Showing results by narrator "Amy Soakes" in All Categories

Three years have passed since Damien lost Etta. His obsessive and irrational behavior drove her away and destroyed his life. For three years he has languished in prison. Every day he's had but one thought: Etta. She is the holder of his soul, and he can't see a life without her in it. When he is finally released and tracks her down, he is faced with something he didn't expect: his daughter...and Aaron. Damien needs to redeem himself in the eyes of the woman he loves.

New problems bring new opportunities. After escaping the attack on Varna, Rav, Ari, and friends begin converting an ancient arena into a home defensible against the Weatherblight. For the first time in his life, Ari understands what it means to be a part of a real community. But establishing a new frontier town brings with it a new set of responsibilities. He’s needed as a leader, a cornerstone of the newly growing settlement. He’s needed as a man, to give comfort and intimacy to the women he loves. He’s needed as Lord Stoneblood.

After a harrowing escape from the Weatherblight, Ari, Kerys, and Eva find themselves on Deepwater Spire, an ancient structure surrounded by endless ocean. With no other options, they bide their time, slowly building up the essence they need to reactivate the teleportation wards that will allow them to travel freely. Their isolation takes on a life of its own, manifesting as much in their relationships with each other as their situation in the world.

The Dove’s Nest and Other Stories is a collection of both finished and unfinished short stories written by Katherine Mansfield. The collection was published posthumously, not long after Mansfield’s death in 1923, by her husband, John Middleton Murry.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

More than a month after Ari’s dramatic departure from Cliffhaven, he still remains adrift. During the long journey south back to Ethereal Tower, he thinks of nothing so much as what he could have done differently to save Kerys and Eva, the two women he loved most. The loss of them affects him like an unhealed wound, painful and prone to tearing open at the slightest touch. He’s left with empty questions, a dormant sword, and a fast dwindling lifespan. Oh, and Rin. Of course, Ari has never been the type to give up easily.

Prince Kai Afkarr-Younger hides a dangerous secret—he’s been infected with the Nightmare Plague. Exhausted from battle and illness, he must force himself to stay awake, or risk spawning yet another monster attack on the already beleaguered city, an impossible undertaking without the strength of his tamer.

The plague has been eradicated and the remaining nightmare monsters have fled Alveria—for now. With the Source of Fire now in their possession, Mari Asadottir and King Kai must remain vigilant during the royal ball held to honor their official bonding and graduation to Akademy initiates. For there are enemies all around.

No sooner has Narissea successfully recovered the Stone Crown and used its power to fend off Inyene, the evil metal queen, she discovers the crown can’t be removed. And it’s consuming her mind with its poisonous whispers. Irrational commands and uncharacteristic rage burst forth before she considers their impact. Unwittingly, dragons across the land are enslaved by forced obedience to her every word.

“He was born with a gift of laughter and a sense that the world was mad … “So begins this historical tale of romantic adventure. Andre-Louis Moreau is an orphan and cousin of the beloved Aline. He is raised by his godfather, the Lord of Gavrillac, and matures into an educated lawyer—while Aline sets her mind on marrying the rich but dishonorable Marquis de la Tour d’Azyr. But when Moreau’s closest friend is killed by the Marquis in a duel, Moreau vows vengeance. After publicly denouncing the aristocracy and stirring up the crowds, Moreau is forced to go into hiding.

Maggie Walker has never called Wirra Station home. Orphaned as a child, she spent more time at boarding school and then working in the city than she ever spent on the edge of the outback. But when her great aunt dies, Maggie inherits everything and reluctantly returns to tidy the place up before selling. Ambitious cowboy-next-door Max O’Connor has the means and the desire to buy Wirra Station outright and return it to its former glory. But first, he wants elusive Maggie Walker to know what she’s giving up.

Jasmine's a tough, savvy woman who's worked hard to get where she is. Used to being used by men and women, looking to get ahead, she doesn't trust easily when it comes to relationships. Shane's her cousin's best friend from Australia who's been working in Cherry Springs while he gets his Masters. Now that school's out, he's going to have to leave the country. She's always kept him at arm's length, afraid to ignite the passion that sparks whenever he's near. He does everything in his power to remind her of what she's missing.

In the hours just before dawn, blasphemous curses echo throughout the stone manor. A knife clatters to the floor, and a feisty young widow is bound, blindfolded, and led to the marriage altar. The king couldn't possibly have sanctioned this farce of a marriage, could he? After all, she alone transformed a few mud huts and starving serfs into a flourishing town, never once hesitating to pay generous taxes to his royal kingdom.

It always happens when you least suspect it. Love. The chemistry. The pull. Even when you don’t want it to. Timing - it’s a bitch. And then you have to make a choice. Do you regret what is, or what isn’t? Because when love’s involved, there’s always regret. And my story is no exception.

What foul devilry is this? They told her he was dead. After six long years without a word, her knight falls onto his knees and sings poetry. Then he denies their son? Heed this well. She's no longer an innocent who'll giggle and tarry on his every word. The sharp edge of her tongue and knife is the only welcome he'll get. She'll not marry him. Besides, the pain would be too much to bear should he ever leave again.

Bailey Sheppard had loved Nick Heart for as long as she could remember. They had been best friends in school and graduated to a friends-with-benefits arrangement after she left for university. His once-a-month visits, when she would have him all to herself for the weekend, were the highlight of her life. And then he told her he was getting married. Bailey needed Nick in her life. She wanted to be the one he married and lived happily ever after with. So she hatched a plan to stop the wedding and steal the groom. And then she met Hunter.

What's your name, sweetheart? That was the first thing. I wasn't his sweetheart, and he should have already known my name. But, that was the moment I became caught in Tyler Lohan's sight. He was wonderful and complicated, and I'd spent my life trying to hate him for being the golden boy who had everything so easy. However, as with all things, Tyler wasn't the person he appeared to be from the outside, and once I saw him - the real him - I fell, and I don't think I ever got back up.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

This collection was published in 1901 and contains some of Lawson's best known stories. Most of the stories are set in the Australian bush, and feature many of Lawson's iconic characters, like squatters, swagmen, and struggling selector farmers. A persistent theme is the harshness of rural life and the inevitability of personal tragedy.