Showing results by publisher "Faber & Faber" in All Categories

Maya is homeless and living on an illegal encampment in London. The site is razed and Maya is detained, but then she learns that she has been chosen for a shot at redemption. She is offered a chance to be rehabilitated into society: to be given a job, a flat and an allowance - and to be become a polished, successful member of society. But she must document her progress on Instagram so that the tech company that is sponsoring her can gain corporate philanthropy points.

Lord Kitchener, Neneh Cherry, Smiley Culture, Stormzy.... Groundbreaking musicians whose songs have changed the world. But how? This exhilarating playlist tracks some of the key shifts in modern British history, and explores the emotional impact of 28 songs and the artists who performed them. This audiobook redefines British history, the Empire and post-colonialism and will invite you to think again about the narratives and key moments in history that you have been taught up to now.

Delivered in Stockholm on 7 December 2017, My Twentieth Century Evening and Other Small Breakthroughs is the lecture of the Nobel Laureate in Literature, Kazuo Ishiguro. A generous and hugely insightful biographical sketch, it explores his relationship with Japan, reflections on his own novels and an insight into some of his inspirations, from the worlds of writing, music and film. Ending with a rallying call for the ongoing importance of literature in the world, it is a characteristically thoughtful and moving piece.

Some of the most delightful poems ever written for children, brought evocatively to life in this wonderful new audio edition. Ted Hughes wrote an extraordinary body of work for children. This is a selection which includes original recordings made by the author himself as well as new readings by Juliet Stevenson and Michael Morpurgo.

The Secret History meets American Psycho in this superbly crafted novel. This magnetic book pulls you in its wake even as you resist its force. Sometimes you don't want to know what's next.... This book is an experiment. We're experimenting together. You are part of the experiment, if you'll agree to it. Normally I don't let my subjects choose to be subjects. If you know you're being watched, you cease to be you. But I want you to listen to this. I wrote it for you.

Flèche (the French word for 'arrow') is an offensive technique commonly used in fencing, a sport of Mary Jean Chan's young adult years, when she competed locally and internationally for her home city, Hong Kong. This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised ('flèche'), and evokes the difficulties of reconciling one's need for safety alongside the desire to shed one's protective armour in order to fully embrace the world.

Adèle appears to have the perfect life. A respected journalist, she lives in a flawless Parisian apartment with her surgeon husband and their young son. But beneath the veneer of 'having it all', she is bored - and consumed by an insatiable need for sex, whatever the cost. Struggling to contain the twin forces of compulsion and desire, she begins to orchestrate her life around her one-night stands and extramarital affairs, arriving late to work and lying to her husband about where she's been, until she becomes ensnared in a trap of her own making.

Kingdomland is the debut poetry collection of Rachael Allen - a writer of rare vision and flair. The world she creates is suffused with surreal images and uncanny incidents. Unexplained violences and strange metamorphoses take shape in the 'glowering dusk'. And yet, all too clearly, we recognise life here on earth, its everyday griefs, dysfunctions and injustices. Where distinctions between murder and bloodletting, corruption and consumption are blurred. Where a pet tarantula or mimic octopus might find itself beside glands and processed meats.

When My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.

There are situations in which we fail for a moment to recognise the person we are with, in which the identity of the other is erased while we simultaneously doubt our own. This also happens with couples - indeed, above all with couples, because lovers fear more than anything else 'losing sight' of the loved one. With stunning artfulness in expanding and playing variations on the meaningful moment, Milan Kundera has made this situation - and the vague sense of panic it inspires - the very fabric of this novel.

Milan Kundera is a master of graceful illusion and illuminating surprise. In one of these stories a young man and his girlfriend pretend that she is a stranger he picked up on the road - only to become strangers to each other in reality as their game proceeds. In another a teacher fakes piety in order to seduce a devout girl, then jilts her and yearns for God. In yet another girls wait in bars, on beaches and on station platforms for the same lover, a middle-aged Don Juan who has gone home to his wife.

In this intimate and vital debut, Richard Scott looks into the places not everyone sees or chooses to see. Against the backdrop of London's Soho, he creates an uncompromising portrait of love and shame, questioning our sense of the permissible and the perverse. Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence reimagining the love poetry of Verlaine.

Jack Underwood's debut collection, Happiness (2015), was celebrated for its unconventional and daring tone: 'conversational, arresting...weird, singular' (Guardian). Such qualities are on accomplished display in this anticipated new collection, as the poems mature and move on to a wide range of preoccupations, including imminent societal collapse and current riots; the limits of masculinity and complexities of fatherhood; as well as uncanny, often amusing scenarios, such as serving drinks to a gathering of 15 babies or group kissing in Empathy Class.

Detective Eira Sjödin is just old enough to remember the summer when 16-year-old Lina Stavred went missing. Her entire community was haunted by the disappearance - especially when Olof Hagström, just 14 himself, confessed to her murder. That was two decades ago. No one in their small rural community has seen or heard from him since, but the spectre of his crime lingers in the forests around the town. But now Olof is back, and he stands accused of another brutal crime.

How can a woman who never existed come back to haunt you? Gerry Anderson has been having trouble sleeping. He's unwell - bed-bound - and has only his night nurse and his PA for company. But what's really troubling him are the phone calls. Phone calls from a woman claiming to be the 'real' Aubrey. But that can't be. Aubrey's just a character Gerry made up in a book, years ago. Can Gerry see past the ever-blurring lines of fact and fiction and figure out who is threatening him, or has his long-overdue moment of reckoning finally arrived?

Seven-year-old Che was abandoned by his radical Harvard-student parents during the upheaval of the 1960s, and since then has been raised in isolated privilege by his New York grandmother. He yearns to see or hear news of his famous outlaw parents, but his grandmother refuses to tell him anything. When a woman named Dial comes to collect Che, it seems his wish has come true: his mother has come back for him. But soon, they too are on the run, and Che is thrown into a world where nothing is what it seems.

The sheriff struggling for re-election and haunted by his past. The mystery plane which crash-lands on his island. The daughter returning home to hide from her troubles. The FBI pilot sent in to help. As the mystery of the abandoned plane and the dead body stokes long-simmering racial tensions, a moment of reckoning draws ever closer for the town of Oak Island.

Ted Hughes wrote a series of stories for children from the early 1960s through until 1995 about how the world, and the creatures in it, came into being. Meet the Polar Bear whose obsession with her snowy white fur is so great that she can live only in a landscape surrounded by her own reflection; the Whale, growing in God's garden beside the carrots; King Leo, who began life because God was hungry for his sausages; poor Parrot's painful defeat in the marriage song contest at the wedding of Man and Woman; and Sparrow's heroic battle against the bird-swallowing Black Hole.

Postcolonial Love Poem is a thunderous river of a book. It demands that every body carried within - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Where the bodies of indigenous, Latinx, Black and Brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

Frank owns a service station on a little-used highway. His granddaughter, Allie, is sent to stay with him for the summer, but they don't talk a lot. Simon is a dreamer and an idealist, in thrall to the romance of the open road and desperately in search of something. Maggie is the woman who will bring them together, someone whose own personal journey will visit unimaginable terror on them all....