Showing results by narrator "Brittany A" in All Categories

A murderer who drinks his victim’s blood? FBI profiler Zoe Bentley and Agent Tatum Gray thought they’d seen it all, but this young woman’s barbaric murder is especially hard to stomach. They didn’t expect to work this case. But vampirism aside, the murderer’s MO is identical to that of Rod Glover - the serial killer who’s been pursuing Zoe since childhood. Forensics reveals the murder to be his work, but not his alone; desperate to fulfill his sick purpose, he has taken on an equally depraved partner.

Meet Chloe. First-year student, ordinary legging-wearing girl next door...and diagnosed psychopath with an IQ of 135. Her hobbies include yogalates, parties and plotting to kill Will Bachman. Chloe is part of a secret clinical study of young psychopaths run by the university's psychology department. Most psychopaths aren't criminals, but when a string of murders on campus causes upheaval, Chloe's private vendetta is sidelined. Partnered with fellow study participants she can't trust - and distracted by typical university life - Chloe has to walk the line between hunter and prey.

Miranda Reynolds has lost her home, her job and her husband - all thanks to an economic collapse that has brought America to its knees. The shops are empty; the streets no longer safe. Miranda and her daughter, Emma, have nowhere left to turn. There is one final hope, a self-sufficient haven for women who want to live a life free from men. Femlandia. For Miranda, the secluded Femlandia is a last resort. Life outside the gates is fraught with danger, but there’s something just as sinister going on within.

This audiobook is for all of you beautiful women who are overwhelmed by a breakup, divorce, or who are in relationship limbo. This is your survival guide, breakup bible, and how to guide that will get through the weeks or months following a breakup with your head held high, pride and dignity intact. Every woman can reverse a breakup. Women can learn how to obtain the relationships they want by earning the love and respect from any man they choose and have the time of their lives in the process.

HRH Princess Samantha has always been a royal rebel. She's the spare not the heir, so no one minds too much who she dates or how hard she parties. It helps that her sister, Princess Beatrice, is literally perfect. She's demure, sweet and beautiful, and she knows that the crown always comes first - no matter what her heart might really want. But they're not the only ones with their eye on the throne. Daphne Deighton might be 'newly noble' but she won Prince Jefferson's heart once, and she'll do anything to get back into the court's favour - and his bed.

Juliet Young always writes letters to her mother, a world-traveling photojournalist. Even after her mother's death, she leaves letters at her grave. It's the only way Juliet can cope. Declan Murphy isn't the sort of guy you want to cross. In the midst of his court-ordered community service at the local cemetery, he's trying to escape the demons of his past. When Declan reads a haunting letter left beside a grave, he can't resist writing back. Soon, he's opening up to a perfect stranger, and their connection is immediate.

Lee Gulliver never thought she’d find herself living on the streets—no one ever does—but when her restaurant fails, and she falls deeper into debt, she leaves her old life behind with nothing but her clothes and her Toyota Corolla. In Seattle, she parks in a secluded spot by the beach to lay low and plan her next move—until early one morning, she sees a sobbing woman throw herself into the ocean. Lee hauls the woman back to the surface, but instead of appreciation, she is met with fury.

Twenty years ago, Melanie Stokes was abandoned in a Boston hospital, then adopted by a wealthy young couple. Gifted with loving parents, a doting brother, and an indulgent uncle, Melanie has always considered herself lucky. Until the first cryptic, threatening note arrives: “You Get What You Deserve.” Melanie has no memory of her life before the adoption. Now someone wants her to remember it all - even the darkest nightmare the Stokes family ever faced: the murder of their first daughter.

