Showing titles in Linguistics

In Made in America, Bryson de-mythologizes his native land, explaining how a dusty hamlet with neither woods nor holly became Hollywood, how the Wild West wasn't won, why Americans say 'lootenant' and 'Toosday', how Americans were eating junk food long before the word itself was cooked up, as well as exposing the true origins of the G-string, the original $64,000 question, and Dr Kellogg of cornflakes fame.

Short Stories in Russian for Beginners has been written especially for students from beginner to intermediate level, designed to give a sense of achievement, a feeling of progress and most importantly - enjoyment! Mapped to A2-B1 on the Common European Framework of Reference, these eight captivating stories are designed to give you a sense of achievement and a feeling of progress when listening. From science fiction to fantasy, to crime and thrillers, Short Stories in Russian for Beginners will make learning Russian easy and enjoyable.

The three novels that make up this trilogy have long been recognized as masterpieces of 20th-century literature, and Galsworthy as one of its leading exponents. But don’t let that be the reason you put off listening to this wonderful work. There are passion and lust in these pages, high art and low comedy, and unthinking violence that ride alongside ever-correct manners. Scandal, tragedy, despair, rape, accidental death, marriage, remarriage and a healthy leavening of births all unfold against a rolling backdrop of a world war.

A survey of the quirks and quandaries of the English language, focusing on our strange and wonderful grammar. Why do we say "I am reading a catalog" instead of "I read a catalog"? Why do we say "do" at all? Is the way we speak a reflection of our cultural values? Delving into these provocative topics and more, Our Magnificent Bastard Tongue distills hundreds of years of fascinating lore into one lively history.

In a fascinating tour of creativity and the brain, Nancy Andreasen, professor of psychiatry at the University of Iowa and the winner of the National Medal of Science, explores how the human brain achieves creative breakthroughs--in art, literature, music, and science--the role of genes and environment, extraordinary creativity vs. ordinary creativity, and the question of genius and insanity.

Daniel Everett, then a Christian missionary, arrived among the Pirahã in 1977 - with his wife and three young children - intending to convert them. What he found was a language that defies all existing linguistic theories and reflects a way of life that evades contemporary understanding. The Pirahã have no counting system and no fixed terms for color. They have no concept of war or of personal property.

Byron's Don Juan is a comic masterpiece written in a satirical, mock heroic style. Based on the legend of Don Juan, (which is here pronounced JOO-AN), Byron completely reverses the portrayal of Juan, instead showing him as someone easily seduced by women instead of seducing them. He called this form of poetry "epic satire". It is generally considered to be Byron's masterpiece.

The renowned author of Brave New World, Aldous Huxley, made his literary debut with the 1921 classic Crome Yellow. Set in post-WWI England, this perennial favorite satirizes the fads and fashions of the time with the tale of a hapless couple who join a colorful mix of British aristocrats attending a party at a rural country estate.

When Geppetto makes a wooden puppet of a little boy, he is astonished when the puppet comes to life! But Pinocchio dreams of being a real boy.... A magical retelling of the classic tale, read by Stephen Mangan.

Whether it’s brusque, convincing, fraught with emotion, or dripping with innuendo, language is fundamentally a tool for conveying meaning - a uniquely human magic trick in which you vibrate your vocal cords to make your innermost thoughts pop up in someone else’s mind. You can use it to talk about all sorts of things - from your new labradoodle puppy to the expansive gardens at Versailles, from Roger Federer’s backhand to things that don’t exist at all, like flying pigs.

Mankind has a distinct advantage over other terrestrial species: we talk to one another. But how did we acquire the most advanced form of communication on Earth? Daniel L. Everett, a "bombshell" linguist and "instant folk hero" (Tom Wolfe, Harper's), provides in this sweeping history a comprehensive examination of the evolutionary story of language, from the earliest speaking attempts by hominids to the more than 7,000 languages that exist today.

This is the first volume of The Travels and Surprising Adventures of Baron Munchausen by Rudolf Erich Raspe. The Baron relates his fantastical experiences and exploits, telling of the many singular incidents such as climbing to the moon on a beanstalk, riding on a cannon ball, being swallowed by a fish and being rescued from its insides, flying on an eagle from Margate to America, and many other incredible adventures, and challenges anyone who doubts him, asserting he is "a traveler of veracity!"

Stanley Featherstonehough Ukridge is positively convinced that his complete ignorance of chicken farming gives him a particular advantage in the subject. A bombastic blowhard, he persuades his wife and his mild-mannered chum to start a chicken farm with him. What could go wrong?

The Woodlanders is vintage Hardy. The story revolves around the young woman Grace Melbury, who returns to the leafy world of Little Hintock and soon finds herself at the center of a number of tragic events. In penetrating, incisive and beautiful prose, Hardy tells a moving tale of unrequited love as fate and the constraints of society thwart the happiness of our heroine.

What do we talk about when we talk about Irish? When we talk about saving or supporting a language do we mean the musical combination of syllables, or something more profound? How do new words enter a language, and what is the relationship between that strange dialect called Hiberno-English and its parent language? "Craic Baby" picks up exactly where "Motherfoclóir" left off and explores the very new and very old parts of the Irish language from a personal perspective.

Hardy's third novel, A Pair of Blue Eyes, follows the story of Elfride Swancourt. The daughter of the rector of Endelstow, a sparse, sea-swept parish in Cornwall, Elfride is caught between two suitors of very different backgrounds: Stephen Smith, a young architect restoring the old parish church; and the respectable, older man of London society, Henry Knight. The blue-eyed and high-spirited protagonist must untangle the conflicting messages of her heart and her mind.

What makes us human? Why are we the only animals who wear clothes, drive cars, trawl the internet, and fly helicopters on Mars? It’s all because we’ve learnt to talk, yet remarkably, we still don’t know how we did it. Speech! suggests an answer that’s been hiding in plain sight - the simple yet radical shift that turned our analog grunts and shrieks into words. But, its consequences are far from simple: being able to share ideas through language was an evolutionary tipping point - it allowed us to link up our minds.

Here is the remarkable story of how this humble language took vigorous root in Eastern European shtetls and in the Jewish quarters of cities across Europe; how it achieved a rich literary flowering between the wars in Europe and America; how it was rejected by emancipated Jews; and how it fell victim to the Holocaust. And also how, in yet another twist of destiny, Yiddish today is becoming the darling of academia. Yiddish is a history as story; a tale of flesh-and-blood people with manic humor.

Scots: The Mither Tongue is a classic of contemporary Scottish culture and essential listening for those who care about their country's identity in the 21st century. It is a passionately written history of how the Scots have come to speak the way they do and has acted as a catalyst for radical changes in attitude towards the language. In this revised edition, Kay vigorously renews the social, cultural, and political debate on Scotland's linguistic future, and argues convincingly for the necessity to retain and extend Scots if the nation is to hold on to its intrinsic values.

A sinister masterpiece, Our Mutual Friend was Dickens' last completed novel. It is perhaps his ultimate vision of a dark, macabre London and the corrupting power of money.