Showing results by publisher "Picador" in All Categories

As the Second World War enters its final stages, millions in Germany are forced from their homes by bombing, compelled to seek shelter in the countryside where there are barely the resources to feed them. Twelve-year-old Luisa, her mother and her older sister, Billie, have escaped the devastation of the city for the relative safety of a dairy farm. But even here the power struggles of the war play out: the family depend on the goodwill of Luisa’s brother-in-law, an SS officer, who in expectation of payment turns his attention away from his wife and towards Billie.

At sixteen, Eva meets Jamie by chance. She lives in middle-class South Brooklyn; he comes from the super-rich of upper Manhattan. She’s observant, cautious, eager to seem normal; he’s curious, bold, full of mysteries. She keeps a keen intelligence under wraps; his eccentric brilliance is all but impossible to repress. While Eva welcomes Jamie into her family’s embrace, he avoids going home; with little in common, they are drawn together in a deep friendship. As Eva goes off to an elite college and falls in and out of love, Jamie drops out of school and joins the Occupy Wall Street movement.

Rachel Long’s much anticipated debut collection of poems, My Darling from the Lions, announces the arrival of a thrilling new presence in poetry. Each poem has a vivid story to tell - of family quirks, the perils of dating, the grip of religion or sexual awakening - stories that are, by turn, emotionally insightful, politically conscious, wise, funny and outrageous.

Eighteen months before Kathryn Schulz’s beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery—from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic and natural disaster; from finding new planets to falling in love.

Colliding with and confronting Shakespeare's The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal beautifully evoke the poet's Jamaican childhood and reach beyond to explore history, race relations in America, womanhood, otherness and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic and intricately woven.

In 1960s rural America two siblings grow up in a place of love and turmoil. Rene is the apple of her father’s eye: an overachiever, athletic, clever, the best brain in class and the best dancer in school. Her older brother, Leon, doted on by his mother, is shy, a stutterer, but also a brilliant dancer. Rene and Leon share a talent, but it is a gift their father adores in his daughter and loathes in his son, and that could make all the difference. These two children may be best friends, but life promises to take them down very different paths....

Set in a walled garden, whose inhabitants live an eternal and unblemished life, Eden opens with a summons. The gardeners of Eden are called by their masters, the angels, to see a dead body. It is that of a bird, a creature who has strayed beyond the garden walls. Outside, where there is poverty and sickness and death, this bird has met a fate that couldn’t have befallen it within the safe haven of the garden. And why would anyone want to leave? Eden is a place of immortality and plenty—bountiful fields and orchards and lakes, a place where the lord’s bidding is done.

These are poems of whimsy and imaginative acrobatics, but they are grounded in the familiar, common things of everyday experience. Collins takes us for a walk with an impossibly ancient dog, discovers the proper way to eat a banana, meets an Irish spider and invites us to his own funeral. Facing both the wonders of being alive and the thrill of mortality, these new poems can only solidify Collins’ reputation as one of America’s most durable and interesting poets.

Raymond Antrobus’ astonishing debut collection, The Perseverance, won both Rathbone Folio Prize and the Ted Hughes Award, amongst many other accolades; the poet’s much anticipated second collection, All the Names Given, continues his essential investigation into language, miscommunication, place, and memory.

Jackie Kay's first collection as Scottish Makar is an audiobook about the fighting spirit - one, the poet argues, that we need now more than ever. Bantam brings three generations into sharp focus - Kay's own, her father's, and his own father's - to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we embody our times, whether we want to or not.

Birdie Keller wakes up one freezing January morning to hear that her sister’s killer has been freed from jail. Birdie leaves for London with a pistol and a plan: to find this man and make him pay. She’s been waiting two decades to get him, biding her time: here, at last, revenge. So begins a cat-and-mouse chase that takes Birdie from the grit and grime of city nicks, to wild and windswept moors, to the savage beauty of the Cornish coast, and, finally, to Devon, her homeland, back to the place where it all began – as she vows to finish the story.

Maggie is entirely devoted to her husband, Thomas, their two beautiful children, and God. But then what begins as innocent letter writing with poet James starts to become something far more erotically charged, their meeting of minds threatening to become a meeting of bodies. As everything Maggie believes in is thrown into doubt, the listener is drawn ever deeper into the battleground of her soul.

Denise Riley has pursued her singular path with a determined disregard for poetic fashion: a poet of immense musical gifts and formal skill, as happy in traditional forms as experimental, her non-alignment with any ‘tribe’ has led to a rich and various poetry that, while densely allusive and intellectually uncompromising, remains emotionally open towards the reader at the most profound level. Say Something Back, her lyric meditation on bereavement, won Riley universal acclaim - and a wide and long-deserved readership.

6th December 1993. A drug dealer called Scrappy is shot and left for dead on her mother’s lawn in South Central Los Angeles. Two local gang members, Wizard and Dreamer, are arrested. The problem is: one is guilty, the other wasn’t even there. It had to be a frame-up. And the cops had to be responsible, didn’t they?

Set between Ireland and London in the first two decades of this millennium, the stories in Hearts and Bones, Niamh Mulvey's debut collection, look at the changes that have torn through these times and ask who we are now that we’ve brought the old gods down. Witty, sharply observed and deeply moving, these 10 stories announce an extraordinary new Irish literary talent.

In a world where children murder children, and where gun violence is the worst in Europe, Nicolas Lunabba's job as a social organizer with Malmö's underclass requires firm boundaries and emotional detachment. But all that changes when he meets Elijah – an unruly teenage boy of mixed heritage whose perilous future reminds Nicolas of his own troubled past amongst the marginalized people who live on the fringes of every society. Allowing Elijah into his home and then into his heart, Nicolas crosses one of his own red lines.

Xuela’s vivid, visceral recollections of the lonely, unsettled life that follows the trauma of her arrival include that of her distant father, who sends her away to another household at the earliest opportunity; of her passion for the stevedore Roland, who fulfils her sexually but not intellectually; and of her husband, who provides her with status and a wealthy lifestyle but whom she is incapable of loving.

Percival Everett by Virgil Russell is a story inside a story inside a story. A man visits his ageing father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everett’s recurring preoccupations.

In 1921, after six years of unrelenting war and revolution, Russia was in ruins. The economy had collapsed, the country was ravaged by disease and starvation claimed the lives of millions. People were so desperate for food that there were reports of cannibalism, reports that were revealed to be horribly accurate. Remarkably, it was a young American aid worker who uncovered the truth, and, even more remarkably, it was the US-backed charity that had sent him to Russia that would save Lenin’s fledgling government by feeding his people.

In April 1929, the body of British artist Olive Branson was found submerged in a water tank outside her farmhouse in a picturesque Provence village. Dressed only in a pink shirt and stockings, she had a bullet hole between her eyes and a revolver by her side. Was it suicide – or murder? The initial investigation concluded suicide, but under pressure from Olive’s family to conduct a murder enquiry, city detective Alexandre Guibbal was brought in to reopen the case.