It's been seven years since Chelsea Martin embarked on her yearlong postcollege European adventure. Since then, she's lost her mother to cancer and watched her sister marry twice, while Chelsea has become one of the most talented fundraisers for the American Cancer Coalition, and with the exception of one annoyingly competent coworker, Jason, her status as most successful moneymaker is unquestioned. Then Chelsea is forced to acknowledge that her life stopped after her mother died and that the last time she can remember being happy, in love, or enjoying her life was on her year abroad.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture and history. We meet Black and multi-racial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

Angela Hoot is a young tech genius. But when she's kicked off her master's degree course at MIT for hacking into the computer of a fellow student, she fears she's blown her chances of a glittering career. Instead, Angela is offered a dream position with the FBI. She jumps at the chance and is thrown in at the deep end. Her first assignment is at a house in the Boston suburbs where a family of five has been brutally murdered.

An online video of a girl clawing at the ceiling of her own grave could be the worst thing FBI forensic psychologist Zoe Bentley has ever seen. Perhaps even more disturbing is the implication of the video’s title: “Experiment Number One.” Zoe and her partner, Special Agent Tatum Gray, work as fast as they can to find the monster behind the shocking video, but soon another one shows up online, and another girl turns up dead.

Larry Cole has everything a man could want. He loves his wife and is devoted to their two small sons. His career as an architect is both creatively satisfying and financially rewarding. His house in suburban Pinecrest Manor is attractive and comfortable. But then Larry sees a new neighbor standing at the school bus stop. Margaret Gault is young, blond, beautiful - and married. She’s everything Larry didn’t realize was missing from his life, and he must have her. Maggie tells Larry she’s never been in love. But this isn’t about love. It’s about need and desire. And lies.

When did you last hang out with Jim, Pam, Dwight, Michael, and the rest of Dunder Mifflin? It might have been back in 2013, when the series finale aired...or it might have been last night, when you watched three episodes in a row. But either way, long after the show first aired, it’s more popular than ever, and fans have only one problem - what to watch, or listen to, next. Fortunately, writer Andy Greene has that answer. In his brand-new oral history, The Office: The Untold Story of the Greatest Sitcom of the 2000s, Greene takes listeners behind the scenes.

Retiring prosecutor Jessica Yardley can’t turn down one last investigation. This time, it’s a set of murders inspired by a series of grisly paintings called The Night Things. She’s the only one who can catch the killer, who’s left a trail of bodies in a rural community outside of Las Vegas. But the more Jessica finds out, the less clear her case becomes. Out of options, she’s forced to consult her serial killer ex-husband - to gain additional insight into the crimes and the killer’s motivations.

On a secluded cliff overlooking the ocean sits a Victorian house that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned - yet there are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards. The place is an irresistible mystery to Jane, and becomes a hideaway for her, a place to escape her troubled, volatile mother.

What would you do if you woke up 30 years older than you were yesterday? Brooklyn, 1982. Oona Lockhart and her boyfriend are about to ring in the New Year and Oona's 19th birthday. But seconds after the New Year begins, Oona is torn from her life and everyone she loves, finding herself in her 51-year-old body 33 years into the future. The life she had is gone, and all she is a letter from herself from the previous year to guide her. Each year on the stroke of midnight she finds herself resurfacing in a different year of her own adulthood.

Lacy Marie Crocker has settled into a comfortable groove back home in New Orleans, and with Valentine's Day right around the corner, she's busier than ever running a thriving pet boutique, helping her mother organize the upcoming National Pet Pageant, and untangling her complicated love life. But when delivering a king-sized order of dreidel-shaped doggy biscuits for a Saint Berdoodle's bark-mitzvah, Lacy stumbles into yet another murder scene - and the last person to see the victim alive was her own father.

It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page-one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot).

Her friends warn her not to go to Brendan Fear's birthday party at his family's estate on mysterious Fear Island. But Rachel Martin has a crush on Brendan and is excited to be invited. Brendan has a lot of party games planned. But one game no one planned intrudes on his party - the game of murder. As the guests start dying one by one, Rachel realizes to her horror that she and the other teenagers are trapped on the tiny island with someone who may want to kill them all.