Showing titles in Rural

One afternoon many years ago, James Rebanks met an old woman on a remote Norwegian island. She lived and worked alone on a tiny rocky outcrop, caring for wild Eider ducks and gathering their down. Hers was a centuries-old trade that had once made men and women rich, but had long been in decline. Still, somehow, she seemed to be hanging on. Back at home, Rebanks couldn’t stop thinking about the woman on the rocks. She was fierce and otherworldly – and yet strangely familiar. Years passed. Then, one day, he wrote her a letter, asking if he could return.

This celebration of the English countryside does not only focus on the rolling green landscapes and magnificent monuments that set England apart from the rest of the world. Many of the contributors bring their own special touch, presenting a refreshingly eclectic variety of personal icons, from pub signs to seaside piers, from cattle grids to canal boats, and from village cricket to nimbies.

When writer Simon Barnes heard a Cetti's warbler sing out as he turned up to look at a house for sale, he knew immediately that he had found his new home. The fact that his garden backed onto an area of marshy land only increased the possibilities, but there was always the fear that it might end up in the wrong hands and be lost to development or intensive farming.

In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour. This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham.

For centuries we’ve been sold a lie: that you need to own the land to care for it. Just 1% of the population own half of England, and this tiny landowning elite like to present themselves as the rightful custodians of the countryside. They’re even paid billions of pounds of public money to be good stewards. But what happens when they just don’t care?

Growing up gifted and working-class in the foothills of the Ozarks, Monica and Darci became fast friends. The girls bonded over a shared love of learning as they navigated the challenges of their declining town and tumultuous family lives - broken marriages, shuttered stores and factories. They pored over the giant map in their classroom, tracing their fingers over the world that awaited them, vowing to escape. In the end, Monica left Clinton for university and fulfilled her dreams. Darci, along with many in their circle of friends, did not.

For all the attempts to understand the state of American politics and the blue/red divide, we've ignored what economic and cultural loss can do to pride. What happens, Arlie Russell Hochschild asks, when a proud people in a hard-hit region suffer the deep loss of pride and are confronted with a powerful political appeal that makes it feel "stolen"? Hochschild's research drew her to Pikeville, Kentucky, in the heart of Appalachia, within the whitest and second-poorest congressional district in the nation.

A way of life that once encompassed most of humanity is vanishing in one of the greatest transformations of our time: the eclipse of the rural world by the urban. In this new history of peasantry, Patrick Joyce tells the story of this lost world and its people. In contrast to the usual insulting stereotypes, we discover a rich and complex culture: traditions, songs, celebrations, and revolts, across Europe from the plains of Poland to the farmsteads and villages of Italy and Ireland, through the 19th century to the present day.

These modern dispatches from an ancient landscape tell the story of a deep-rooted attachment to place, describing a way of life that is little noticed and yet has profoundly shaped this landscape. In evocative and lucid prose, James Rebanks takes us through a shepherd's year, offering a unique account of rural life and a fundamental connection with the land that most of us have lost.

The Lightning Thread takes the listener on a journey of unexpected delight, personal pleasure and profound discovery. From angling with his father on a spating burn at the height of the Profumo Affair to knocking back mojitos while hunting for Permit, ‘the Robocop of the sea’, off the coast of Cuba. Much more than just another book about fishing, The Lightning Thread is an exploration of joy and a celebration of simple pleasures in a too complicated world.

After Kiran loses her mother, she escapes to the Welsh countryside—to allow herself to grieve away from turbulent city life in London, to leave her toxic family behind, and to find solace in the purity of the natural world. I Can Hear the Cuckoo is a tender, philosophical memoir about the beauty of a microscopic life, the value of solitariness, and respecting the rhythm and timing of the earth. This is a reflective book about finding friendship in the most unexpected places—and what nature and a small community in the Welsh Valleys can teach us about life.

Its Faulkner meets Foxworthy! Jay McBride's portrayal of the hilarious antics and schemes of those surviving in the underbelly of southern culture not only ring true, but also reveal deep respect for a survival tool that transcends everything material: an active and ongoing sense of humor.

The author of the beloved number one best seller The Shepherd's Life returns with a stirring history of family, loss and the land over three generations on a Lake District farm. James Rebanks was taught by his grandfather to work the land the old way. Their family farm in the Lake District hills was part of an ancient agricultural landscape: a patchwork of crops and meadows, of pastures grazed with livestock and hedgerows teeming with wildlife. And yet, by the time James inherited the farm, that landscape had profoundly changed.

Thirty-five years after the publication of Ronald Blythe's classic portrait of an English village, Akenfield, Craig Taylor returned to the Suffolk village on which the book was based. He sought out locals who appeared in the original book to learn how their lives had changed, met newcomers, and interviewed Ronald Blythe himself.

Zoë Colville spent years in a fancy hair salon with a long list of clients, living on cigarettes, croissants, and a shoestring. It was everything she'd ever wanted. But when an unexpected and overwhelming loss caused her life to shift unexpectedly, she found herself on a different path. One where the only use for a hairdryer is warming new-born lambs; where the cycle of life on a farm gives new meaning on purpose, and where nature is both a strict teacher and a balm to soothe the pressures of everyday life.

As seen on the BBC’s This Farming Life. The inspirational story of Lynbreck Croft - a regenerative Scottish farm rooted in local food, community, and the dreams of two women. Lynn and Sandra left their friends, family, and jobs in England to travel north to Scotland to find a bit of land that they could call their own. They had in mind keeping a few chickens, a kitchen garden, and renting out some camping space; instead, they fell in love with Lynbreck Croft - 150 acres of opportunity and beauty, shrouded by the Cairngorms and deep in the Highlands of Scotland.

1917. Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930. Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman’s cottage for sale on the Dorset coast. 1941. Rosamond Lehmann settles in a Berkshire village, seeking a lovers’ retreat, a refuge from war, and a means of becoming ‘a writer again’. Rural Hours tells the story of three very different women, each of whom moved to the country and were forever changed by it.

Polly Morland was clearing her late mother’s house when she found a battered paperback fallen behind the family bookshelf. Opening it, she was astonished to see an old photograph of the remote, wooded valley in which she lives. The book was A Fortunate Man, John Berger’s classic account of a country doctor working in the same valley more than half a century earlier. This chance discovery led Morland to the remarkable doctor who serves that valley community today, a woman whose own medical vocation was inspired by reading the very same book as a teenager.

We may be excluded from the majority of our land, no less than 92 per cent in England, but best-selling nature writer and trespasser Nick Hayes shows how we can reclaim our lost connection. By engaging with the land through craft and learning and by caring for it, our relationship with the countryside will be better for us, and better for nature. Interwoven are testimonials from expert contributors—farmers and land workers, activists and authors—each with deeply personal stories of what a connection to nature means for them.

Starting with Rebecca Smith’s own family history – foresters in Cumbria, miners in Derbyshire, millworkers in Nottinghamshire, builders of reservoirs and the Manchester Ship Canal – Rural is an exploration of our green and pleasant land, and the people whose labour has shaped it. Beautifully observed, these are the stories of professions and communities that often go overlooked. Smith shows the precarity for those whose lives are entangled in the natural landscape. And she traces how these rural working-class worlds have changed.