Showing titles in Linguistics

Phineas Finn, a handsome young man of 23, comes to England to make his fortune in parliamentary politics. But despite all his aspirations, Finn is haunted by ethical questions as his personal convictions conflict with his duty towards his party. Loyalty versus honor, love versus money, and privacy versus prominence: our eponymous hero faces a variety of dilemmas as he navigates his way through the House of Commons.

Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech - the urgency with which we say "f--k!" is instead related to the instinct that tells us to flee from danger. Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic.

Scots: The Mither Tongue is a classic of contemporary Scottish culture and essential listening for those who care about their country's identity in the 21st century. It is a passionately written history of how the Scots have come to speak the way they do and has acted as a catalyst for radical changes in attitude towards the language. In this revised edition, Kay vigorously renews the social, cultural, and political debate on Scotland's linguistic future, and argues convincingly for the necessity to retain and extend Scots if the nation is to hold on to its intrinsic values.

Conventional wisdom suggests English is going to the dogs, that bad grammar, slang, and illogical constructions signal a decline in standards of usage - to say nothing of the corruption wrought by email and text messages. But English is a complicated, marvelous language. Far from being a language in decline, English is the product of surprisingly varied linguistic forces, some of which have only recently come to light. And these forces continue to push English in exciting new directions.

Nearly everyone swears - whether it's over a few too many drinks, in reaction to a stubbed toe, or in flagrante delicto. And yet we sit idly by as words are banned from television and censored in books. We insist that people excise profanity from their vocabularies, and we punish children for yelling the very same dirty words that we'll mutter in relief seconds after they fall asleep. Swearing, it seems, is an intimate part of us that we have decided to selectively deny.

Kingsley Amis' authoritative and witty guide to the use and abuse of the English language. A scourge of illiteracy and a thorn in the side of pretension, Amis provides indispensable advice about the linguistic blunders and barbarities that lie in wait for us, from danglers, four-letter words to jargon and even Welsh rarebit. By turns reflective, acerbic and provocative, The King's English is for anyone who cares about how the English language is used.

In A Hero of Our Time, Grigory Pechorin is a bored, self-centered, and cynical young army officer who believes in nothing. With impunity he toys with the love of women and the goodwill of men. He is brave, determined, and willful, but his wasted energy and potential ultimately result in tragedy.

Inside a quiet boarding house on the waterfront, a man stares up to the ceiling with sightless eyes. The tight lipped landlady proclaims that it is murder. Can an upscale detective agency penetrate to the bottom of the mystery?

In Framley Parsonage, the fourth novel of Trollope's Chronicles of Barsetshire, the author leaves the confines of Barchester and looks to the countryside, where he relates the moral difficulties of Mark Robarts, the young clergyman who has recently been appointed Vicar of Framley. Desperate to keep up with the local aristocracy, the country parson is persuaded to underwrite the debts of Sowerby, a well-respected peer.

Linguistics, the study of language, has a reputation for being complex and inaccessible. But here's a secret: There's a lot that's quirky and intriguing about how human language works-and much of it is downright fun to learn about. But with so many potential avenues of exploration, it can often seem daunting to try to understand it. Where does one even start?

From the author of Proust and the Squid, a lively, ambitious, and deeply informative epistolary book that considers the future of the reading brain and our capacity for critical thinking, empathy, and reflection as we become increasingly dependent on digital technologies.

Deathworld centers on Jason dinAlt, a professional gambler who uses his somewhat erratic psionic abilities to tip the odds in his favor. He is challenged by a man named Kerk Pyrrus (who turns out to be the ambassador from the planet Pyrrus) to turn a large amount of money into an immense sum by gambling at a government-run casino. He succeeds and survives the planetary government's desperate efforts to steal back the money.

The Woodlanders is vintage Hardy. The story revolves around the young woman Grace Melbury, who returns to the leafy world of Little Hintock and soon finds herself at the center of a number of tragic events. In penetrating, incisive and beautiful prose, Hardy tells a moving tale of unrequited love as fate and the constraints of society thwart the happiness of our heroine.

Hardy's third novel, A Pair of Blue Eyes, follows the story of Elfride Swancourt. The daughter of the rector of Endelstow, a sparse, sea-swept parish in Cornwall, Elfride is caught between two suitors of very different backgrounds: Stephen Smith, a young architect restoring the old parish church; and the respectable, older man of London society, Henry Knight. The blue-eyed and high-spirited protagonist must untangle the conflicting messages of her heart and her mind.

In Making Sense, David Crystal confronts the foe of many: grammar. Once taught relentlessly to all students in the English-speaking world, grammar disappeared from most school curricula, so that terms such as preposition and conjunction now often confound children and adults alike.

What makes us human? Why are we the only animals who wear clothes, drive cars, trawl the internet, and fly helicopters on Mars? It’s all because we’ve learnt to talk, yet remarkably, we still don’t know how we did it. Speech! suggests an answer that’s been hiding in plain sight - the simple yet radical shift that turned our analog grunts and shrieks into words. But, its consequences are far from simple: being able to share ideas through language was an evolutionary tipping point - it allowed us to link up our minds.

In a joyful journey through a year of weird words and fantastic phrases, one of the nation's favourite wordsmiths takes a tour of the British Isles and all its vernacular idiosyncrasies, as well as reflecting on the joys of English, in a delightful book for anyone who loves language - whether following its rules or breaking them!

This volume celebrates six such languages - Ancient Greek, Latin, Old English, Sanskrit, Old Irish, and Biblical Hebrew - by first introducing listeners to their most distinctive features, then showing how these linguistic traits play out in short excerpts from actual ancient texts. It explores, for instance, how Homer's Greek shows signs of oral composition, how Horace achieves striking poetic effects through interlaced word order in his Latin, and how the poet of Beowulf attains remarkable intensity of expression through the resources of Old English.

This is the story of the mystical travels of Diamond, a coachman's son, through distant lands and strange events while riding on the back of the beautiful North Wind.

Steven Pinker looks at how the relationship between words and thoughts can help us understand who we are. Why do so many swear words involve topics like sex, bodily functions, or the divine? Why do some children's names thrive while others fall out of favour? Why do we threaten and bribe and seduce in such elaborate, often comical ways? How can a choice of metaphor damn a politician or start a war? And why do we rarely say what we actually mean?