Showing results by author "Lord Alfred Tennyson" in All Categories

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.

This collection of sixteen poems features several notable examples of his early work, including “Oenone” and “The May Queen”, as well as two of his most iconic works, “The Lady of Shalott” and “The Lotus Eaters."

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

A delightful collection of classic poems that will delight young and old alike, including: "How Beauty Contrived to Get Square with the Beast" by Guy Wetmore Carryl, "How Little Red Riding Hood Contrived to Be Eaten" by Guy Wetmore Carryl, "How Rudeness and Kindness Were Justly Rewarded" by Guy Wetmore Carryl, "If No One Ever Marries Me" by Lawrence Alma TademaI’m, "Nobody, Who Are You?" by Emily Dickinson, "Lochinvar" by Sir Walter Scott, "The Akond of Swat" by Edward Lear, and more.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear. Its great mass, its shimmering beauty, its raging howl, and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

Enoch Arden first came to international attention with a recording by Claude Raines and Glenn Gould, but it has since drifted back to obscurity. This is a work that both Luxon and Moyer have loved for many years. The poem is immediately accessible to any audience and tells a heart-wrenching story of friendship, love, separation, and sacrifice. The masterful score creates a powerful soundtrack to the saga.

The selection of eighteen poems is taken from Tennyson's first collection, published in 1830. The most famous poem in the collection is Mariana, a dramatic narrative, which, like The Lady of Shalott, describes the tragic fate of an abandoned woman. All the poems feature the elegant euphony for which Tennyson's verse has become famous.

Bitter Lips, Sweet Heart is a unique collection of romantic poetry first assembled by a group of young male college students who got together to read poetry and drink tea every week, thinking themselves spurned romantics and talented poets. Most of the original selections have been forgotten, and the collection has been updated for this simple release with a sense of irony and sheepishness in mature adulthood. May its angst, irony, lust, and innocent affection amuse and entertain you today, just as it did the four nerdy boys who assembled it to communicate.

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

Over the far horizon the blanket of night begins to slowly dissolve. The sun is once more on its daily journey across the heavens. The light begins to sharpen and increase in intensity, revealing the landscape. Morning has begun, and dazed heads and sleepy faces come to terms with the new day. Our poets capture the mood, the emotions and all manner of other details in their descriptions of this time. But then with the calibre of wordsmiths such as Tennyson, Wordsworth, Milton, Southey, Donne and many more besides, we are almost spoilt.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

In Alfred Tennysons captivating serio-comic narrative poem The Princess, published in 1847, we follow the journey of a bold and heroic princess who rejects the male-dominated world to establish a groundbreaking womens university, where men are strictly prohibited. When her betrothed prince, along with two friends, disguises themselves as female students to infiltrate the university, their true identities are soon uncovered. What follows is a thrilling tale of escape and a dramatic battle for the princesss love.

Read by award-winning narrator Mike Vendetti. "Tis better to have loved and lost, than never to have loved at all." Comes from this poem.

"The Charge of The Light Brigade" - written in 1854 by one of the great representative figures of the Victorian age, Lord Alfred Tennyson - celebrates the heroism of a British cavalry unit mistakenly ordered to attack a vastly superior Russian stronghold amidst the Battle of Balaklava during the Crimean War (1853-1856), a military conflict between Russia and a coalition of Great Britain, France, the Kingdom of Sardinia, and the Ottoman Empire.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East Midlands who created such revered, enduring and respected verse.