips away forever.

With Team Terraway separated in too many directions, October doesn't know who needs help the most. With Von being held as leverage, and half the group traipsing through cannibal territory to deliver the stone to Lumipad to save the Ekeks and Manas, October experiments with dangerous new methods of trying to communicate with the missing parties. When the rescue doesn't go as planned, October finds herself inches from death, until she's swept up in the arms of the one man she knows she shouldn't trust.

Lia und Rafe konnten aus Venda fliehen, doch verletzt und durchgefroren liegt ein ungewisser Weg vor ihnen. Während sie Rafes Heimat, dem Königreich Dalbreck, Stunde um Stunde näherkommen, spürt Lia, dass sie schon viel zu lang weit weg ist von Morrighan, ihrem Zuhause. Dabei deutet alles darauf hin, dass das Land kurz vor einem Krieg steht. Und obwohl Rafe ihr eine Zukunft als Königin an seiner Seite verspricht, ahnt Lia, dass sie ihrer Bestimmung folgen muss.

Lia wird in den Palast von Venda verschleppt und muss um ihr Leben fürchten. Eine Flucht wäre der einzige Ausweg, scheint jedoch unmöglich. Stattdessen setzt sie alles daran, sich im Palastleben zurechtzufinden. Sie hat längst ihr Herz verloren und auch erfahren, wer der Mann, den sie liebt, wirklich ist. Doch Gut und Böse sind nicht eindeutig verteilt. Denn auch der Mann, der eigentlich ihr Feind sein müsste, stellt sich plötzlich ein ums andere Mal auf ihre Seite. Warum?

Fallyn D'Amato came back from her honeymoon only to find her new life in shambles. Her hopeful future by Vince's side has been torn to bits at the hands of her vengeful brothers. When their newlywed bliss doesn't come together as planned, Fallyn's only choice is to break Vince's heart and shatter her own.

Every second that Vince D'Amato is playing nice with her brothers, Fallyn fears the worst. As their secret relationship reaches explosive new levels, the O'Keefe family lays down the law that Vince can either leave on his own, or in a body bag.

Locke Jenkins has some catching up to do. After spending 260 years as a disembodied mind in a little black box, he has a perfect new body. But before he can move on with his unexpected new life, he'll have to return the Favor he accepted from the shadowy resistance group known as the Network. Locke must infiltrate the home of a government official by gaining the trust of his daughter, 17-year-old Raine, and he soon finds himself pulled deep into the world of the resistance - and into Raine's life.

A romantic suspense, Tenderfoot takes place on a working Northwest cattle ranch in 1980, the year the world remembers for the catastrophic eruption of Mount St. Helens. Corrie Stephens is eager to learn about ranching, but reluctant to become involved with a man – it’s just not worth the heartache. Rancher J McClure, on the other hand, has been alone too long. Tenderfoot draws the reader into the story’s strong emotions based on family, love, and the first-hand adventure of the eruption of Mount St. Helens.

A room is not much. It is not arms holding you. Not a kiss on the forehead. Not a packed lunch or a remembered birthday. Just a room. But for 17-year-old Zoe, struggling to shed the suffocating responsibility of her alcoholic mother and the controlling guilt of her grandmother, a rented room on Lorelei Street is a fierce grab for control of her own future.

When Avet barrels back into Keran’s life with a vampire on his heels, Keran knows he cannot leave his best friend to fend off the supernatural alone. Though he left the life of a trapper years ago, when Keran learns Avet’s kid sister has gone missing, his need to stay away from the monsters of the world becomes a thing of the past.

This chilling collection includes: "The Romance of Certain Old Clothes" by Henry James, "The Shadow" by E. Nesbit, "Monsieur Anastasius" by Dinah Maria Mulock, "John Granger" by Mary Elizabeth Braddon and more.

Mary Eleanor Wilkins Freeman (October 31, 1852¿March 13, 1930) was a prominent 19th century American author. Up until recently she was known primarily as a "feminist" writer, for her classic stories like "A New England Nun" and "The Revolt of Mother". However, she also wrote many well-crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

This is a collection of stories about interesting, unusual, bright human characters and destinies. Contents: Gusev by Anton Chekhov ; Boule de Suif by Guy De Maupassant ; Alyosha the Pot by Leo Tolstoy ; Mateo Falcone by Prosper Mérimée ; Little Brother by Mary E. Mann ; Bartleby, The Scrivener by Herman Melville ; The Lightning-Rod Man by Herman Melville ; The Ambitious Guest by Nathaniel Hawthorne ; The Darling by Anton Chekhov ; A Simple Heart by Gustave Flaubert

When Mr James Massey moves to the Parish of Hilby and becomes the new tenant of Wood Farm he is soon the centre of attention. Invited to events within the small Norfolk Village, Massey finds himself attending village concerts, high tea at the grange and even dinner at the vicarage. As the residents warm to him so too do the hearts of two women, Helen Smythe and Pollie Freeman.

Mary Rackham was born in Norwich on 14th August 1848 to a merchant family. Little is known of her early life and her biography only re-appears in September 1871 with marriage to Fairman Joseph Mann, a farmer with 800 acres. She took up writing, partly to offset the dreary village life of her surroundings, in the 1880s and published her first novel, ‘The Parish of Hilby’ (1883) at her own expense. It was well received by the critics. She is regarded as a major contributor to East Anglian literature with particular praise given to her short stories.

Mary Rackham was born in Norwich on 14th August 1848 to a merchant family. Little is known of her early life and her biography only re-appears in September 1871 with marriage to Fairman Joseph Mann, a farmer with 800 acres. She took up writing, partly to offset the dreary village life of her surroundings, in the 1880s and published her first novel, ‘The Parish of Hilby’ (1883) at her own expense. It was well received by the critics. She is regarded as a major contributor to East Anglian literature with particular praise given to her short stories.

Mary Rackham was born in Norwich on 14th August 1848 to a merchant family. Little is known of her early life and her biography only re-appears in September 1871 with marriage to Fairman Joseph Mann, a farmer with 800 acres. She took up writing, partly to offset the dreary village life of her surroundings, in the 1880s and published her first novel, ‘The Parish of Hilby’ (1883) at her own expense. It was well received by the critics. She is regarded as a major contributor to East Anglian literature with particular praise given to her short stories.

Mary Rackham was born in Norwich on 14th August 1848 to a merchant family. Little is known of her early life and her biography only re-appears in September 1871 with marriage to Fairman Joseph Mann, a farmer with 800 acres. She took up writing, partly to offset the dreary village life of her surroundings, in the 1880s and published her first novel, ‘The Parish of Hilby’ (1883) at her own expense. It was well received by the critics. She is regarded as a major contributor to East Anglian literature with particular praise given to her short stories.

En esta antología publicamos una serie de relatos que abordan desde diferentes perspectivas los mitos de los vampiros.