Showing results by narrator "Uplaksh Kochhar" in All Categories

When Sid comes back and Shana meets him, she too disappears leaving no trace behind. Nandita's face turns into that of an 80 year old woman's after touching Maggi's bloodied scalp. Aditya, Monty and Albert, while searching for Sid and Shana, find blood soaked clothes of a couple next to giant footsteps on the other side of the bungalow wall.

Tina's goal is to catch hold of Anish before he flies off for his marriage and reprimand him for spoiling their friendship. She watches him flying off in front of her and finally realizes she is in love with Anish! She resolves to break his marriage at any cost.

Tina makes first attempt to bring Anish and Pari together, but the plan fails miserably. Her opening up in front of Rohit makes him get silently attracted towards her. Tina's grandmother gives her an idea to move ahead with her plan.

Tina makes one final attempt to break the wedding but even that fails. She leaves the venue before the wedding. Anish meets her on the way and tells her all how everything was a hoax and that he had conspired with Pari to make her realize the love hidden in her heart for him. Tina finally gets love and her love story.

Aagha displays incredible courage in her attempt to avenge her personal loss from a ghost which cannot be killed. When all try to leave Valdi in the car, Aagha soon realises that the roads of Valdi are nothing but a trap. She momentarily loses her cool when she finds the dead bodies of the two people in the woods who are also sitting with them in the car.

As the party goes on, Aslam finds his wife Zubeda in the arms of Aditya in a room. When Maggi informs Monty that the intern Sid is making out with his daughter Shana in the pool, he fires a bullet at Sid with his rifle. However to everyone's utter shock, Sid mysteriously disappears from the pool.

Deh ke jwarbhate ke bich prem ka chand atma ke gagan par khilta aur doobta hai. Purnima aur amawasya ke bich hi kahin prem aakar leta hai aur prakash aur andhere ki sandhirekha par hi ansu aur aag ki patkatha rachi jati hai. Upanyas ‘Bujhaye na bujhe’ isi prem ki kahani kahta hai.

Kitne Pakistan? is a 2000 Hindi novel by Kamleshwar, a noted 20th-century Hindi writer. A pioneer of the Nayi Kahani (New Story) movement of the 1950s, and later a screenwriter for Hindi cinema, Kamleshwar’s novel, employing allegory and realism, deals with a vast expanse of human history, as it follows the rise of sectarianism, nationalism, Hindutva and communalism. Kitne Pakistan? casts doubts about the true motives of the people who make decision on behalf of and for common people, who throughout history have been bearing the brunt of their decision.

This is a groundbreaking account of the development of Indian business and enterprise from the colonial period to the present. It not only introduces listeners to formative business leaders (including Jamsetji Tata, Ghanshyam Das Birla and Walchand Hirachand Doshi) and leading firms (Wadia Group, Kirloskar Brothers Limited and Shapoorji Pallonji) but also analyses their presence in the country’s economy, their growth over time and their true impact on society.

In Reshaping Art, T. M. Krishna examines what art is and how we can harness its power to make ourselves and our communities open and sensitive. Well known for his attempts to break Karnatik music out of its high-caste confines, the author takes us through a journey of understanding what art means to different groups of people and the ways in which we all create and enjoy it.