Showing results by publisher "Audible Studios" in South Asia

¿Sabías que en la India hay muchas niñas que no pueden acceder a la educación? ¿O que el 40 % de los matrimonios infantiles se producen en este país? Incluso, con frecuencia, las familias con pocos recursos sienten desilusión y rechazo cuando nace una hija. Durante los más de trece años que Jaume Sanllorente ha dedicado a la lucha pacífica contra la pobreza en Bombay, ha sido testigo de la discriminación que sufren las mujeres en la India.

¿Sabías que en la India hay muchas niñas que no pueden acceder a la educación? ¿O que el 40 % de los matrimonios infantiles se producen en este país? Incluso, con frecuencia, las familias con pocos recursos sienten desilusión y rechazo cuando nace una hija. Durante los más de trece años que Jaume Sanllorente ha dedicado a la lucha pacífica contra la pobreza en Bombay, ha sido testigo de la discriminación que sufren las mujeres en la India.

The oldest surviving graffiti on a cave wall immortalizing an intimate bond in the third century BCE; charred seeds and chewed animal bones that provide evidence of a peoples' food obsessions; sculptures that reveal facets of the human-animal relationship. In Time Pieces, award-winning historian Nayanjot Lahiri sifts through clues left behind by the early inhabitants of the Indian subcontinent - in plaques and inscriptions, fragments of jewellery, bones and tools, poetry, art and pottery - to reveal to us our ancient land in all its variety, splendour and contradictions.

The sheer volume of commentaries on the Mahabharata is awe-inspiring. So, what is it in the Mahabharata that gives it its timeless magic? Is it the mythical characters with which it is replete that makes the epic so enchanting? Or is it the great wealth of philosophical and metaphysical ideas in it that dazzles its audiences? Or could it be a combination of all these that makes it ever-fascinating to scholars and audiences around the world? And, most of all, what accounts for its incredible effect on the subconscious of millions of Indians through several generations?

A Índia é tudo aquilo que um turista vê. Mas também o seu oposto. Os contrastes estão a cada esquina. O país é espiritual e material; pacífico e violento; rico e pobre; antigo e moderno. A jornalista Florência Costa—que tem laços de família com a Índia, onde viveu por muitos anos—nos leva à cozinha indiana, com seus múltiplos temperos; às festas monumentais de casamentos arranjados; à espiritualidade e às religiões e até aos banheiros (raros).

Arundhati Roy examines the persistent inequality in India through an extensive critique of Gandhi's views on race, caste and imperialism.

This is a reporter’s chronicle spanning three generations, backed by firsthand accounts of luminaries, peppered with numerous anecdotes and a passionate examination of his own beliefs. It is as scathing in its takedown of bigotry as it is lucid in charting a blow-by-blow account of our recent past. It is a tribute to the making of India and its founders as well as the affirmation of the will of the Indians to place the power in the hands of the people.